2009-02-06, 16:54 | Link #221 |
Former # 47
Join Date: Feb 2008
Location: In the forgotten past
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What was really so incredible was that it was Yumika that was doing it, and yet you were still more scared of Natsu. True mastermind inded. I am a little worred though about a few things.
It was like kyoko got in to deep. And also, Natsu might just be to strong for Rumi-chan, the protaganist. Can the protaganist win out against such evil? She might get caught up in Natsu's pace. Like Sho did in the PV.
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2009-02-06, 17:16 | Link #222 |
Mad Scientist #0000
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Natsu starts corrupting the whole BoxR plot XD
Soon she takes over the whole filming and become the director too!:P...And then She renames that to Eden Natsu...XD Just kidding (Sry can't help it...i love the seemingly passive but overly manipulative characters...be it good or evil...) |
2009-02-06, 17:27 | Link #223 |
Socially Inept
Join Date: Nov 2003
Location: Retracing my steps.....
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I loved the chapter but I can't help but wonder....do Directors always let actors ad lib so much as long as it makes for good footage? They are basically changing his script and doing whatever fits the (manga) plot. I love it all don't get me wrong, just thought that it's weird whenever there is any sort of behind the scenes look at acting in a manga (ive read others with acting themes) they try to show the main characters skill by having them think on their feet and improvise. Isn't the role of a good actor to become the character but also to follow the script? I don't know a lot about real life acting so I'm genuinely curious as to how off from reality this is or if it's actually par for the course. Anyone know?
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2009-02-06, 19:02 | Link #224 | ||
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Join Date: Dec 2005
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I know what you mean though - this is a strong theme with Maya in Glass Mask. In Kyouko's case, she hasn't actually done much normal acting that's actually been commercially used. As a rough summary: Bo is only partially scripted - ie some ad-libbing is to be expected. For the Kyurara commercial, they had no script and only rough directing. For the PV, there was no spoken script, and everything had to be done via facial expressions - and had to be redone until gotten right. For Dark Moon, once Kyouko had actually fully developed her Mio, it doesn't feel like she did any improvisation - she did whatever Ogata asked her to do, which included changes he thought of. Though of course, Kyouko did change Mio's hair-style into something rather different from the script. But, Mio gets few lines. For BOX"R", Kyouko has been sticking to the script and director's instructions pretty well I think - even though Natsu's visuals/impression has changed a lot, that's not ad-libbing. The bullying scenes are supposed to be ad-libbed (though we don't really get their context, so far). So far, only Mio and Natsu are Kyouko's proper acting jobs - Chouko (from all the way back in vol 2) could have been though. Curiously, while Kyouko's acting resume is still very thin, she has a lot of experience with ad-libbing outside "pro" work - the "acting test" which also helped Maria, the Kyurara acting tests, pretending to be Mizuki for Ren and more recently, Kuon. All of that was difficult - required creativity and quick thinking.
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2009-02-06, 19:44 | Link #225 | |
Socially Inept
Join Date: Nov 2003
Location: Retracing my steps.....
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Western acting seems more rigid and structured than what I've seen of Japanese acting, but then again mostly what I've seen is from manga or anime about acting so it's not like I have much to go on. From my Japanese literature and film studies seminar I learned that Noh, Bunraku, and Kabuki are all pretty rigid as well, so maybe there really is no defined "Japanese" way of acting. Then again ...why should there be. I'm just rambling at this point. I just think it would be surprising to find out that the Japanese prefer a more ad-lib type of style for stage acting, when they have a tradition of being *very* strict when doing the more traditional Japanese stage performances.
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2009-02-06, 23:08 | Link #226 | |
Former # 47
Join Date: Feb 2008
Location: In the forgotten past
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2009-02-07, 19:06 | Link #227 | |||||
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Join Date: Dec 2005
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There's a couple of superficial similarities between Maya and Kyouko, but they're chalk and cheese if you compare their personalities. (Hardly a surprise, Kyouko feels like she's in her own category) Maya mostly does stage acting, and when doing it live she will "become" the part, like Kyouko does. However, she rarely does that outside of being live on stage - Kyouko can become the part in just about any situation, as we've seen most specially with Natsu. I wouldn't be surprised to see Kyouko eventually create a "Kyouko the actress" persona and "become" that persona most of the time - like how Kuon seems to have created "Tsuruga Ren". Quote:
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2009-02-07, 19:22 | Link #228 |
Mad Scientist #0000
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Thanks to Natsu, the Gore level of Skip Beat will exeed even the Berserk's:P...ok another funny comment, but back to seriousness: I think we seen enough bullying...most propably we don't see so much(or even some) bullying scene regarding BoxR shooting...
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2009-02-07, 20:16 | Link #229 | |
Senior Member
Join Date: Dec 2005
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But yeah, I think (I hope) this is the most extreme we'd see... though Natsu is due to face off against Rumi's character for the climax. I'd imagine we'd get to see that at least. On a side-note, I don't think we even know what kind of drama BOX"R" is - I wonder how much material needs to be shot until we get to the climax scene? Is it a stand-alone 2 hour drama? A short series?
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comedy, shoujo |
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