2013-04-16, 06:55 | Link #102 |
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Do i have to remind you what i said?
Also comic books give us an interesting thing on what was happening in the USA, like let's take your example of the x-men from 1963 and the racism issue in the US in the 60's. Or the more obvious one being captain america in 1941 and WWII Last edited by CrowKenobi; 2013-04-16 at 15:02. Reason: Please use the "edit" button to add content to your post instead of double posting. |
2013-04-16, 06:59 | Link #103 |
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Superheroes all but died out for a significant period due to this man. In the 1950s, superheros took a major hit in the public consciousness.
The 1960s titles I listed weren't just riding off the coattails of Batman and Superman. The 1960s titles I listed played a substantial role in reviving superhero comics from what Wertham did to them. So the popularity of superheroes is not just a carryover from the 1930s. Look, hyl, this is the bottom line - North American audiences have no problem with heroic characters with super-powers wearing flashy/unusual costumes. In fact, such characters have never been more popular than what they are now. There is no particular reason why magical girl anime couldn't tap into the same audience that likes superheroes. I myself am a magical girl anime fan in large part because I was previously a superhero fan.
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2013-04-16, 07:11 | Link #104 | ||
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While you might want to use the example of Madoka , Madoka itself is quite an exception among Mahou shoujo series (even for regular anime viewers). Most western non-anime watchers associate sailor moon,rayearth and cardcaptor sakura as their primary example of Mahou shoujo series. Last edited by hyl; 2013-04-16 at 07:27. Reason: forgot that the silver age was slightly earlier |
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2013-04-16, 08:09 | Link #105 |
Cross Game - I need more
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I think the point is that mainstreaming could be done with certain anime. Not so much the medium of anime, but the stories. And once the stories become mainstream, then the medium will gain respectability as well, much the same as how the live action movies made comic books, Star Trek, and Battlestar Galactica more acceptable to talk about.
Usagi Drop is another example of a show that could be easily mainstreamed in another medium. It's basically a show in the mold of Full House. Full of "D'awww" moments. The main problem anime has right now is that it's associated with perverted antics, and toy/game series (think Pokemon), and shounen fighters. That's a very limited market. Transformers has made a break out, but it was heavily westernized from the beginning so most don't think of it as "anime."
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2013-04-16, 09:55 | Link #106 | |||||||
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My argument has always been aimed at stating Japan's unwillingness to embrace the current adult culture as what is hurting Japan's cultural value to today's society. They are behind in music, video games and the only they are good at is now a sad former shadow of itself dictated by BD sales.
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2013-04-16, 22:05 | Link #107 | |||||
Boo, you whore
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Also, keep in mind that while superheroes can be considered mainstream now thanks to Hollywood, that wasn't always the case. Comic book fans were basically shunned by the mainstream for a looooong time. I guess you can make a bunch of magical girl anime mainstream by making Hollywood adaptions of them, but I don't think anime fans want that at all... Quote:
People are already turned off by anime because of, uhh...fanservice, and your solution is to make the fanservice more exterme. Well...I'll watch that, but I doubt most of the public would. Quote:
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Would your coworkers accept it better than anime? Sure. But from a business perspective, that doesn't really work when there's no one actually watching. Businesses want to make a profit. Right now the only companies interested in licensing Korean dramas for North America are stream sites and Asian-language channels. That doesn't scream "success" to me. Well, ok, there's Korean games, but...most of them aren't exactly of "cultural importance". In fact, a lot of people confuse Korean games with Japanese games.
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2013-04-16, 23:08 | Link #108 | |
Augumented Paranoia
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The problem is this kind of fanservice is the complete cocktease kind of fanservice. Not the softcore "pink masting" blood and gore kind of fanservice people want when it comes to late night shows. HBO's audience is mostly the kind who likes mature and adult shows, from simple dramas to titilating comedies unafraid of censors. So yeah, anime can fit that niche just fine as long it meets the HBO's standards for adult content.
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2013-04-16, 23:38 | Link #109 | |||
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("I've got all these eggs, but I'm only selling 1/4 of them... I can't break even like this. Wait, I know! The real problem is I don't have enough eggs; if I have double the eggs, I'd make double the sales! Quick, go buy more chickens!" Wait a minute... ) Quote:
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But that aside, there is already anime content like that. Where is the demand? Does it sell? Is it also just a marketing problem? Incidentally, I would also just say: if we're talking about content that is designed to appeal specifically to the HBO/Starz audience and has that same aesthetic, why don't they just produce it themselves? If they really like the anime look, why not just contract a Japanese anime studio to produce it? I mean, what is it that we really want to get out of this in the first place? What distinctiveness does anime really bring to this equation anyway? I guess all that to say that it's fun to speculate and say what we'd like to see, but if it were really so easy, the people whose invest their lives in this industry would most likely have already figured it out. Because otherwise, if someone here can develop the magic pill and come up with the workable business plan, then they'd better be talking to investors not us.
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2013-04-16, 23:46 | Link #110 |
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There have been anime shows with actual sex scenes in them. Kimi ga Nozomu Eien, School Days, Yosuga no Sora.
All of these enjoyed some degree of popularity (or notoriety as the case may be ), but none were megahits, IIRC. I don't think that just throwing sex scenes into anime will make it go mainstream in the west. It might help, I suppose (replacing the "sillier" fanservice bits with serious sex scenes would make the anime show seem more mature, I guess), but I don't think this alone would have a major impact.
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2013-04-16, 23:57 | Link #111 | |
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2013-04-17, 00:06 | Link #112 | |
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In any event, I don't think there's been any eroge adaptation that's truly gone mainstream in the west, so I have my doubts that simply ramping up sex content in anime will make it more mainstream. In fact, I could see it backfiring. I could see it reinforcing the perception that many have that anime is just animated porn (and this is precisely why some people pass on it).
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2013-04-17, 00:20 | Link #113 | ||
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2013-04-17, 00:30 | Link #114 | |
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2013-04-17, 00:38 | Link #115 | ||
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No, but it clearly has the same sort of date sim skeleton that eroge does. It has "girls routes". It is a VN.
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Frankly, your quote here is like saying "As for Superman, he has a large fandom of "DC" fans so that he will always tend to sell very well (even secondary Super-family characters like Supergirl)". That's really missing the point. Key isn't famous just because its Key, just like DC comics isn't famous just because its DC comics. Kanon, Air, and Clannad made Key famous just like Superman and Batman made DC comics famous. Quote:
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2013-04-17, 00:42 | Link #116 | |
Boo, you whore
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Key works are the exception, not the norm, IMO. Type-Moon works also sell very well, but they are very different from your typical high school eroge works.
As for sales, Clannad did really well, but for Kanon...not completely sure, IMO, but considering that there's a Funimation SAVE version of it, it's most likely that Kanon did somewhat badly in the US. Quote:
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2013-04-17, 00:48 | Link #117 | |||
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Something that pays of due to the sympathy/empathy that the viewer gets for the characters before dramatic/tragic events happen. Also "taste of moe" is subjective |
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2013-04-17, 01:17 | Link #118 | ||
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Some moe girls aren't too far off from a real life American teenage girl. But others are so radically different from your real life American teenage girl that a general American audience wouldn't find them believable and/or acceptable as characters. Ayu Tsukimiya, Kotomi Ichinose, and Fuko Ibuki are three such moe girls, imo. And I write that as somebody who loves Kotomi. It's just a bridge too far for people who aren't already seasoned anime fans, imo.
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2013-04-17, 01:21 | Link #119 |
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You seem to be missing the point that back then, having an anime adaption of an eroge was very rare and almost unheard of (well, you did have "to heart" and "comic party"). I am pretty sure Toei took huge risks for and they did rely on the already existing fanbase.
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2013-04-17, 01:25 | Link #120 |
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I'm not talking about the Toei Kanon. I'm talking about the much more commercially successful KyoAni Kanon. Given that the KyoAni Kanon was the much more commercially successful one, I thought it was clear it was the one I was talking about. However, perhaps I should have made that explicit. Sorry about that.
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