2011-04-07, 03:36 | Link #301 | |||
Pretentious moe scholar
Join Date: Oct 2006
Location: Vancouver, Canada
Age: 37
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You're both wrong, Azusa isn't promoted to main character until episode 9, meaning season one is about approximately 4.43 cute girls doing cute things.
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Of course, given that a) I have a weakness for cute slice of life and b) I feel that EF and True Tears proved that Shaft and PA Works can do VN style works just as well as the Key-KyoAni combo, I freely admit that I also just really don't care that much. Quote:
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Eh, I'm actually a supporter of the theory that the biggest beneficiary of endless eight was actually Akiyuki Shinbo and Shaft. Endless Eight did not sell nearly as well as the other Haruhi products and all that otaku spending money had to go somewhere.
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2011-04-07, 03:52 | Link #302 | |
On a mission
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I mean, what other franchise could get away with a gimmick like that? I mean how can it sell as much as Kanon 2006? (which at least, had content)
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2011-04-07, 04:05 | Link #303 |
Senior Member
Join Date: Oct 2007
Location: ¯\(º_o)/¯
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Well Haruhi had always revolved around one gimmick or another so Endless Eight stayed true to nature of the series at the very least
But you're right i don't think any other franchise could get away with something like that except bar another juggernaut franchise of equal or greater size. Also i wonder how much of the Season 2 sales were blind-sales. I mean wasn't that the whole purpose of keeping quiet about the new episodes in the 09 reairring?
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2011-04-07, 04:06 | Link #304 | |
Pretentious moe scholar
Join Date: Oct 2006
Location: Vancouver, Canada
Age: 37
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Now if you're asking how E8 sold 15K, I credit that more to "need it to complete my collection" than rational buying.
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2011-04-07, 04:16 | Link #305 | |
On a mission
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has Kanon selling around 18k; 15k's pretty close. And if people are buying it for the sake of collecting, I guess content really doesn't matter then.
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2011-04-07, 04:19 | Link #306 | |
Yuri µ'serator
Join Date: Nov 2009
Location: FL, USA
Age: 36
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2011-04-07, 04:19 | Link #307 |
(¬‿¬)
Join Date: Apr 2010
Location: Boyzone
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A big problem(?) with Kyoani is this:
Full Metal Panic - Kadokawa Air - Key Haruhi - Kadokawa Kanon - Key Lucky Star - Kadokawa, Clannad - Key Munto - Original K-on! - Honbunsha Nichijou - Kadokawa Kadokawa Shoten and Key/Visual Arts are big Otaku-centric companies within the anime business. They have a deal with Kyoani: They pay lots of money to Kyoani, who in return animate their products to a high(subjective) standard. How much money? Well, high enough for there to be a clear difference between the first season of K-On! and any Kadokawa or Key production with regards to presentation. Since Key has apparently gone over to PA works, if you want Kyoto to animate something with more substance, tell Kadokawa to stop throwing otaku mascots at them, or ask them to switch business partners(unlikely since the partnership is clearly profit mutualism). |
2011-04-07, 04:24 | Link #309 |
<em style="color:#808080;">Disabled By Request</em>
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Too early to say at this point as Angels Beats was P A Works' first and only Key adaptation so far. Not to mention it was an anime original piece and not based off one of Key's VNs. I think the only reason it got the label "Key" was they pretty much "own" Jun Maeda .
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2011-04-07, 04:32 | Link #311 | |
This was meaningless
Scanlator
Join Date: Jan 2004
Location: Not on this site no more.
Age: 36
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I also agree with 0utf0xZer0's point that they do different approaches with the 4koma series they have adapted. If you look at Lucky Star it really indulges in the otaku subculture much further than the source material's jokes and integrates a level of storytelling to fill in character relations. Their adaptation of K-on (a manga I find vapid enough to not buy despite owning K-on DVDs, BRs, and other merchandise...) turned a series of plain 4 koma jokes that occasionally had something to do with music into an after school special that idealized the high school experience and coming of age. |
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2011-04-07, 04:33 | Link #312 | ||
671
Join Date: Feb 2010
Location: Tano y Chamorro
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This is a false statement. Nichijou is drawn as a traditional manga, not a 4koma. It does however make use of the 4koma format very rarely and for special short chapters, as many other manga do. Looking over my copy of the latest volume I see maybe 10 pages in the 4koma format out of a total of 150+ pages.
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Kyoani on the other hand has only been the main studio behind a grand total of 9 franchises in their 30 year history. When other studios are producing more series in 1 year than you have in 9 years (2003, which is when they made the jump from subcontractor to full fledged studio), then of course those other studios are gonna have more diverse portfolio's. Quote:
While other studios divide their staff members and manpower into as many projects as they can (making up for the rest of the staff through freelancers, subcontracting studios, and outsourcing), Kyoani devotes all of it's resources into a single series (or 2, as in the case with 2009, which was an extremely hectic year by Kyoani's standards). If Kyoani really wanted to, they could easily produce anywhere from 3-5 shows in a season with the amount of staff members they have. |
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2011-04-07, 05:03 | Link #313 | |
Senior Member
Join Date: Jan 2009
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Haruhi S1 (2006): on average 43,000 DVD's per volume Haruhi S2 (2009): on average 18,000 DVD's per volume Haruhi Blu-ray box S1+2 (2010): 33,000 BR (extreme sales for a boxed set) The transition from DVD to BR makes it hard to compare Haruhi to anime that got an BR release from the get go, like Bakemonogatari and K-on. Many fans seem to have held out for a BR release. If you add up the totals Haruhi averages at 61k copies for a 28ep combined season. In comparison combined for DVD and BR, K-on S1 sold 43K , K-on S2 is now averaging at 37k (vast majority BR). Bakemonogatari is still quite a bit ahead with 78k (bit odd as it had both high DVD and BR sales at the same time). Last edited by Bri; 2011-04-16 at 14:10. |
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2011-04-07, 06:30 | Link #314 | |||
<em style="color:#808080;">Disabled By Request</em>
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J. C. Staff has been responsible for two highly acclaimed noitaminA series - Honey & Clover and Nodame Cantabile, which are josei mangas. They are responsible for producing the popular Kugimiya Rie series (Shana, Zero no Tsukaima, Hayate Combat Butler, Toradora). They also did some oddball series that you wouldn't expect such as Shigofumi and Otome Yōkai Zakuro. They also have several shojos in their belt such as Kaichou wa Maid Sama and Uragiri wa Boku. Hence, they adapt from various demographies and source material forms. I do admit that J C has been downhill in quality lately, and animation quality can differ from series to series. As for Bones, apart from shonen manga adaptations, they've done a very popular shojo (Ouran High School), a western-cartoon like anime called Heroman, mystery series Gosick, natural disaster anime Tokyo Magnitude 8.0 and they have a notamina series called No. 6 scheduled to air next season. Like with J.C., its portfolio is much more diverse. Even if you take away the type of source material KyoAni's adapts from, the content from KyoAni shows are very similar. They are either slice of life/4-koma like comedies or the "one guy helps with lots of girls with their problems" style, which I acknowledge is due to Key. Not much variance in content either. |
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2011-04-07, 08:37 | Link #315 |
Also a Lolicon
Join Date: Apr 2010
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1. I think we'll see some FMP eventually. A lot of the KyoAni staff seem to be big fans of it.
2. Nichijou just feels a lot like KyoAni's 4koma adaptations. I think instead of 4koma, a better term would be cute girls doing cute things. 3. KyoAni occasionally makes series outside their usual cute girls do cute things or Key, FMP would be an example. It's just they dont make that many series total so it doesn't seem like they made a lot of series outside their usual. Looking at your prior post, 2/9 of KyoAni franchises are something different. 22% of what Kyo Ani makes is not what they usually make. I'm not willing to find the percentage of other studios since they have a lot of franchises, but I would guess that they would be around the same. |
2011-04-07, 16:38 | Link #316 | |
This was meaningless
Scanlator
Join Date: Jan 2004
Location: Not on this site no more.
Age: 36
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Kanon was a story about fulfilling promises and creating miracles. Clannad was a story about family relations and finding family. Air was about transience of interpersonal relations. FMP contrasted warfare and turmoil with the peace of school life and the occasional light hearted side story. Lucky Star was a playful criticism and indulgence of otaku subculture supported by a cast of almost by the book moe archetypes. Haruhi is a supernatural work that touches on mysteries and conspiracies with dry humor narration. K-on was a slice of life comedy with coming of age subthemes. I don't understand how this variety of themes and stories could be boxed in as similar. |
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2011-04-07, 17:15 | Link #317 | |
Bittersweet Distractor
Join Date: Nov 2007
Age: 32
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The same goes for animes like Lucky Star, K-on!, and now nichijou. They all rely on playful fun and randomness. They try to get the audience to laugh with them, and celebrate the cuteness of each anime. Again, all too similar. FMP and Haruhi are the most unique titles they've released, which is not surprising considering they are both LN adaptations in comparison to KEY VN adaptations. Basically people are tired of the lucky star/k-on!/nichijou formula and want a little more of their earlier formulas, or something completely new and refreshing, like FMP and Haruhi was for many people. They could even stretch it further and do something they've never done before. I didn't mention Munto, because as everybody knows, that anime was garbage.
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2011-04-07, 17:33 | Link #319 |
Gamilas Falls
Join Date: Feb 2008
Location: Republic of California
Age: 46
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Perhaps they aren't tired of it at all yet which is why they can still make money off such titles.
As for Haruhi, they just did the movie and the 10th novel should be out within two months, thus giving them a good reason to tie in a third season in the not to distant future. FMP was GONZO first, then a collection of anime studios where KyoAni gets the majority credit. It did not sell all that well compared to anything else KyoAni has done (aside from Munto) if I recall. Add to this the nature of those novels after TSR and we have high risk verse sales. Who wins that one generally if you can't justify sales verses a very long anime? Munto was their original product...their first anime (shown online in 2003). It did well enough to get them FMP and Air. The remake and continuation of it in 2009 seems to have been mostly lost because no one cared anymore...and it was mostly a copy of the original at first (unlike the Kanon remake of 2006 which was reportedly better overall than the Toei 2002 version). I don't know how its movie (also in 2009, KyoAni's first movie) went.
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2011-04-07, 17:35 | Link #320 |
Bittersweet Distractor
Join Date: Nov 2007
Age: 32
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Well I more or less was talking from the perspective of some of the critical people in the last few pages, not for everybody in general. Of course, things like K-ON! have enjoyed considerable success and KyoAni can laugh all the way to the bank.
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