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How did he address the Love Duel and Logic Error? One would think that would be... difficult to work around. There's no way Rosa can do it, which is fine if you just accept Erika doing it... except then what is the point of that dreadfully important Love Duel sequence and the fantasy murders? Why would there be a contest at all between two individual people and... some sort of fantasy of a dead person? Even if you were to accept Shannon and Kanon having a conflict despite being separate people (which for the sake of argument you could do, I suppose), that third wheel of Beatrice doesn't appear to fit there.
Also it's sort of basing itself on the implication that Ryukishi is more clever than he looks, which has been thrown into question time and again. It would also seem to ignore the entirety of Our Confession, which was marketed as a sort of hintbook to how a gameboard murder sequence is constructed. Is he dismissing that as yet more authorial misdirection? Why go to so much trouble?
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