2008-06-30, 10:47 | Link #42 | |
Ketseuka Hagane
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2008-06-30, 10:59 | Link #43 |
Junior Member
Join Date: Jun 2008
Location: Charm City
Age: 35
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A very interesting premise in terms of why vampires need to drink human blood, I don't think I ever seen that explanation. Very original.
Plot: I have to stress the point that Cyclone made in an earlier post: The story needs a defined conflict and a worthy antagonist. It can't be something in the short term either, it needs something large and overarching as well. You can have lesser enemies and conundrums come up, but the focus always need to return to that main goal/conflict. Blayne is good for a starting point, but there needs to be something beyond him or he needs to assume a more powerful role as the story proceeds. I would also definitely bring in political wheelings and dealings into the story. Subterfuge makes for good fun and with 12 families I can't imagine the political scene would be peaceful either. Watch that it doesn't slide into other mangas' plots. It's very easy to do so, as I'm sure you have been influenced by so many. Characters: Will: Be VERY careful. Cold characters often come out to be about as interesting as a bowl of cold oatmeal and don't hold the reader's attention. He can be cold, but maybe equip him with a sardonic sense of humor and inner monologue. Give him enough personality quirks to make him interesting, but make sure to avoid the cliche. Shawna: Again, be careful. Don't turn her into the typical loud female lead. Also, why would someone with her personality type be hanging out with someone like Will? You have to ask yourself that question when shaping both her and Will's characters. Their relationship is apparently a major part of the story, so you can't make it simply something that's just there. Lady Cyrilla: I have to admit, I have a weakness for characters like her. Tough on the outside, but big old softies at heart. My advice for her is to investigate and focus on her motivations. She doesn't have to extend her kindness, for she's one of the elites. Why does she act the way she does? What shaped her into the way she is? Kayleigh: I would ditch the "gentle" part of her personality to be completely honest. Make her just, not kind. If she's held her position for so long, she's got to be pretty tough. Any kindness would be taken advantage of in such a key role. Also, it would make her heartbreak that much more surprising if we do see her as such a formidable political machine. Edgar: I know he's a background/past character, but make sure the audience knows him. Make his presence felt in the story, otherwise Kayleigh's feelings will just be wasted. Blayne: The fact that you haven't figured out the personality or motivation to your villain worries me. He is every bit as important as the protagonist. You have to make him charismatic in his own way, and I don't mean that in the "charming" sense. You have to write him in a way that makes him seem worth fighting against. You have to make him complicated enough for the readers to be drawn to him. Overall character advice: Let your characters guide the plot. You may have an overall plot idea, but as the characters evolve they may take it in a completely different direction. It's often the best idea just to go with that, instead of forcing them into your outline. You'll know you've created suitably complex persona when they develop minds of their own and start hijacking your own story. Setting: Is this a completely different world? Is it an alternate Earth? Do you have the locations visualized in your head? Do you know the important cities and countries? What's the atmosphere? For a rough outline, it seems good. As I said before, avoid sliding into the trite which is very easy to do. Get a solid idea of the world and all the characters in it before you start. Hope that helped! |
2008-06-30, 12:18 | Link #44 | |
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Join Date: May 2008
Location: USA. we will just leave it at that.
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2008-07-05, 14:56 | Link #47 | |
musicHOLiC~
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Anyway. a tip for this manga is to REALLY let us know about Will's personal life, so it wont turn out as a regular nonstop shounen with only fighting and action witch stays in a cliché world. If you want to know what i mean check out Ghost In The Shell: SAC. I just cant stand it. Anyway, good luck with the manga! |
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2008-07-07, 21:46 | Link #48 | |
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Join Date: May 2008
Location: USA. we will just leave it at that.
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so then i came up with the idea that s-class vampires stop aging when they pass their blood on to a human (the whole human-to-pureblood change) and in the ex-humans case the minute they become a vampire they stop growing. that way the empress could be full grown. but now i have to decide whether to have Will stay young forever or let him age abit.
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2008-07-10, 16:30 | Link #51 |
LeaDfactor
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Since i´m a lazyfatass and too bored to read pages 2 and 3 whole, i´ll just give you some brief overall advice
The Story needs some more twists in the background/reasoning department, maybe one or a few flashback chapters for our main protagonists would be nice, but what i´d really find interesting, is a flashback for the antagonist in the series, why? because usually everything always revolves around the main heros, so why not extra feedback for the opposition? Would make it surely more interesting and unique, or maybe you can change the point of view halfway through from the kidtimes of the main antagonist, or a paralel story, which i know is a lot harder to write and come up with, so basically chapter 1a, and 1b, for protagonist - antagonist, or maybe the same setting just for the 2 protagonists Shawna and Will? |
2008-07-10, 17:37 | Link #52 |
Let's play a game!
Join Date: Sep 2006
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Having him be 10-11 reminds me of the pseudo-antagonist vampire in Blood Alone (not exactly friend, not exactly foe). He looks like a kid, but is one of the most powerful vampires around. Similarly, Dance in the Vampire Bund has a lolita as the ruler of all vampires. So setting him up as forever young is certainly not without precedent.
One thing you've mentioned a few times but never elaborated on: what are the 'techniques' that the pure bloods pass on to their progeny? What power do they have that makes that so important? Things to concern yourself with: The enemy does not stand still. Regardless of what fights get finished, you have to remember that just because the protagonist is taking a break doesn't mean that the enemy is doing the same. Words are more powerful than weapons. The enemy that just tries to come up with a more powerful weapon or technique to defeat your hero is trivial to deal with. The enemy that negotiates behind the scenes, building alliances and support among the families in order to achieve their goal (or conversely, blackmail and subterfuge), is extremely difficult to deal with, especially for mere teenager who is unlikely to have the contacts, resources and negotiative wherewithal to counter such activity. Therefore.. Friends are important. In a good story, the enemy is not one that is easy, or even possible, to face alone, such as the above example of the enemy who uses words. The hero must build friendships with those who can help him in areas where he is weak. However those friendships cannot be one-sided, else it's just a network of lackeys. Likewise.. Not everyone is going to be your friend. Mary Sue is not a compliment. Humans are important. They are also ingenious. Saying that humans "have no chance of winning" against vampires does not give them enough credit, and weakens the feel of your story in general, especially if maintaining your humanity (ie: half-breeds needing to drink blood) is important. In a world with a large population of vampires, there is almost certainly going to be a fair number of vampire hunters. Not only are they important as a general story element, they are important in helping you figure out what weaknesses the vampires have, how those weaknesses can be exploited, and what sort of changes that knowledge is likely to have on the vampires' behavior. It's also likely that there are vampire hunters that work together with the regular vampire families for the purpose of expunging those that become monsters. On the more difficult side: Determine who all (or at least most of) the characters are before you start, even if you never use them. In your particular scenario, you need to know: the names of all the Families; the heads of all the Families; the families of the heads of all the Families; important personel associated with each head of family (bodyguards, intel officers, generals, butlers, chauffeurs, diplomatic liasons, etc); rogue elements/independant specialists; students and teachers at school; etc. Major figures should be given names from the get-go; minor figures can be given names as needed; however even without names, you should still know who the people are in general. Determine what else is going on that only affects your hero indirectly. For example, a feud that erupts between two families because of a failed marriage arrangement can affect the hero's ability to gain support from either one of them in trying to counter the treachery of the hidden villain. This is extremely difficult, but will make it far easier for the world to be a World and not a little bubble around your hero. Last point: the origin of vampires. How they came about can affect certain matters. Is it purely a genetic anomoly? Have similar mutations happened as well (thus creating more types of human-monsters)? If the genetic anomoly was due an external effect (cosmic rays, meteor radiation, etc), other creatures (non-human) may have been affected as well. Is it a supernatural curse? Cast by demons or gods? If so, then those types of beings exist as well, and possibly other monsters in associated legends. Done with magic? Then magicians may exist among the human population. |
2008-07-11, 14:14 | Link #53 |
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Join Date: Jul 2007
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Just a couple thoughts:
1. You need to establish why there can only be 4 pure blood? How is that enforced? Where they do come from? Do they have any enemies or someone that know their past, secret? What check and balance are in play to prevent the 4 pure blood from going completely insane and just kill everyone else? They don't necessary have to be revealed early but needs to be there for story development. 2. A detailed system of Vampire's powers - what power do Pure bloods have that half breed do not? How do they control half breeds? What can the half breed do? What power do the vampire who lose control have, etc. 3. What technology/science level is the world at? Are there possible scenarios that half breeds can introduce new and never seen before element with the aid of science/technology? 4. How does Vampire keep people under control if humans hate and fear vampire? Simple power is not enough if humans greatly out numbers vampires. |
2008-07-23, 00:56 | Link #54 |
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Join Date: May 2008
Location: USA. we will just leave it at that.
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ok so many people have asked about the history of vampires, the technique passed on, and the power that goes along with being a s-class.
here is my answer: the history: Spoiler for to conserve lots of space- about history:
the pure bloods power: Spoiler for for space:
and the technique passed on at death: Spoiler for space again:
it is long but please read it all! |
2008-07-23, 01:24 | Link #55 |
Trying to be somebody
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Hmm, some interesting stuff you have there.
About the history, that's pretty interesting. I'm most interested in the terrorists that attacked the meeting between humans and Pure-bloods, what their motivation was, and what their end goal is. That is, if they play a part in the story, and if they do, you don't have to tell us everything about them. For the whole, pure-blood powerup thing. To start off simple, you can make their powered up state strong, but don't make them overkill, hax strong. Also, you could make it so that each pure-blood has a unique 'powered-up state' (you should come up with a name for that too, like fully realized pure-blood or something), either by bloodline or personality, where they can only greatly enhance one skill-set, while the others just have a moderate boost, like a kind of specialiaztion. For example, pure-blood A can greatly enhance his speed to super-human levels, and can run circles aroud other pure-bloods. Pure-blood B has the gift of advanced shape-shifting abilities. Pure-blood C can use his blood and the blood of other's as a weapon. That kind of stuff. Hope that helps.
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2008-07-23, 01:40 | Link #56 | |
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Join Date: May 2008
Location: USA. we will just leave it at that.
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about the power up state i know that is over kill but it was really just to prove a point. i will come up with a measuring system that is used but the people in the story to develope the actual numbers. and it wont be that high. as for the unique powers i guess i could give one to each 'house' and the pure bloods can use all of them but only in the powered up form (which yes i agree, i really do need to come up with a name for) use them at the same time. like a pure blood in normal form can use power A seperately from power B and C but not together until in the powered up form. |
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2008-07-23, 01:54 | Link #57 | ||
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Join Date: Jun 2008
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i really like the history and it actually really made sense. and the thought of a peaceful meeting between humans and vampires (atleast before the whole terrorist attack), thats deffinitely unique. love it. although i do agree with nobodyman the powerup form is a little up there. overkill to the max. but if you change it like you say you will it will be fine. Quote:
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2008-07-23, 03:11 | Link #58 |
Transient Guest
Join Date: Mar 2008
Location: Canada
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Well, good to see you have a villian now.
This villian though - what exactly does he want to do? Become vampire king himself? Exterminate all vampires? How EXACTLY does he plan to go about in accomplishing his nefarious plans? How close will he get? How will he get defeated? I agree with WolfishInclinations. You as the author do not have the liberty of simply saying: "personailty: unknown". You MUST know - it's probably more important than the hero's personality. It's the reader who is allowed to be kept in the dark - not you. More importantly, since the main character doesn't like vampires, why should he care enough to stop this villian? Seems like it'd be tempting for him to join the villian, not fight him. This kind of unco-operativeness from characters is what authors mean when they create characters and let them run wild - they often don't want to do what the author wants them to. You will have to shape the characters into characters that do what you want by putting them through experiences that will shape their character (some characters may even die in the course of this happening). As your vision of where you want to go with the plot becomes more clear, you will need to add more characters as necessary (minions, friends, sage-types, etc). |
2008-07-30, 12:19 | Link #60 | ||
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Join Date: May 2008
Location: USA. we will just leave it at that.
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as for his personality he will be nuts. so crazy with rage, but to others he will appear calm and collected. he will care for noone (not even his wife) and will be single minded and stubborn. oh and he will monologue here and there where his true crazy nature will be shown. he is also brilliant and has an wealth of knowledge that challenges the pure bloods (having lived for four pureblood generations). Quote:
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