2006-05-26, 21:30 | Link #1 |
Senior Member
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CPM appears to be gone
A sad day indeed, it looks like CPM is filing for bankruptcy.
Check animeondvd.com or animenewnetwork for a few sparse details. They had Patlabor, Yami no Matsuei, Project Ako, Record of Lodoss War...and many other classics that fans in R1 got their start off of...myself included. They had lamost finished a very spiffy re-release of VOTOMS..of which we are all still due waiting on the last volume +nice box for....nobody knows anythign yet on it or there other upcming releases...like a final uncut versions of the Yotoden OVA. A sad day indeed. |
2006-05-27, 08:41 | Link #6 |
Watakushi wa heiki desu!
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I have the entire Patlabor show on VHS, I'll sell you cheap.
The shows are a little different from the movies, more humor for one thing, but they are pretty good I think. (I bought it on VHS and now also bought the DVDs) I have quite a bit of CPM stuff, they did sell some nice shows. Too bad they are out. Last edited by Sakaki; 2006-05-27 at 12:57. |
2006-05-29, 09:03 | Link #9 |
Waiting for more taiyuki!
Join Date: Jan 2004
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I suspect that the Musicland bankruptcy had something to do with it also.
They were also trying to survive by appealing to a niche market (classics), but the niche market wasn't enough to sustain them imo. I think that they are the new casualties of the current flood of anime and the increased cost of licensing new titles also. Since they didn't have many popular new releases, their presence in brick and mortar video stores was limited dealing them the ultimate death blow imo.
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2006-05-30, 10:35 | Link #10 |
Resident devil
Join Date: Nov 2004
Location: Philippines
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CPM didn't become a classics anime company by choice, but by circumstance....financial limitations. At least they were able to grab hardcore niche titles like Narutaru and Now and Then Here and There (both which I love). They also put independent producers in the spotlight like the creators of Negadon and Kakurenbo (methinks they would have also gotten other Comixwave creators like Makoto Shinkai if ADV didn't outcash them at the time). The ironic thing is that they were among the first to co-produce hardcore anime titles like MD Geist (which sucked, but it was a milestone at the time).
As a once-staple of Blockbuster VHS anime offerings, CPM titles will be missed. |
2006-05-30, 15:08 | Link #13 |
Senior Member
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Yeah...that blurb gives some hope....but it still doesn't contain near enough info to understand what is happening in the future and with all of their properties.
Hopefully the picture will get clearer by tomorrow or something so I know how to adjust my R1 anime purchasing plans one way or another if I need to blitz all the titles they have left that I don't already have. |
2006-05-30, 15:19 | Link #14 |
Resident devil
Join Date: Nov 2004
Location: Philippines
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Somewhat related to being affected by Musicland, I wonder when anime companies (or more importantly, retailers) will get off the brand-management business model and adopt the publishing industry business model. I know nothing about either, so someone shedding light would help. Is it just me or why aren't booksellers complaining of declining shelf space like the DVD retailers?
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2006-05-30, 19:34 | Link #15 | |
Online Ronin
Join Date: Jul 2004
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2006-05-30, 22:05 | Link #16 |
guess
Join Date: Nov 2003
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Am I the only who think this is expected because CPM has done a poor job on their release?
For all of my DVD, only Utena is relased by CPM and I am not pleased with their release even then. The quality is OK. The translation is off sometimes and most of time, it is just been cut or edited (censored?) too much. If the translation is not good enough, I don't care how much extra they pack in the DVD, not to mention the dub is poorer among most of the major anime dub distributors. Maybe some other companies can re-make the shows previously licensed by CPM.
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2006-05-30, 23:01 | Link #17 |
Waiting for more taiyuki!
Join Date: Jan 2004
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@guest: You're assuming that the other distributors would want to. Most classics do not bring in that much money nowadays. I always consider it to be a "labor of love" when classics are released by a distributor. Region 1 likes new, bright and shiny. Take SDF Macross for example. ADV brought that over and added a dub. A person in an "Ask John" question called it a "waste of time".
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2006-05-30, 23:11 | Link #18 | |
guess
Join Date: Nov 2003
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Still, I think if CPM had done a better job on their release, it might have been different.
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2006-06-01, 07:20 | Link #20 | |
HnK founding lunatic
Join Date: Apr 2003
Location: Maryland, USA
Age: 41
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How much of Utena do you own? There was a large gap in production after the first arc due to licensing issues, and the work on the following volumes was far superior to the previous work. Frankly, the Utena Movie DVD still stands out in my mind as a reference quality disc - Ikuhara-san, the original director, was flown in to personally oversee the translation and dubbing process, as well as to provide a newly-recorded commentary track. All this was in addition to a gorgeous video transfer (aside from a one-frame technical glitch that most people didn't notice) and providing the best audio available for the movie at the time (the R1 release predates the creation of the 5.1 remastered audio). And any company with such a stellar release of Now And Then, Here And There (and Narutaru, though I haven't personally seen that one) can't -possibly- be faulted for censoring.
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