2012-12-19, 11:55 | Link #31441 | |
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At the beginning Beatrice became an excuse for clumsiness, probably even encouraged by Kumasawa's storytelling among the servants. If keys vanished, windows stayed unlocked after midnight or rooms were untidy, it was the witch who did it. This led to Beatrice becoming a kind of valve to vent feelings. Yasu could run about the mansion playing tricks on people whom he felt threatened or at least poorly treated by, using the excuse that it was all the witches doing. Among the servants this idea would be supported or met with a certain degree of punishment. This cycle continued for Yasu, using Beatrice as a simple excuse for either a lack of decisiveness or the maliciousness of certain deeds. Beatrice became not only a threat towards the outside world, but also a handy escape route. This is interestingly shown with Kanon's accusation at the beginning of EP2, when he says that Beatrice only helped the relationships grow to see them destroyed in the end. I wouldn't say that Yasu necessarily believed into the pre-existence of the witch Beatrice as it is told in the stories, but he grew up using Beatrice as an excuse and she became part of his life. In that sense Beatrice really did 'exist', not only as a bomb. I wouldn't be surprised if there was a certain amount of believe into witches and magic, the Golden Land and Beatrice; with all the preexisting narratives flowing together and Kumasawa and Genji practically raising him up to assume that role (though not in the way Yasu imagined Beatrice). Maria was apparently to a certain extent aware that magic was not 'real', or else she wouldn't have had so many counter-reactions towards people denying it (both in the stories and her diary), but her life was 'better' (or rather easier) with magic existing in it. I am not denying that this makes him a dangerously insane individual, but I would say it's what makes him tragic. And I would say that this situation was largely nurtured. |
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2012-12-19, 12:56 | Link #31442 |
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@haguruma: Beatrice may have began that way, but once the witch pranks started, I don't think Yasu stayed the same. Yasu seems extremely proud of those with pranks, enough that she eventually makes them the basis for her big self-insert novel. Which means they were also a big part of her desired relationship with Battler.
When she does those pranks and spreads this gospel of Beatrice, she isn't blaming a scapegoat. If anything, she's using Bestrice as a tool to get the other servants to respect her. And though her methods are a bit questionable to say the least, she does succeed in making friends with the people who bullied her, and probably makes them take their job more seriously in the future. Which is what her responsibility as the senior servant was in the first place. In other words, Yasu isn't a person who is overwhelmed by her environment, but someone who tries to control her environment. Her insecurity as a lover doesn't cancel out her pride in other matters. Be it Shkanon, being a role model for Maria, or creating closed rooms, she's willing to be proactive and take risks if there's something she wants to accomplish.
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2012-12-19, 13:17 | Link #31443 | |
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I would say the problem is that Beatrice creates all those things, not Yasu. The initial scapegoat assumed too much power and became the stronger 'identity' (in a socio-psychological way). I wouldn't say though that Shkannon was a risk in general, I think the 'identities' of Shannon and Kanon were largely born out of their interaction with George and Jessica respectively (I would go so far to assume by now that Kanon was created solely for Jessica). I kind of got this idea when reading Beatrice's introductory monologue from EP2 again, where she likens the eating of the fruit of knowledge and realizing love to becoming human. |
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2012-12-19, 15:18 | Link #31444 |
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Eh, I think Kanon did probably originate as an outlet for Yasu's negative emotions before the thing with Jessica; a lot of the conversations between Shannon and Kanon really seem to stress how Shannon is incapable of feeling resentment towards pretty much anyone, while Kanon expresses the negative sentiments that she isn't able to. But obviously she didn't show that persona to the outside world until the incident with Jessica, and she definitely becomes the defining point of that particular identity.
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2012-12-19, 18:46 | Link #31445 | |||||
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Also in both Yasu there's a side of her she shows to the world and one that's her true self but that she keeps hidden. She could have told Jessica she was in love with Battler and Jessica would have probably helped her like she did for George, instead she kept this hidden and was fearful she would make fun of her. She could have tried contacting Battler but she was afraid as well. She could have told George the truth but instead she just waited for him to figure things out. Yasu is a quite complex character who's willing to take some risks (at least on the gameboard) but out of it she's a lot less active, at least openly. Prime Yasu might have been planning an easier way to deal with things but gameboard Yasu chose a more aggressive approach but... well, she's just a character. Even if her life was the same with Yasu till the moment the story started, once the story started KillerYasu is a fantasy the same as Yasu being the witch Beatrice. Quote:
Let's consider that: When Battler is around Beato is always stronger than Shannon and Kanon (Shannon being stronger than Kanon). From this we can figure out that Yasu's main interest was Battler, followed by George, followed by Jessica. It doesn't mean she didn't care for George or Jessica just that she has priorities. It's also likely that Yasu was planning for Shannon to 'cease to exist' had Battler returned on a white horse. Without considering Beato an eventual relationship is rather troublesome. First of all it's either Shannon or Kanon who's going to have a relationship as Yasu likely doesn't picture a menage a trois. Second, she should have to trust the person with whom she'll start the relation to be serious and considering she was burn once she likely isn't so prone to trust people. Third, there's the problem of her being a servant with the following opposition of the parents of George and Jessica. Forth, if she were to declare herself as the heir there's not only the problem of the consequences this could have (from the parents finding a way to deny her rights as heir to her fearing Jessica or George would refuse her as head) but the fact a relation couldn't exist as she would become George and Jessica's aunt/uncle as well as their cousin and, as their aunt/uncle she can't marry them. Fifth there's the problem of the terrible wound that makes her body unable to love. We can say: all this is meaningless George and Jessica love her enough to face all those problems but is she believing this? Although in her stories George and Jessica are represented as truly in love Kanon is clearly pessimist about everything. Shannon is a little more hopeful apparently but she's also aware the end is coming close so she's not really betting on a long term relationship with George as she knows Beatrice will wipe her out. So, is it really Beato who ruins the lovestory or is Beato the one who pushes them to act before it's too late? Beato is more... like Yasu's hidden will. She does as she pleases and she says as she pleases. In Ep 2 she likely told Shannon what were Yasu's fears. Although Shannon's answer is brave it sums basically to a 'I'll content myself with what I got'. She doesn't really counter with a 'you're wrong, I'll survive with George and we'll have a happy life'. We can draw a parallel between her and the Beato of Ep 8 who drown herself, or even with Lion who was considering to stop fighting until Will reminded him he was Clair's only hope. I think if Yasu could have chosen she would have wanted to be Beato. Beato's downside however is that, differently from Kanon or Shannon, she wants to act she doesn't want to content herself, to stay passive. While from a side this must have seemed awesome, on the other side it must have seemed scary and horrible. A side of Yasu wishes for things to never change to stay as they are. Beato brings change and, while change can be good, it can also be not so good especially considering she views herself as someone trapped in a doomed fate. Quote:
There's to say that Beato gets the role of the 'bad guy' because she's willing to do something to get what she wants opposed to Shannon and Kanon who're more passive. When we look at Ep 6 we see whoever of the 3 who would have wanted to pursue his relation would have been 'mean' to the other 2 as he would have stopped them from pursuing their own relations. There are only 2 ways to reach a 'happy ending' for all the 3 couples: doing nothing which however would stop the love stories from advancing dying and reach the golden land where every wish can come true. In itself neither of the 'good endings' is good. Quote:
There's plenty of parallel with Yasu and her way to face life. Among them there's the imaginary friend of the main character, Vicky, whom is actually a personification of some sides of the main character. Blaming Vicky is, in the book, more a parallel to blaming certain sides of Victoria's character for what's going wrong. The same probably applies to Beato. Yasu knows there's no Beato, Beato is just a personification of certain things about her, some of which good and some of which bad. Blaming Beato is more likely like blaming a part of herself... but the interesting peart is that while blaming Beato in front of others is 'safe' as she shift the blame, at the same time she would like for Beato to be recognized. I think Yasu is filled with conflicting feelings which doesn't really make easy to pin her down to simple definitions. Quote:
As she grows she learns she is expected to act as 'Shannon' but, sadly, her own wishes differ from what she's expected to do, from how she's expected to act. Beato takes charge when Yasu decides to act according to her wills, not according to how she's supposed to act. The whole about Beato being hidden probably represent this. She was supposed to act in a certain way, to be a certain way so she hid inside herself all that she wasn't supposed to feel or want and called this 'Beato'. In a fashion Umineko is also a psychological tale about the inner turmoils of a girl that turns everything into a fairy tale. Tricks are 'magic', things that can't be found are 'taken by Gaap', the wish to prank others and to have a certain degree of control on others takes the shape of 'Beato', the perfect servant she's supposed to be is 'Shannon', the regret and bitterness are 'Kanon', the older servant who helped her is her magic teacher, certain becames Lambda, miracles Bern, guns the Siesta bunnies, which stakes are the 7 sisters. It's all very similar to how Maria called the 'bad witch' Rosa when she was mean with her. |
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2012-12-19, 18:58 | Link #31446 |
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What I found interesting about Beato's little monologue in ep 2 (apart from how much it reeked of self-hate and tied in to what Eva said), was apart from Shannon seeming not to know Beatrice (whether that be just for the narrative or because of forgetting her after creating her) was that it was all about Beato teaching Shannon to accept love. So I guess until then Shannon and Kanon had assumed they would never love because they had given it all to Beatrice, but it didn't work. Then when Shannon later tells Beato it is she who doesn't know how to love, all hell breaks loose.
Also, the first thing Jessica says to Shannon about George is that he is a family man, to which Shannon says "I am not qualified.....". Ouch. |
2012-12-19, 19:04 | Link #31447 | |
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2012-12-19, 19:43 | Link #31448 | |
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The narrative stopped talking about Yasu when Yasu became Beato, after all, while we can say her body became Shannon. We can see Yasu only in 2 more moments: one in Ep 6 when she creates Beato and the other in EP 7 when she passes the bud of love from Shannon to Beato. Otherwise it's all Beato, Shannon and Kanon. |
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2012-12-20, 06:31 | Link #31449 |
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Though I think it is wrong to say that we do not see Yasu. Yasu is merely seperating everything about himself into 3 entities, but then again including 3 seperate narratives (that of Beatrice Castiglioni, Beatrice II and the ghost of Akujikijima) into one of the 3 entities, Beatrice.
No, I would say that he actually splits himself into 4 entities, because the role of the family head, the master of the mansion, is played by him as well. I am still very sure that the Kinzo we see in Episode 4 is actually just another extension of Yasu. If we consider what we learned in Our Confession, that Natsuhi and Krauss are made into accomplices, then look at EP4, we could assume that Kinzo's anger is actually Yasu's anger. |
2012-12-20, 07:21 | Link #31450 |
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That's quite an interesting thought, actually. I've never really thought about it like that, but the fantasy narrative's portrayal of an insane Kinzo who's willing to murder his whole family to regain his lost love...definitely doesn't seem too far off from some interpretations of Yasu.
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2012-12-20, 07:31 | Link #31451 | |
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In EP2 Rosa is up in the study and claims to have met Kinzo. At the end of this same Episode, after Yasu has supposedly died, the Kinzo in the study is a silent, unmoving puppet. In EP4 Kinzo is angry with Krauss for him being unable to keep the siblings occupied and steps into the game himself. In the dining room he summons the Chiesters (which we know are the Winchester guns that Yasu is in possession of) and a "violent storm" is raging through the room. This could also be seen as Yasu supplying the adults with weapons and them shooting at each other, couldn't it? When we see not Kinzo, but the "master of the island fulfilling his pact with the witch and sacrificing all his possession for the return to the Golden Land", this would fit Yasu much more, wouldn't it? Whenever the servants talk about the piece Kinzo in terms of his actions on the board it is always "the master of the mansion". But in 1986 this is not Kinzo anymore...it is Yasu, isn't it? |
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2012-12-20, 07:47 | Link #31452 | |
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2012-12-20, 13:13 | Link #31453 | |
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Spoiler for George. >_<:
In regards to Yasu's character in general, I've been following this recently. https://docs.google.com/document/d/1...UtKwtM754/edit It's a liveblog/analysis / reread of EP 1 that heavily tries to focus on seeing things from Yasu's perspective, and while a bit unstructured, offers some really interesting insights on who she was as a person, as well as pointing out a lot of seemingly random bits in the narrative that take on a whole new meaning with hindsight. For instance, the very first time we see Yasu is as Kanon, and when Battler walks up greeting him as his usual exuberant self, Kanon just stands there, mouth hanging open and blushing. While the narrative just brushes it off as "Kanon being shy", I think it's more likely one of the few moments when Yasu legitimately breaks character. Spoiler for Yasu as Kanon:
Anyway, just wanted to share. >_>
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2012-12-20, 15:33 | Link #31454 |
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Hey i just wanted to join in the wild speculation thread, just finished umineko. Anyway i don't believe Yasu to be the real culprit (maybe that is pretty common theory?) and about the posts above me, episode 2 has been really hard to cope with not believing Yasu is the real culprit.
I think that rosa is the culprit in episode 2: they did mention the scene, where rosa visits kinzo (already dead) and a golden butterfly lands on her back. Later she clearly lies that she was talking with the father, and kinzo is kinda beyond the point of talking. So it is clear that rosa was somewhere else and is lying about meeting kinzo. My guess would be that she found the gold and thus "beatrice" started killing everyone out of greed. Of course this is just theory and i don't have much to back it up expect one scene and intuition. What makes me wonder is the scene with kanon killing people, as it obviously isn't real kanon/yasu. I thought that maybe the servants figured out rosa is after them and are trying to put pressure onto her by faking deaths? Any thoughts? |
2012-12-20, 15:58 | Link #31455 | |
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Most people would believe that Rosa is an accomplice in EP2 rather than the culprit; Yasu presumably bribed her with the gold. This makes just as much sense of the scene with the butterfly landing on her back, in all honesty. Rosa culprit theory seems to be the 'red herring trap' in EP2 (Bernkastel mentions that there's a huge weak spot in EP2 and she wants to take advantage of it but doesn't like how obvious it is), like Eva culprit theory in EP3.
Ryukishi has confirmed in an interview that Shannon is the culprit for the murders in Natsuhi's room, at the very least (incidentally, this scenario is the only one in EP2 which seems to be completely impossible for Rosa; it plays a similar role to Nanjo's murder in EP3, suddenly casting doubt on the 'obvious culprit' at the very end of the episode by presenting a murder that's impossible for them). The idea of the servants setting up the scenario with Nanjo and Kumasawa is pretty well accepted. I personally believe that Yasu manipulated them into suspecting Rosa and setting this up; then Yasu killed Nanjo and Kumasawa after they were out of sight. Quote:
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2012-12-20, 16:18 | Link #31456 |
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The current theory trending here seems to be along the lines of "Yasu intended that her Shkanontrice character be the culprit, but she herself may or may not have been the culprit in 'real life,' and if she wasn't it's either because somebody else was or nothing actually happened (i.e. an accident)."
With obvious variations on that theme. I don't think it's easily disputed that the author at least intended that we believe Shkanontrice to be the solution.
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2012-12-20, 16:53 | Link #31457 |
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I also have read the interviews. Never actually concidered rosa in episode 2 to be a trap to lure readers in, but now i think it might be possible.
And back to Yasu, i guess it was at least semi-canonly (or in golden text of the creator, or something) at least heavily hinted to be answer to beatos boards. However, i can't just accept it: 1. It forgets the heart: umineko pictures love (expect kyrie, that chick is crazy) as a beautiful thing, not as something that forces you to kill. 2. Personally i find it hard to believe that Yasu would just flip, killing everyone in the progress. S/he was written more like a sad and tragic character 3. Episode 6: duel of lovers. Battler loses first. George wins. If we accept that the duel is "the heart" of yasu, wouldn't that mean Yasu truly loves george? Even more than battler? Doesn't that mean if we thin yasu to be culprit, he always kills the man he truly loves? 4. I always thought that yasu was more interested in the mystery-part in detective stories, rather than actual murders. He liked puzzles, not the blood. 5. When battler figures out "the truth" in episode 5, he immidiately forgives beatrice. Doesn't this kinda heavily imply that beatrice wasn't a mindless killer after all? 6. If we think about accomplices i find it hard to believe people like genji would actually go with mindless massacre. I guess nanjo is bribable as shown, but genji is heavily against incest, and imo murder is kinda worse. I think that at least genji would realize kinda quikly if yasu was going to flip, i think he was kinda watching over him since childhood Sorry if numbering my thoughts looks bit cocky, but these are at least some of the points why i must disagree with the hints given us in the interviews. What about if ruykishi is just a big troll and wants to confuse us? |
2012-12-20, 17:18 | Link #31458 |
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Yes, all of that is why people have a very hard time believing Yasu to be the culprit of what we refer to as Rokkenjima-Prime, that is, "reality" in the Umineko world (whatever it is, if it exists).
However, even if you never intend to hurt anybody you can write a fictional story in which the character who represents you kills everybody. The only evidence we have of Yasu expressing any intention to harm anybody comes from the first two stories, and that doesn't really prove an actual intent to harm anybody, and indeed I have a hard time believing that Yasu would succeed in causing everyone to die even if Yasu actually wanted to do so. The rest of the stories were written by somebody else, so if the Beatrice character does something we can't even relate that back to her original creator's intentions. And yeah nobody gets Genji's deal, but it's easier to explain if you buy "Genji wouldn't have behaved like this IRL, but in stories he can because whatever, he's a butler robot."
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2012-12-20, 18:45 | Link #31459 | |||||||
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The 3 identities in which Yasu is separating herself are pretty different. If we take Kanon he would react in a certain way, Shannon in another Beato in another one but whcih of the three would be the way Yasu would react? A mix of the three? Or one of the three would be the predominant? Although Shannon wins Kanon in the love duel is it because Kanon loved Jessica less than Shannon loved George (and therefore Yasu loved Jessica less than George) or because Yasu believed there were more chances for her if she were to leave with George? Or it was solely because George asked her to marry while Jessica merely asked Kanon to try and get close? Or because she felt more female than male? Yasu's options differs from the ones Shannon, Kanon and Beato had. Kanon doesn't love George or Battler but Yasu likely had feelings for them. Are Kanon's, Shannon's and Beato's feeling of love the same as the ones of Yasu? I wouldn't say that because for Kanon the most important person is Jessica, for Shannon is George, for Beato is Battler. So yes, we see hints to how Yasu is/was as her characteristics were spit in 3 people but we don't see Yasu as a whole if not in 2 short instances. Quote:
However for the full of Kinzo showed in Umineko there's a huge chance he's created by a bit of everyone. The one that praises Natsuhi in Ep 1-5for example is likely solely in Natsuhi's head. The one Rosa met in EP 2 is either a lie or in Rosa's head. The one of EP 3 is likely solely a fantasy scene insertion. Quote:
There's to say though it's not exactly easy to guess which message Shannon is trying to give him. I mean... she can't have kids. Her breasts are completely fake. There's the chance she originally was a boy raised into the belief he was a girl. She's George's cousin as well as aunt/uncle. She ended up in ths predictment because George's grandad had sex with his illegittimate daughter no one knew about then said daughter died and she was entruested to Natsuhi who tried to kill her by making her fall from a cliff but she survived and Genji thought this was the perfect solution. The more one goes on the less likely all this seem possible. George knew Shannon by a lifetime as a normal, shy servant girl. It's more likely to expect she calls herself furniture because Genji does so and she feels inferior in status to him (a thing that some adults like to underline) than due to all this mess. Quote:
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However, although Beato and therefore Yasu's feelings for Battler were supposed to disappear with that choice, in the end they survived and Beato/Yasu tried to get Battler back. Quote:
However I think that in Prime no one was so easy to bribe as in the gameboard. It's a common theory that Yasu was the killer in the games but that's highly unlikely she wanted to kill people in Prime. Even the meta narrative supports the idea all Beato wanted to do was to kill the characters/pieces of a story, not real people. |
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2012-12-20, 19:41 | Link #31460 | |
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Taken from a later interview, meta Yasu at least (and possibly real Yasu if you subscribe to Yasu = Ikuko) loved all three of them enough to want to keep the lid on the catbox by killing off Beato so all romances could survive (maybe that is where Ikuko came from. Don't forget, according to Ryu Battler is apparently found by Ikuko years later. Suicide attempt I wonder?). In Ryu's mind, she loved eached of them too much to even consider letting one of the romances go, to the point she would kill herself. He must really have laughed when people kept asking him if the romances were real (or been sad no-one got it). As for the first meeting, on my first re-read of ep 1 after getting Shkannontrice, I read that scene as Kanon saying "even I (have some feelings for Battler....)" due to Battler's white knight carrying of fertiliser. I mean, sure, Yasu says she transferred the seed of love from Shannon to Beato, but she clearly wasn't as in control of love as she liked (It seems to me she assumed this had turned off all ability to love for the other two, at least from what i read in ep 2). Maybe she also isn't completely good at keeping her feelings confined to one personality. Leading a double life isn't easy after all... |
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