2012-06-08, 22:23 | Link #1121 | |
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Join Date: Jan 2006
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I wonder if they're ever gonna have a grand prize winner ever. |
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2012-06-17, 19:16 | Link #1125 | |
He Without a Title
Join Date: Feb 2008
Location: The land of tempura
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2012-06-17, 19:24 | Link #1126 | |
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Join Date: Apr 2010
Location: Boyzone
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2012-06-18, 04:58 | Link #1129 | |
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But really both Nichijou and Hyouka has some scenes and ideas that just screamed Shaft, so I would'nt be surprised if they took some inspiration from them. Not exactly uncommon that studios are influenced by each other's styles. |
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2012-06-19, 05:06 | Link #1133 | |
Lets be reality
Join Date: May 2007
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http://aninomiyako.wordpress.com/201...t-work-part-1/ Also holy shit @ KyoAni doing 35+ Episodes of Inuyasha, had no idea it was that many. |
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2012-07-14, 14:49 | Link #1135 |
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Join Date: Sep 2011
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I have a question that maybe someone who posts around here can answer.
How does KyoAni manage their employees? I know they try to only work with inhouse KAs and as much inhouse inbetweeners as possible, but what does that change in the big picture? For example, in the Tokyo area most KAs are freelance and work by contract, the contract (and payment) a lot of the times being based on the number of drawings, and this contributes to the deplorable state of most animators' economy. I had read somewhere that KyoAni pay their animators a fixed monthly salary like any other company, and that gives the animators better stability and time to keep on schedule and work on quality frames. The studio not being in the Tokyo area probably helps with this, because the animators can't hop from one studio to the other and back like they want. But how much of this is true? I mean, do they pay all animators a monthly salary regardless of the work, or do they (also) pay an amount per drawing/episode they work in? The rest of the staff is the same, or would, for example, an AD get paid on a episode basis? How do they handle royalties? I'm interested to know the business practices of the company, and how they managed to stay like they are and produce the best TV animation while not being a monster like Bandai-Sunrise. So if this information is available in Japanese and someone could be able to translate, or if someone knows about this topic, please answer. |
2012-07-14, 15:55 | Link #1136 |
Gamilas Falls
Join Date: Feb 2008
Location: Republic of California
Age: 46
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I don't have a full answer. I do know that Kyoto Animation has something like an animation school as well, so it is possible they use student as well for projects (that must be some homework. Those that pass get on the screen maybe?)
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2012-07-14, 22:40 | Link #1137 |
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Join Date: Sep 2011
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They probably use students for inbetweening and clean-up animation, yes. That gives more weight to the claim that they aim for stability of their employees, instead of being contract-based like most other studios. I'm thinking a good bunch of the animation students that graduate on Kyoani's school end up working for them, and that's how they maintain (and improve) their standards over time.
Also, my understanding of animation production over at Japan is that the budget dedicated to raw animation (i.e the frames) is all spent on paying the animators, and thus the number of frames a given episode of anime has is fixed. If Kyoani's policy is paying a monthly salary regardless of the number of drawings, would it be true that the only thing keeping them on the grounds of limited animation is schedule and time constraints? Or do some other factors come into play? I don't think many people here are sakugafags or know this much about the production process of anime, but if someone that does reads this, I beg for a response. Thanks in advance |
2012-07-15, 12:02 | Link #1138 | |
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Join Date: Jul 2012
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Another studio with really high standards is Bones, a lot of good in house talent there. The opposite to these studios is A-1 pictures where they use freelance animators for everything. |
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2012-07-15, 17:00 | Link #1139 |
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Join Date: Sep 2011
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Dennou Coil also had a gigantic budget and was directed by arguably the best key animator in recent history.
I don't know if there is a budget number for a Kyoani show out there, but that would be interesting, to more or less see how they manage their resources. Yes, probably the main factor helping Kyoani's situation is the geographical position they're in, that eases the craze from the Tokyo area and also incentives keeping their staff near Kyoto where they'd certainly work for them. |
2012-07-15, 19:36 | Link #1140 |
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Join Date: Oct 2011
Location: Saimoe Planet
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I don't know if they have a lot of budget for their recent anime. To be honest they have only 1 anime this year - Hyouka. Then there will be one more anime next year so I don't think they have so much work.
Probably a good amount of money goes to their salaries. |
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