2008-04-10, 23:03 | Link #242 |
WHERE'S...MY...COW????
Join Date: Dec 2007
Age: 34
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Oh, I thought you had seen the subs. I can't really tell in any case. The song mainly talks about the thanking everyone for what they have done, wanting to return the favor, needing to love more, and to always remember that day. That is the basic summary. Unless someone posts the full thing sooner I'll post the version I have.
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2008-04-10, 23:07 | Link #243 | |
That's no lady
Join Date: Dec 2005
Age: 33
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2008-04-10, 23:10 | Link #244 |
Banned
Join Date: Jun 2007
Location: Land of Dead Cakes!
Age: 34
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I just listened to it, it is a little on the sad tune but its not overly sad or restrictive. The question really becomes to whom is the song refering, and I believe it is refering to several different people, from Lelouch's PoV. Based on how the song is interpreted with the scenes it could mean any number of things, but I have a feeling a good bit refers to the falling out between Lelouch and Suzaku, and some parts about C.C./Kallen or both (I'm inclined to think its both).
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2008-04-10, 23:13 | Link #245 |
WHERE'S...MY...COW????
Join Date: Dec 2007
Age: 34
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I try to gather the pieces of happiness (Lelouch)
That my heart picked up one day The melody I had started to forget (Nunnally and Rollo) Still hasn’t faded from within me I thank you from the bottom of my heart (Cornelia and Euphemia) Everything I have now is thanks to you all I thank you from the bottom of my heart (Gino and Anya) Now I’ll be the one to give you happiness I won’t forget anything (Emperor and V.V.) I’m still the same as I was that day I have to tell you (Kallen) That I love you more often On the nights you are about to cry (Suzaku) Just turn around To retrace your steps (C.C.) To make sure you don’t forget that day The images kind of go between on lines with Kallen, Suzaku, and C.C. though. The song doesn't need to refer to anyone though the references to "that day" make me think it could be referring to C.C. or Nunnally once again.
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2008-04-10, 23:14 | Link #246 | |
おやすみ、ルルーシュ。
Join Date: Dec 2007
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I think lyrics are vague and can be interpreted in different ways.
Here are my two cents. I just love how the visuals synced, BTW. Quote:
And I’ll become a star to protect you [visual syn] Mornings and nights = dawn(?) between the two planets(?) Without knowing the whereabouts of the battle[/U] [visual syn] When it comes to "battle", what's on screen are Suzaku, V.V., and Emperor. At the intersection of tomorrow and yesterday For us who don’t come across each other Now I’ll go; I’m a shooting star For the 2nd line I would say "you and I don't meet/come across/etc". It's hard to get an "accurate" definition for this line. Anyway, the point is, it's present tense. It's stating a fact now- you and I, we are separated. [visual syn] Nunnally and Lelouch stretching hands toward each other, but are still separated. I don't think it means separated in the future. Another thing is, the line before it states the time which we are separated: the intersection of tomorrow and yesterday. What's that? The only thing between tomorrow and yesterday is now, today. [visual syn] The fake world Lelouch is in today, with a forged school life, and Rollo. For the 3rd line, I think it's connected to the 2nd. Which makes it "You and I don't come across. I'll go to you now, like a shooting star." [visual syn] "I'll go to you now"- Lelouch walks out of Ashford. "like a shooting star"- a shooting star slash across the screen. Even if the world decays There are things that won’t change Even if we hold back our tears Things that we must protect exist inside of us The message from hundreds of millions of years ago is ceaseless It starts to ache; it echoes With a hoarse voice With hands covered in wounds, I’ll protect you Battles after battles. Everyone has his own reasons to fight for. [visual syn] When singing "protect", it's Gino holding Suzaku's shoulder. When it comes to "hands", it's the KMF behind the Chinese folks stretching out its arms. Does this one count? I like it though. I continue to fight I continue to fight During mornings and nights, too, I yearn for love And I’ll become a star to protect you [visual syn] Lelouch looks over a city from above. Without knowing the whereabouts of the battle [visual syn] Rollo, Britannia flag, Ougi & Villetta, OotBK flag. Not knowing the whereabouts meaning Rollo & the lovers are stuck between Britannia and Black Knights? At the intersection of tomorrow and yesterday Showing the good looking characters of OotBK side and Britannia side. I say "good looking" because Senba isn't in there, and it's not like he's dying soon. For us who don’t come across each other [visual syn] Schenizel and Lelouch glaring at each other. We’re shooting stars that slash apart fate [visual syn] I'm not sure if this is talking about Lelouch & C.C., or Zero. Now I’ll take away your overflowing tears I say this is very, very positive. |
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2008-04-10, 23:29 | Link #248 | |
That's no lady
Join Date: Dec 2005
Age: 33
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Quote:
http://www.youtube.com/watch?v=b3eMLrDB-Yw I really love both of the songs though |
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2008-04-10, 23:55 | Link #249 | ||
Banned
Join Date: Jun 2007
Location: Land of Dead Cakes!
Age: 34
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2008-04-11, 00:07 | Link #251 | |
Senior Member
Join Date: Feb 2008
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2008-04-11, 00:20 | Link #252 | ||
Banned
Join Date: Jun 2007
Location: Land of Dead Cakes!
Age: 34
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Quote:
I think the only way for me to not fuel Dann is to simply do nothing. Quote:
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2008-04-11, 00:32 | Link #253 |
Senior Member
Join Date: Feb 2008
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Technically Nunnally isn't going anywhere, Lelouch is the one moving forward, not her in either the plot or the lyrics. So he might miss or he might hit dead on, who knows? But there's nothing to say he will not manage to make it. And well, if you've read the forums you'll know how skeptical I am of the whole 'pure' Nunnally notion >_>
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2008-04-11, 00:41 | Link #254 | |
Banned
Join Date: Jun 2007
Location: Land of Dead Cakes!
Age: 34
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Quote:
I'm not fully sure what you're talking about when you say 'But there's nothing to say he will not manage to make it', what is that about? I don't remember saying he was or was not going to make anything. I said (mostly) pure, not pure. |
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2008-04-11, 00:53 | Link #255 | |
Senior Member
Join Date: Feb 2008
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Quote:
I didn't say he was making something, what I meant was whether or not he was going to succeed in overcoming the barriers separating him from the people he loves or will come to love, and I see no reason to doubt that he cannot do that yet. I just put out my skepticism as a foreboding premonition as to how long that 'mostly' will last >_> |
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2008-04-11, 01:49 | Link #257 | ||
Banned
Join Date: Jun 2007
Location: Land of Dead Cakes!
Age: 34
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I'm going to break this up into bullets to adress points seperately.
Quote:
Quote:
But this is best saved for another thread, not this one. On a different note; I thought I'd do as Koshimizu (can I just say Koshi ) with the OP to the ED. Thanks to Dann for the text.
Yes... I was bored. Feel free to contest my interpretations. |
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2008-04-11, 10:29 | Link #258 | ||
Senior Member
Join Date: Feb 2008
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Quote:
My main problem with a lot of your assessments is that you often don't bring up the fact that there are other, viable alternatives of interpretation for each of the scenes and the meanings, basically I rarely see any 'ifs' compared to 'is' in your wording, and that is making a judgment in my view. In any case, we're back to where we always are in that nothing can be concluded until it actually happens and that each of our interpretations are very possible and capable to happening, which one of them does happen is still left to be determined so lets just end it at that. Quote:
I'll also go out and say that while I note that a lot of your interpretations is based on only two view points, instead of going by the possibility that the viewpoint changes from each persons picture, and I could think of several ways in which the lines would fit for the individuals of each scene so I'll leave it on that note. |
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2008-04-11, 12:50 | Link #259 | |
Banned
Join Date: Jun 2007
Location: Land of Dead Cakes!
Age: 34
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Quote:
It does matter what his motivation is, the person he is is changing. The person that Nunally knew is Lelouch Lamperouge, not Lelouch Vi Britannia, and not Zero. Also, the lyrics do not imply the location being worked on. The two of them are quickly being pulled apart. The rest is irrelevant to this discussion. Though I will say this: many of your arguments depend to heavily on ifs. Its not an argument if the word if appears everywhere. |
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2008-04-11, 13:41 | Link #260 |
Senior Member
Join Date: Feb 2008
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I contested in the second sentence, but I used the first to recognize certain aspects in my previous argument I think you ignored. I'm going to go out and say that it's the complete opposite from my perspective, because Lelouch's true face is that caring older brother, case in point when he abandoned the rebellion for her. And well, you know I'm not going to argue with you about Nunnally's true face but even then the core feelings are still present even in that form >_>
Why are we speaking as if he's a different person? Lelouch is not some one-dimensional student, nor a one-dimensional pampered prince, nor a one dimensional vigilante terrorist leader, he's all of those things and more, he's also that caring older brother and that is present in all of the forms you just spoke of. And from my point of view the lyrics imply a movement toward bridging the present gap, hence the in between yesterday and tomorrow, and then quickly going into not knowing where this fight will lead them. And that's exactly what is going on here, we don't definetively know what will happen in the end, so I'd appreciate it if you would stop making it seem like you do already know. The whole argument is a big if, I thought you realised that, or maybe it's because you don't realise it that you make all these case-closed judgements. Our arguments are based on different interpretations and nothing really conclusive at this point, that doesn't stop me from putting out my own speculations out there and it doesn't prevent you from doing the same, but I at least make a point to note that nothing is definitive yet, because it isn't, as a sign of respect for other people's own assesments by not implying that my own interpretations are fact. |
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music discussion |
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