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totoum totoum is offline

Me at work

Visitor Messages

Showing Visitor Messages 681 to 690 of 1088
  1. Archon_Wing
    2012-05-10 02:26
    Oy, Okada at it again! That crazy Okada. :S
  2. Guardian Enzo
    2012-05-09 19:21
    Guardian Enzo
    Who said that was my first Bee Train? I've watched several, even liked one or two.
  3. Guardian Enzo
    2012-05-09 14:48
    Guardian Enzo
    Funnily enough, I've never seen Phantom. Worth it?
  4. Guardian Enzo
    2012-05-08 11:29
    Guardian Enzo
    I would think the writer normally has very little influence on casting, but Urobuchi is such a big name now that he could be an exception.
  5. 0utf0xZer0
    2012-05-08 02:45
    Replying a big later than usual because I've been binge-playing Dragon Age: Awakening...

    I know what you mean about the elegance factor with Mami. But to me, that's not quite it. Irisviel in Fate/Zero is very elegant but it doesn't make her moe the way Mami is. And in Mami's case, I feel that the elegance is part of her "charm", which is the factor I tend to see as linking these characters together.

    Your comment on sempai moe got me thinking, and I think I hit on something. For me, an "older" moe character - be it a simple "sempai" like Mami or Sora no Woto's Felicia, someone like HSI's Tomoe or Sola's Matsuri, or even MILFs like Akiko and Sanae in Kanon and Clannad - is usually moe because she has some girl-ish mannerisms that contrast with her age or rank. So it's not just general "charm", but a specific type of charm.

    Edit: Come to think of it Charlotte Dunois from Infinite Stratos gets her moe from having a certain level of refinement and charm as well and she's not a sempai character so perhaps it really can be boiled down to elegance/charm. "Refined but with a bit of zest?"

    In the interest of completeness should probably try and identify the exact moe points of tsunderes and yanderes too but I'm not going to attempt it right now, too late at night.
  6. Guardian Enzo
    2012-05-08 00:22
    Guardian Enzo
    What amazes me is how pissed people get when I delete spoilers! Why do they cling so fiercely to the privilege of ruining a show for others?
  7. Guardian Enzo
    2012-05-07 18:18
    Guardian Enzo
    Sorry about that - I'll delete and post warnings.
  8. Katapan
    2012-05-07 09:34
    Intuition est pas mal, ouais - je pense que c'est un cas où le sens est un peu moins fort que l'original, mais où on doit se satisfaire de cette traduction au péril de faire une phrase à rallonge / pas naturelle du tout. Enfin, ce n'est pas la phrase la plus évocatrice de l'interview de toute façon (les réactions suite à l'interview étaient du genre "le staff ? elle se fout des spectateurs alors ?" ou encore "vu comment Yukiatsu a tourné, tu m'étonnes qu'elle aime les personnages misérables" ).
  9. Katapan
    2012-05-06 16:36
    J'ai hésité à parler d'expérience tout simplement pour le point #1, mais j'ai l'impression que taikan est plus axé sur la sensation quand même (j'ai fait une petite erreur, les traductions proposées sont "bodily sensation, touch, experience", et non pas "bodily experience"). En français j'aurais eu moins de mal à le traduire, j'aurais simplement dit qu'elle écrivait ses scripts "au feeling", même si ça donne un peu l'impression qu'elle le fait à l'arrache.

    Ouais, je pense qu'elle veut se démarquer, mais elle a bien parlé d'odeur pour ça. Du genre "ah, cet épisode sent l'Okada" (ce qu'on se dit régulièrement dès que ça devient trop wtf, tu me diras ). Et c'est bien une simple hypothèse pour l'enshutsu (je peux pas trop parler parce qu'elle est dans l'industrie et pas moi, mais je pense quand même qu'elle sous-estime un peu le boulot...).
  10. Katapan
    2012-05-06 13:48
    Étonnamment j'ai pas eu de soucis de TGV depuis longtemps ! Pourtant, il y a facilement moyen de se planter quelque part entre Nancy et Montpellier, d'ailleurs c'était systématique à chaque voyage il y a 2 ans Je touche du bois quand même...

    Et voici donc quelques paroles de cette chère Okada:
    - I trust my senses to write my scripts. (Note: in the original, she trusts her 体感 taikan: lit. "bodily experience", I'll leave that part to your imagination when considering the scripts she comes up with for Mine Fujiko... ww)
    - I'm often told that my scripts feel quite 'raw', but that's probably because I hate conversations filled with lies myself.
    - If I had to pick one, rather than the viewers, I'd say that I write my scripts keeping in mind that I have to get the anime staff excited. I want to team up with a director who understands that.
    - I read my scripts out loud.
    - In my dialogues, I put much attention into making the characters give each other the cue. (Literally: she says she treasures the "catchball-like" nature of conversations.)
    - I like miserable characters who seek something but cannot obtain it.
    - I want to write scripts that have a (distinct) smell.
    - Even though I write scripts, I think I should be able to handle a job like enshutsu. (Usually translated as 'animation producer', more details over there.)
    - I want to write scripts that can traumatize the watchers.

    Ahaha, il y a tellement de points 'lolwut?' là-dedans. Je ne garantis pas que c'est parfait, mais il ne devrait pas y avoir de gros non-sens. Il arrive que mon anglais ait des ratés, tu préfèreras peut-être remanier deux-trois trucs selon les indications entre parenthèses si tu veux reposter ça quelque part !

About Me

  • About totoum
    Dublin, Ireland
    interesting stuff
    video editor
    Gunslinger Girl
    Dennou Coil
    Cross Game
    Girl Who Leapt Through Time
    Cowboy Bebop
    Panty & Stocking
    Madoka Magica
    Azumanga Daioh
    Sketchbook full color's

    Gunslinger Girl
    Liar Game
    Cross Game
    Kiyoku Yawaku
    Sun Ken Rock
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  • Last Activity: 2016-02-27 18:12
  • Join Date: 2007-11-19


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