2011-01-23, 17:09 | Link #41 | |
tl;dr
Join Date: Jan 2009
Age: 32
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On an emotional level ("emotional" might not be the best word but let's go with that for now), obviously each person thinks his or her own tastes and opinions are the best. After all, how could you disagree with your own point of view? On that point I agree with you. However, that does not rule out the possibility of considering, on an intellectual level, that, "While I may be completely unable to understand why others like show X, I can still accept that they perhaps see something that I am unable to see from my perspective." Using a bit of meta-cognition to try to rise above subjectivity, you could say. Though your views seem absolute to yourself, you can still take a step back and realize that these are still your opinions, and others have opinions that seem as absolute to them. I guess what I'm saying amounts to: yes, you can actually have a discussion in practice while considering everyone's opinions as equal. You don't necessarily have to see it from someone else's point of view, but you can recognize that their point of view can be seen from i.e. it's valid (if that made any sense). As for whether insulting an anime insults a person? If you ask me, yes, indirectly. If you tell me that my favorite anime objectively sucks, then wouldn't that be essentially telling me, "Your taste in anime is crap"? I consider that an insult. On the other hand, a simple "in my opinion" changes that from "your taste is crap" to simply "my taste disagrees with yours."
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2011-01-23, 17:17 | Link #42 | |
気持ち悪い
Join Date: Dec 2005
Location: New Zealand
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Not every snob of this kind thinks correlation implies causation. Saying "show X is popular therefore it must be crap" is indeed stupid. Saying "show X is crap and its popularity just demonstrates that crap sells" is less stupid, provided (as you said) the snob can give reasons for why it's crap in the first place. I'd like to think my taste in anime is fairly broad, but if I look at the shows I've liked enough to actively support or even just watch all the way through, they're relatively narrow. There are a lot of anime out there that simply don't appeal to me, although in fairness I might end up liking some of them if I gave them a decent chance. But the main reason I think my collection is narrow is that there isn't a hell of a lot to choose from - I can think of whole genres that would appeal to me which modern anime barely if ever goes near. Adding insult to injury, what seems to make popular shows popular often is lowest common denominator pandering (there you go, the other tell-tale snob cliché). Fanservice is my particular gripe - for me personally it destroys what could otherwise be a good anime, yet it seems to attract popularity like sticky stuff does flies. Worse still, nearly all the shows I do care about sell poorly both in Japan and overseas (if they even get licensed), which doesn't help me suppress said inner snob. None of this gives me the right to be obnoxious about it of course (and the nice thing about places like AnimeSuki is that you quickly get shot down in flames it you forget that). But I don't think it's pure snobbery to grumble about popular shows, provided it's more than just sour grapes.
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2011-01-23, 18:08 | Link #43 | ||
Bittersweet Distractor
Join Date: Nov 2007
Age: 32
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And sure you may feel insulted by it indirectly, but the point is, you're getting insulted because person A dislikes what you like rather than person A saying something bad about you for liking that show.
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2011-01-23, 18:58 | Link #44 |
Senior Member
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I think that it's important to make a distinction here between what I would call Genre Snobbery, and what I would call a Culture of Critique.
It's easy to confuse the two, because someone presenting a comprehensive and heartfelt criticism of a particular anime show may, at times, come across as a genre snob. There's a fair bit of genre snobbery in the anime fandom. In other words, people that look down on certain anime genres, and perhaps even their fandoms. These people also often won't give a particular anime show a chance if it's in a particular genre that they tend to dislike (magical girl, mecha, shonen, etc...). I find this regrettable, because no anime genre is entirely incapable of producing a good quality show. That show might not be to everyone's taste, but it doesn't necessarily make it a low quality show. However, there's also what I call a Culture of Critique. A culture of critique is one in which fans have certain expectations of what they watch. Insofar as they're not dealing with pure spoof comedy, they expect the plot to make sense. They expect characters and their actions and choices to make sense, within the broader context of the fictional work. They generally want the major protagonists to all be likable and/or entertaining and/or interesting. And so on and so forth (i.e. just think of the approach that Roger Ebert tends to take in his movie reviews). There's nothing wrong with this sort of culture of critique, and actually, I think that it's good for a fandom to have such a culture. It's good for two reasons: 1. It leads to fans drawing quality distinctions between various offerings, which can be helpful for recommendation purposes. Suppose you're a person who's watched 150 anime shows, and one of your friends suddenly shows an interest in anime that he never showed before. Which of those 150 anime shows are you going to recommend to him? If you view all 150 as "equally good", where do you even begin? So, it's helpful to have some sort of sense of which shows have the tightest plots, the best character casts, the best stories, the best action scenes, the most heartwarming scenes, etc... 2. It helps keep professional creators honest. It helps to ensure that they don't just "mail it in", so to speak, but rather that they genuinely try to make something great and/or worthwhile. If fans have low standards, then many professional creators will be tempted to make quick and easy entertainment since they'll likely get away with it (i.e. not hear harsh fan backlash). It generally takes more effort to make something great than it does to make something mediocre. Haruhi's Endless Eight received a lot of fan backlash. Haruhi 2009 also sold nowhere near as good as Haruhi 2006 did. K-On's first season also received a fair bit of criticism. This is good. This is good because it tells Kyoto Animation (and the wider anime industry that's paying attention) that fans have certain expectations of them, and that if they don't meet at least the most basic of those expectations, a price will be paid for it. So, what do we see from Kyoto Animation shortly thereafter? The Disappearance of Haruhi Suzumiya movie that shows real effort on Kyoto Animation's part to make something great, and K-On's second season, where a lot of the criticisms of the first season is soundly addressed, imo. It's good for a fandom to have a culture of critique, because criticizing poor efforts is just as instructive (to creators) as lauding excellent efforts are. So, I disagree with genre snobbery, but I support there being a culture of critique. I know that it can bother some fans when one of their favorite shows are put under the microscope of such a culture of critique, but I think that the pros outweigh the cons there. At the end of the day, every fan has a right to like whatever they want to like, and I would never deny that. Even a show with many flaws can have elements to it that are appealing to many people. And that's great. But that doesn't mean that the flaws should be ignored, imo.
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2011-01-23, 19:13 | Link #45 | |
Japanese Culture Fan
Join Date: Nov 2008
Location: Planet Earth
Age: 33
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2011-01-23, 19:59 | Link #46 | ||||
tl;dr
Join Date: Jan 2009
Age: 32
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2011-01-23, 20:08 | Link #47 | |
Banned
Join Date: Dec 2006
Age: 38
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I like to use E-Prime whenever I engage in a very touchy subject, that is I refrain from using the verb '"to be" in any form, because it's proned to leave an impression of absoluteness of opinion. |
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2011-01-23, 21:41 | Link #48 | |||||
Moving in circles
Join Date: Apr 2006
Location: Singapore
Age: 49
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How so? Because some people make the effort to substantiate their opinions, allowing others to evaluate the process by which they formed their beliefs. This way, it's possible for others to decide how to value your judgment. The greater the insight you provide, the better regarded your thoughts will be. To believe otherwise is to fall into the relativist trap that plagues so much of modern thought today: the idea that because everyone's entitled to his or her opinion, it would be wrong to criticise an opinion even when it's patently flawed. That is the root of banal political correctness, and the surest road to self-censorship. Not a healthy way to build critical awareness, I dare wager. (2) Quote:
That is precisely the kind of view I was deliberately attacking in my earlier post. I make no apologies for hurting other people's feelings just because I criticised what they adore. It's not ad hominem, after all. I did not set out to attack such people, so why should I be held responsible if they choose to take offence in this case? My advice to them: Grow a thicker skin. (3) Quote:
Yes, it's hard to know when and where to draw the line, but that's part and parcel of debating. You'll learn from experience when to back off, and when to press the issue with everything you've got. My most recent experience would be in the Hourou Musuko thread, when I expressed my dislike for the show because I found it too "warm and fluffy" for its heavy-hitting subject. I stand by my opinion. In hindsight, I realise what else I could have elaborated to substantiate my points (I find the portrayal too manipulative; viewers are being fed a point of view that is calculated to elicit sympathy; to me, that's either laziness or cynicism on the writer's part). I felt I'd been pretty reasonable with my criticism but, even so, Kaoru Chujo (whose opinions I highly respect) took offence. That was my cue to lay off the line of argument. So I did. In the end, it's the Internet: Don't get so worked up over a virtual argument; it's not worth it. Last edited by TinyRedLeaf; 2011-01-24 at 09:57. |
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2011-01-23, 22:13 | Link #49 | |||||
On a mission
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It's foolish to call one's tastes perfectly refined with absolute objectivity. No one person can do that. Quote:
When I see garbage reviews like the Nanoha review on Animenewsnetwork, which comes off as more of a rant with little consideration of context and complete inability to shrug off bias, I just facepalm and just think "wow, why should i care about this person's tastes." Quote:
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2011-01-23, 23:40 | Link #50 | |
tl;dr
Join Date: Jan 2009
Age: 32
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It's mostly that some people really do mean to say "This is bad and you should feel bad for liking it" and one or two words would differentiate you from those people. I'm not accusing anyone of trying to insult people-- but certain wording can sure make it sound that way. As I said, my beef is mostly about clear communication. For example, there's a definite difference between "The animation quality was bad" and "I disliked the animation style," but people often use them interchangeably. I dislike that because it's simply inaccurate; if there's a good budget and on-model animation you can't really say the quality was bad, only that it didn't appeal to you. When cabbages start being drawn as spheres and characters start losing their heads, then you have a case for the former.
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2011-01-24, 10:30 | Link #51 | |
Senior Member
Join Date: Jun 2010
Age: 32
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2011-01-24, 13:44 | Link #52 |
HI-RISE BOMBEERRR!!!
Join Date: Apr 2009
Location: Elpis Colony, Jaburo, The hanger, Texas, Alkard
Age: 33
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I punched someone square in the face who said Dragonar sucks, but that was impulsive & just EVIL, however turned out the person i punched was told to do that , became comrades, after an apology & labor, then went off to basically pull an evil prank on someone who never even watched it & just used someone for their dirty work, i suppose..
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2011-01-26, 01:46 | Link #53 | ||
Banned
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So you came to that conclusion too eh? It really is the best philosophy I think because there's zero pressure and everyone ultimately wins in the end as long as they stick to it. Quote:
Indeed Kyoto Animation did suffer something of a backlash on account of it's lack of content and they paid something of a price in terms of lower media sales compared to the first season, but it's in the reaction to Disappearance of Suzumiya Haruhi that we run into something of a problem. A common bit of commentary on the movie that I see repeated quite regularly is that because the movie is a serviceable product by the core fandoms standards it means that all issues the fandom had with the prior season 2 are nullified, Kyoto Animation is freed of any fault or lingering failure, and presumably, although we have yet to see it and this is just a presumption based on my history of observation, that core fanbase goes back to giving the studio what continues to look to me like unconditional love and praise by default. This to me doesn't send a message to Kyoto Animation that they will be held to account for any works lacking in quality, but rather sends the message that as long as they put out something serviceable every now and then they will be loved and praised regardless of whatever else they put out that might not be up to par with their potential. Add this to the fact that I rarely see any Kyoto Animation series criticized for much of anything (IRL with friends is a completely different story however) when I personally can come up with a bunch of examples for anything they have done where there is plenty of room for improvement and we have something of a problem. Basically when it comes to the whole Kyoto Animation scene it looks more like it's core fandom are looking for any reason to let them off the hook for shortcomings and to keep their image within said core fandom as polished and free of blemish or accountability as possible, not to hold them to a high standard if they are to remain in the public favour. For this reason I can't call it a good example. Why not try a Hockey analogy instead? I've got one. Kyoto Animations relationship with it's core fanbase resembles the Toronto Maple Leafs and their fans in my eyes. No matter if they play poorly and get shut out (Munto, Haruhi 2009) or play well enough to win the game (Haruhi, DoHS) they're still out there every game (lots of attention for series by anime fans, own sub-forum granted seemingly by default etc.), to cheer them on (general discourse you can find in said sub-forum looks like cheerleading) and ready to say at the start of each season before the first puck of the first game has dropped that this time they'll make the playoffs and win the cup (carry anime into whatever era is to come and make the "best show of the season" TM) even though deep down we all know that's not going to happen because Phil Kessel is too predictable (safe moe shows seemingly all the time as their big push) and he's the best thing they've got going in terms of generating chances (their safe moe shows are generally lucrative) even though he's like a -19 due to being caught up ice while cherry picking (putting all your eggs in one basket is risky....ask the New Jersey Devils) all the time. Last edited by Kaioshin Sama; 2011-01-26 at 03:48. |
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2011-01-26, 03:34 | Link #54 |
Pretentious moe scholar
Join Date: Oct 2006
Location: Vancouver, Canada
Age: 37
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While K-On! season two fixed a lot of the things that people were critical of in the original, I don't think this happened because of criticism of season one's shortcomings. Rather, I get the impression that season two was closer to what the director wanted to do in the first place - remember, even in season one she cut a lot of the fanservice from the manga. Kyoto simply gave her more resources and creative freedom this time on account of season one's sales. Which actually raises the question of whether season two would have turned out worse if season one hadn't been such a runaway hit.
As for Disappearance, I don't really see a point to punishing it for Endless Eight's failings. Slightly over the top running time aside, I enjoyed Disappearance immensely, something that was true of Haruhi season 1 but only of one season two episode (Bamboo Leaf Rhapsody).
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2011-01-26, 16:29 | Link #55 | ||||
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Don't you think it's possible that some of the criticisms of K-On!'s first season reached the ears of its own Director, and hence she took them into account when working on the second season? In any event, are you saying that you dispute one of my core points that critical reactions from fans can help to motivate creators to make the best works that they can? Quote:
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2011-01-26, 17:20 | Link #56 |
Senior Member
Join Date: Sep 2006
Location: Suburban DC
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By many definitons I qualify for what some would call an "anime snob". I generally only keep to certain studios or directors that pique my interests.
The anime industry is what it is, i've been a fan for over 10 years, what can I say, I am jaded. Seeing as how for me, anime is a stand in for regular television which has an equal amount of shit to gold ratio (for scripted television anyway, it's snobby but i just can't stand reality tv). As for others, who gives a crap? Watch what you watch, and let others be. I can admit that some of us anime fans can get real uppity over what we think is truly "great anime". After all, I NEVER use the words "masterpiece" or anything as haughty like that for anime because I'm not Siskel nor a creator. Plus when you get right down to it, I don't think the creators really want us to look at much of their works like that anyways. I keep that kinda mentality generally for when I go to the art museum, 'cause if I didn't, I could never enjoy watching High School of the Dead. |
2011-01-26, 17:54 | Link #57 |
Senior Member
Join Date: Dec 2010
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How many series must one dislike before they are a snob?
This website lists 28 series that will air on TV this season. Of those I'm interested in 6. Snob? I pay the most attention to premise (the blurb, either on that site or anidb) when deciding. I don't watch anything SHAFT - I think they troll too much. That's the only qualifier. I tend to go for shows with the highest production value. I think we all do at least to some extent, and that is not a problem, nor does it make us snobs. We all want our favorite show to be produced as well as possible, but that can't always happen in the real world. I think for this season Star Driver has the highest production value, but you can never really be sure. |
2011-01-26, 19:42 | Link #58 |
Pretentious moe scholar
Join Date: Oct 2006
Location: Vancouver, Canada
Age: 37
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@Triple_R:
I shouldn't so much say that Kyoto gave her more creative reign as the structure she was working within gave her more free reign. In season one, she was working with 13 episode and had to cover the key "introductory" events from the manga. In season two, she had 26 episodes (that's the resources bit at play IMO) and had already covered those events. Now, I haven't actually read the K-On! manga to compare, but I have a hunch that season one probably stuck a lot closer to the source material. Second, I think we can both agree that a big reason season two is better is because it fleshes out characters that stuck very close to archetype in season one. I remember hearing a quote from the director along the lines of "you don't really have to try and make girls moe, they naturally are", which doesn't really strike me as the words of someone prone to playing up a character's moe points. So from my perspective, it's hard to say that fan response really played a role when I think the director wanted to go that way anyway. As for the last bit, yeah, its addressed more to Kaioshin. I thought Kyoto's 2010 output was great regardless of how bad or good their 2003-2009 output was.
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2011-01-26, 20:24 | Link #59 |
has a custom user title
Join Date: Jan 2011
Location: In a Mitten
Age: 29
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Since I've read quite a few blogs and cruised around a few forums I am very familiar with anime snobbery. It's not something that's fun to watch.
I define anime snobbery as many things. First, I think that someone who states that a series is trash/rubbish/shit/etc without explaining why they dislike the series is an anime snob. For example, I once saw a review on Moribito. One of the posts in the response thread stated that 'Moribito is awful and I want my time back', or something along those lines. That was all that was written. That is anime snobbery: you simply say that an anime is awful without explaining any of your problems with it. I'm not asking you to write a ten page paper on the merits and problems of a certain anime but it would be nice if you listed more than a sentence for your opinion. The second type of anime snob is the person who will attack other people for what they like and consider themselves a better person because they like something different. Sure, we all get feelings of superiority when someone states that they're watching Death Note and you're watching Eden of the East. That's fine, it's a familiar experiance among all fans. Crossing the line is when you declare someone a horrible anime fan because they don't watch/dislike show X, Y, or Z. Not everyone has the same tastes and just because you like different anime doesn't make you a better person. The last type of anime snobbery is declaring that genre Q is killing the industry or declaring that anime from the 90s is better than all anime produced this decade, no exceptions. Many people, when they complain that something is killing the industry, simply dislike the genre/style and think that everyone else should dislike it too. Is moe really killing the industry? I'd wager no. Do lots of fans like to complain that it is? Yes, and I've seen numerous examples of this happening. Lastly, and this is related to the killing the industry thing, are the people that complain that anime got worse after (usually) the year 2000. Every anime produced past that point is awful and we should all go back to 90s anime. The thing that stunts this arguement the most is that we all tend to look back on the past with nostalgia glasses. As for my own anime snobbery, I try not to let it escape too often. People can watch different shows than I do and like different things than I do and it's fine. I try to ignore threads that are brimming with snobbery and are just waiting to descend into flame wars. Basically, the best way for me to avoid expressing snobbery, and to avoid snobs themselves, is to stay away from topics that would incite that behavior. It usually works
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2011-01-26, 20:36 | Link #60 |
Silent Warrior
Join Date: Oct 2004
Location: Netherlands
Age: 38
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Anime snobs . Can't say I ever met them. The only people I know that watch Anime are casual watchers(meaning Naruto, One piece and maybe Bleach).
Though in my honest opinion there are certain genre's are populated with imo clichéd and superficial anime. Sure there there genre's I don't like, but I can I still see why it's rated by other people. Still certain over-the-top moeblob series can get so pants on head retarded I fail to see how something like that be could be better than certain Gibhli works. Even though I'd personally rather watch Lucky Star than Princess Mononoke(which I like a lot). |
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