Karaoke Help thread

[Ichigo91]

Does any 1 know how to make the karaoke like in this video? http://youtube.com/watch?v=mUxx8sn07...elated&search=
I dont know if they use any Adobe After Effects or scripts
And if its possible what about this 1?
http://youtube.com/watch?v=hs8aUpUBt...elated&search=
If you know how to make the karaoke like on those videos, can you pls post the full code?

[chaos4ever]

Originally Posted by Ichigo91

Does any 1 know how to make the karaoke like in this video? http://youtube.com/watch?v=mUxx8sn07...elated&search=
I dont know if they use any Adobe After Effects or scripts

ass/ssa: \t on \1c and \3c. Can't tell if the border would have multiple layers due to the low quality of the video, but it's probably a single layer. Some parts have \fscy stretching on \1a text that shrinks back to \fscy100. \a5 justification or something where the \org is in the middle of the line

And if its possible what about this 1?
http://youtube.com/watch?v=hs8aUpUBt...elated&search=
If you know how to make the karaoke like on those videos, can you pls post the full code?

ass/ssa: most likely just a simple \fscy shrink and \t on the \alpha with some acceleration or the fade occurs faster than the shrink, while other parts have a slight \fscy stretching. \a2 justification.
Other parts have \t on \fr* rotations for horizontal movement with an \1cFFFFFF to \t linear transition back to normal while fading out in the same amount of time. Some effects like the "GO!" most likely was done manually with negative \fsy and linear downward movement with fade out

All of these effects were made by combining simple commands and are pretty easy to figure out if you sit down and try figure it out. This could also be done with AFx as well and AFx could have been used to make it look nicer and give extra visual quality, but the video quality doesn't definitively show that the program was used for these clips

[Ichigo91]

Originally Posted by chaos4ever

ass/ssa: \t on \1c and \3c. Can't tell if the border would have multiple layers due to the low quality of the video, but it's probably a single layer. Some parts have \fscy stretching on \1a text that shrinks back to \fscy100. \a5 justification or something where the \org is in the middle of the line

ass/ssa: most likely just a simple \fscy shrink and \t on the \alpha with some acceleration or the fade occurs faster than the shrink, while other parts have a slight \fscy stretching. \a2 justification.
Other parts have \t on \fr* rotations for horizontal movement with an \1cFFFFFF to \t linear transition back to normal while fading out in the same amount of time. Some effects like the "GO!" most likely was done manually with negative \fsy and linear downward movement with fade out

All of these effects were made by combining simple commands and are pretty easy to figure out if you sit down and try figure it out. This could also be done with AFx as well and AFx could have been used to make it look nicer and give extra visual quality, but the video quality doesn't definitively show that the program was used for these clips

Thx alot for explaining to me!
I am not still good enough to make my own karaoke code with these tags still learning
Could you maybe post to here the full code of the karaoke?

[chaos4ever]

1> Full karaoke scripts are seldomly available outside the groups that release final video encodes.

2> The best way to learn is to mimic what other people have done and to experiment with the codes yourself.

[GokuSoul]

how come when i put my script the effect works for the whole sentence all at once even though i put it after every letter different times in aegisub

[Medalist]

you need to add \r before every effect for each syllable so it returns or more so nulls any previous action to the line. (excluding: \org }

[GokuSoul]

Originally Posted by Uchikatsu

you need to add \r before every effect for each syllable so it returns or more so nulls any previous action to the line. (excluding: \org }

thank you it works good now.

[Medalist]

Good. But sometimes if there is a major thing like alpha and stuff before...and after the effect..that may have to be re-put after the \r but before the \t since it isn't a global effect like \org.

[Ichigo91]

Any1 know why when I put the effect before the "KI" the MI also gets the same effect?

{\pos(297,412)}{\t(100,900,\frx90)}{\ko2}{\a10}{\o rg(570,400)}{\t(\frx480\frz480\fry480}Ki{\r}{\t(27 0,610,\frx90)}{\ko34}mi

[Ichigo91]

Any1 know why when I put the effect before the "KI" the MI also gets the same effect?

{\pos(297,412)}{\t(100,900,\frx90)}{\ko2}{\a10}{\o rg(570,400)}{\t(\frx480\frz480\fry480}Ki{\r}{\t(27 0,610,\frx90)}{\ko34}mi

And 1 more question:
How do I make that the KI will fly more slower? its way to fast

EDIT: Srry for Dubble post!

[Schneizel]

...erm, wtf are you trying to do...

The "mi" doesn't get the "same effect"... you made it have the same effect. "Ki" is effected from "100 to 900", and mi is effected from "270 to 610", meaning "Mi" will start and end it's target effect of transforming to frx90 in the time period of 270 to 610, which occurs wholly during the time period of 100 to 900 as well...

[GokuSoul]

can someone give me the script that makes each syllable move to the right of the word for eg.

--------Kimi
------Ki--mi
------Kimi

-=nothing

[chaos4ever]

Originally Posted by Ichigo91

Any1 know why when I put the effect before the "KI" the MI also gets the same effect?

{\pos(297,412)}{\t(100,900,\frx90)}{\ko2}{\a10}{\o rg(570,400)}{\t(\frx480\frz480\fry480}Ki{\r}{\t(27 0,610,\frx90)}{\ko34}mi

And 1 more question:
How do I make that the KI will fly more slower? its way to fast

EDIT: Srry for Dubble post!

slow down the 'ki' by extending the 100,900 interval to something larger. the problem with your karaoke right now is that your 'mi' is going to get to its final destination before the 'ki' does. are you sure you want your 'ki' to go slower than it already is?

Check your \frx commands before 'KI' and make sure the \frx command you want isn't being overridden by another, because you have two going on at overlapping intervals with \t overrides. always keep your code/script clean and a lot of debugging will go smoother.

Originally Posted by GokuSoul

can someone give me the script that makes each syllable move to the right of the word for eg.

--------Kimi
------Ki--mi
------Kimi

-=nothing

use a high x value for \org(x,0) or \org(0,x), and use \frx or \fry or \frz (you'll have to figure out which goes with which). use \r in between the 'ki' and the 'mi' so the 'mi' doesn't move with the 'ki'

[Ichigo91]

How do you use Multi Layers?

[Sylf]

Place multiple identical lines at same \pos.

[Devastator]

Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:08.57,0:00:15.86,Default,,0000,0000,0000,,

I normally assign different numbers to the emphasized zero when different lines share the same time and relative position, and I want to ensure that the layer order is understood.

[[P]ako]

Originally Posted by Sylf

Place multiple identical lines at same \pos.

That's a way to do it and here it is another way:

Dialogue: 0,0:00:40.00,0:00:42.00,Style,Whatever,0000,0000,0 000,karaoke,

Yup, a "karaoke" in between those commas in every line will make the lines overlay.

[Medalist]

Originally Posted by Ichigo91

How do you use Multi Layers?

You work more than one layer for a given line or syllable. That's how you use it. Question solved.

[Ichigo91]

Not so sure I understand

How do I like use this in multi layers?

{\pos(320,50)\an5\be1}{\bord2\1a&HFF&\2a&HFF&\3a&H 00&\4a&HFF&\1c&HFFFFFF&\3c&HDADADA&\t(0,1,\bord3\1 a&H00&\3c&HFFFFFF&)\t(1,160,\1c&HED6D6D&)}ha{\bord 2\1a&HFF&\2a&HFF&\3a&H00&\4a&HFF&\1c&HFFFFFF&\3c&H DADADA&\t(160,161,\bord3\1a&H00&\3c&HFFFFFF&)\t(16 1,380,\1c&HED6D6D&)}n

[TheFluff]

Not so sure anyone here understands wtf you really want to do either. Please explain, in great detail:
1. What you're trying to accomplish
2. How you're trying to accomplish it
3. Where you got stuck
4. Why you think multiple layers can solve your problem.

If you don't, don't expect any coherent replies either.