Quote:
Originally Posted by Nemo_N
Man, talk about whining. His firing could have been unfair (I don't know the exact details), but airing it this way is just a cry for attention.
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I guess there is a bit of whining there, but that was a huge slap in the face to him, so I think he has a right to feel aggrieved. I've never heard of a thing like that happening before.
But in fact, I don't think of it as whining so much as (a) self-deprecating humor, and (b) revenge. He's not exactly drawing attention to himself over it, since it is such a big deal that Japanese otaku all know about it, even if some casual fans don't.
There are lots of theories about the firing, and I don't know which, if any, is right: poor time management, poor budget management, talking back to his producers, refusing to do enough product placement, or what.
I was never bothered by "abrupt" transitions in Lucky Star, since it was like a string of sketches, anyway. I thought the particular combination of sketches in each episode worked, and I didn't mind that there weren't smooth transitions between them. In fact, I kind of prefer that to making up some fakey business to go from one to the other. Yamakan is cool and ironic and self-referential, so that we know that this is a fiction and we are sometimes shown the gears and levers.
I think what Yamakan has, mainly, is a great sense of humor and a deft touch in making the humor work in the storyboard and the animation. As well as a great feeling for matching movement and music in OPs/EDs/insert songs (SHnY concert).