Please remember to send stray
your love and babies for his translations.
Originally Posted by Kawamori's Interview in Famitsu
- Episode 1 : Kawamori is finally be able to see the culmination of 3 years of work.
- Kawamori on Episode 2: "I always dreamed that Minmay would have an older sister and I felt exactly that when we designed the mini duet of Ranka and Sheryl at the observatory."
- Kawamori on Episode 4: "This was a debt to Mikimoto, who forgave me for Minmay winning her pageant. Not only him, but Matsuda Seiko (Mikimoto's inspiration for creating Minmay) never won anything as an unknown. As I was writing the script, I thought to prove that Mikimoto would have been right."
- Kawamori on Episode 5: "This episode was written to definitively establish Sheryl as Ranka's big sister, but when we finished the script we discovered a new character through her qualities as a woman. This was our most edited script, and I still wasn't convinced this was an important character for Frontier. But Risa Ebata convinced me to give the changes a chance, and when I saw the fan response, I didn't give credit. Hours later we were in a conference with Big West to send a list of changes for episode 6 to our secondary studio."
- Connecting to Episode 18 : Though the script has been changed as early as Episode 5 to work Sheryl's character into the story, expanding Sheryl's storyline is another matter, as Kawamori isn't sure which direction Sheryl should take, so Ohnogi asked to leave everything into his hands; he was given free reign over Episode 18+ onwards as Kawamori watched. Here, this is where Sheryl's character is "remade" and polished in Episode 22.
- Episode 7: This episode was a gift to the mecha fans. Completely dedicated to them.
- Episode 10 : In the second half, Kawamori's cameo [the director] was unplanned. However, it [Ranka's fame] ended up being counterproductive, as Ranka in future episodes demanded much, so Kawamori believes her fame doesn't bring her good fortune. (The phrasing was vague in some parts, but this is the best I could do.)
- Kawamori on Episode 12 : "I only made this episode to make people angry, and from there, the kira. Someone who arrives to a battle singing nowadays isn't as crazy as in the time of Macross 7." (stray: "I think the gist of 12 is that he wanted to go from raaaage... to.... kira!")
- Kawamori on Episode 14 : "Here I wanted to pay homage to the work of a great friend (Ohnogi)."
- Episode 16 : Another idea of Mikimoto's. To show how a romantic idea (singing) under the perspective of whatever government lose it's romantic meaning to become an instrument of war.
- Kawamori on Episode 17 : He's teasing fans who didn't get the pineapple salad concept; it's not fatal for Skull Leaders, just womanizers. That Roy was Skull Leader and a womanizer was just a coincidence.
- Kawamori on Episode 20 : "This was the most difficult episode I've had to direct in my career. I read in diverse forums that people were sad. The staff was the same way. But we were able to express exactly what we intended: the desperation."
- Kawamori on Episode 21 : "This was the end of a cycle full of trying different things. The innocent version of Ranka Lee was different from the message we were trying to convey. Ohnogi then sent her on a voyage of self discovery. It was hard for us, and for her."
- Kawamori on Episode 22 : "Humility is the word. Ohnogi stopped here to polish sheryl. This episode is full of tests of humility."
- Episode 23 : Family, the simple life. Dreams and actions. A good episode to show the real motivations of the main characters.
- Kawamori on Episode 24 : "The last frontier of the heart is yourself. The fans loved the scenes of Alto and Sheryl, and I must say, so did I! They look great on screen. (laughs)"
- Episode 25 was Kawamori's dream made reality.
: How would you define frontier with respect to your previous work?
"While Macross plus is a history where conflict arises in profound mental and physical trauma, adding emotional problems, in Frontier I wanted to express the type of conflict that could occur if it is not possible to understand suitably. To continue, Frontier is an example of the tragedies that can occur when [one] could not understand someone, by the fault of lacking a suitable language."
Kawamori on Macross Frontier Movie
: The Macross Frontier movie will follow the guideline of "Do You Remember Love, I'd like for all to see Frontier on the big screen, with great sound."
On Kawamori's episode 25 vision, I'm assuming this is what the movie is for, to encompass everything as a whole while Kawamori took the chance in the TV series to see his vision spread out (even if it means sacrificing the structure built up from the last few episodes? Perhaps, perhaps not.)