2013-03-03, 01:30 | Link #181 | |
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So... Nisemonogatari wasn't a safe bet? Fate/Zero wasn't a safe bet? SAO wasn't a safe bet? If you're adapting highly popular source material into an anime, that's a pretty safe bet to sell well, imo. It's very rare for popular source material to not turn into well-selling anime after it gets adapted into anime. It happens, but it's rare. Also, Love Live! and VRO are safe bets to sell well, imo.
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2013-03-03, 01:30 | Link #182 |
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Join Date: Jan 2013
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Statements like "the number of high quality shows has decreased" just sound vague there. Quality isn't really something you can expect other people to understand what you mean when you talk about it like that.
As for the "safe bets" statement, expected profit is kind of one of those aspects that are pretty important to consider when making anything, so I'm not sure if I can really tell whether one thing is safer than another, since I'm not a marketing expert. |
2013-03-03, 01:54 | Link #183 |
Me at work
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Oh no not all,what I meant was that there's still shows being made that are not safe bets. Synaesthetic is free to not think highly of animes such as Shin Sekai Yori, Houge Mono, Chihayafuru,Tatami Galaxy but those are hardly safe bets that are made for the "moe viewers"
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2013-03-03, 02:42 | Link #185 |
Japanese Culture Fan
Join Date: Nov 2008
Location: Planet Earth
Age: 33
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Chihayafuru is josei. And I fail to see the point you're making. Does the target audience of the anime's source disqualify its status as a recent anime that defies norms?
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2013-03-03, 06:18 | Link #187 | |
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So yeah, the anime industry does take some real risks with some of their shows, and that's good to see.
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2013-03-03, 07:04 | Link #188 |
AS Oji-kun
Join Date: Nov 2006
Age: 74
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Even so, two of those shows, Hyouge Mono and Shin Sekai Yori, are adaptations of award-winning works. Hyouge Mono won the Grand Prize in the Tezuka awards of 2010. Shin Sekai Yori shared the 2008 award from the Japanese Science-Fiction and Fantasy Authors with Dennou Coil. (By the way, what's up with that dumb picture from the manga? And who is that girl on the left?)
I just mention this to observe that many of the less mainstream shows are themselves often based on widely-known, award-winning works. Having the NHK around to finance the translation of something like Hyouge Mono to the screen also helps enormously. NHK has underwritten many memorable series like Twelve Kingdoms, Uehashi's Moribito and Erin, and Dennou Coil. Too bad our public broadcaster only wants to finance animation for kids like Arthur. The 2011 adaptation of Moshidora followed a similar path. It was the best-selling novel in Japan in 2009. Oh, and it was also produced by the NHK.
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2013-03-03, 07:31 | Link #189 |
Lets be reality
Join Date: May 2007
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A lot of people think 05-07 was a great period for anime, to expect every couple of years to stack up to that is naive, not to mention wishful thinking. Every medium goes though up and downs but regardless, most things have gems in it every year, except the 2000 NBA Draft.
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2013-03-03, 07:32 | Link #190 |
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If you're talking about the SSY article then the girls are Maria, Saki and Reiko. Reiko being the very first girl who transferred out of the school, which is why you don't remember her. I think that's how it went anyway, even I'm not so sure since it was 20 odd weeks ago lol
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2013-03-03, 07:44 | Link #191 | |
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I mean, even if what you're saying were "objectively true", who are you to say that the fun that people have with those "shovelware F2P MMOs" isn't just as high? Who is to say that the model of "play for a while, enjoy it, then move on" isn't okay? If you can get 30-40 hours of enjoyment of something without paying a cent, maybe that's okay? Obviously it's not your preference, but that doesn't mean your preference is inherently better. Even if your argument were true, all you're doing is lamenting your own increasing irrelevance to the market at large. And to that one might say "the world's changing; sorry you can't keep up". I guess the world just can't keep measuring up to your superior discerning taste for "quality".
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2013-03-03, 09:30 | Link #192 | |
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2013-03-03, 11:03 | Link #193 | ||
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Many of the anime fans who like modern anime are not "kids". Many of them are just as old as Syn is, and Syn is not characterizing them as kids. This is not a generational dispute. It's not like Syn is somebody 50 or older who's been watching anime for 30 years or more, and is arguing that anime today is way worse than it was in the 70s, 80s, and early 90s. We're only talking a stretch of a few years here. So it's quite a stretch to argue that Syn is just being nostalgic or something like that. Westlo's argument resonates a bit more to me. Yes, 2005 to 2007 was an exceptionally strong period, and perhaps its asking too much to expect every new period in anime to be that good. It's fine if you or anybody else disagrees with Syn. I myself largely disagree with her. But I also disagree with how you're trying to completely dismiss her arguments purely with this "Oh, you're just being an old curmudgeon" implication. Wouldn't it be more productive to delve into what you find good about modern anime? To explain why you like it? To argue for it on the basis of its actual merits? Quote:
There's been bad changes in human history where people objecting to them made a positive difference.
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2013-03-03, 11:42 | Link #194 | |
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I do highly disagree with Syn's notion that anime today is just going for the quick buck and appealing to the lowest common denominator. Without naming names do I think there is a lot of anime like this, well yes. But I do think there are a number of strong series as well. I don't know for the people who say there is nothing good to watch these days I wonder if they are even looking? Admittedly maybe the series that I enjoy: Chihayafuru, Space Brothers, Shin Sekai Yori, etc will not appeal to someone else but I DON'T think these appeal to the lowest common denominator. And heck even if the majority of series are quick sells, I don't have time to watch the majority of series. I am watching 7 ongoing series right now and of those 7, five of them I can't miss (that's plenty for me). However I also disagree with relentlessflame that we can never discuss quality because it is all subjective. Quite honestly "because I enjoyed it" is a pretty poor argument when discussing the relative quality of something. Sure it is all opinion and there is no scientific argument but you can support your opinion. If I say a show is crap or a masterpiece it isn't just because "I just like or don't like it" I usually have specific reasons for that. People should be able to defend what they like and dislike.
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Last edited by Kirarakim; 2013-03-03 at 12:49. |
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2013-03-03, 13:11 | Link #195 | ||
Love Yourself
Join Date: Mar 2003
Location: Northeast USA
Age: 38
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For example, I was interested to note that synaesthetic mentioned Starship Operators as an example of a series that was appreciated by more discerning fans (and presumably as a great series?). I liked that show quite a bit, but to me, who had started out with series like Martian Successor Nadesico in that genre, Starship Operators seemed like a grab at modern trends (specifically, reality TV). I don't know when or what synaesthetic started with; maybe she also started out with Nadesico and just had a greater appreciation for Starship Operators than I did. But it seems to play into what relentless was saying: it's generational. Anyone who started with Nadesico or series from that time would view Starship Operators as being a new, possibly weird, possibly not up to snuff take on the genre. Anyone who started with Starship Operators would think it was the best thing ever, and would think that what followed was new, possibly weird, and possibly not up to snuff. Of course, people starting with what ever that was would think it was great... and the cycle would repeat. Quote:
I liked the early 2000's. Noir, Stellvia, Stratos 4, Gundam Seed, Mai HiME, Scrapped Princess - good times. But I also recognize that was when I also dove into anime most heavily, so that's where my bias lies.
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2013-03-03, 13:15 | Link #196 | ||
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In fairness to relentlessflame, it's not hard to get annoyed by how some still haven't accepted that yes, like it or not, moe is a big part of modern anime and is here to stay.
If you're going to be a content modern anime fan, I think you need to at least accept the predominance of moe. You have to "make peace with it", so to speak. You can like it, or you can dislike it, but there's little point in arguing against moe itself. The problem is that some people really thought it was just going to be a passing fad. Well, it's been clear for awhile now that it's not a passing fad, and it's time for the Zac Bertschys of the world to learn that no matter what they say, it's not going away. OTOH, the argument of 'If someone says "Anime was better a few years ago" then that person is just a crusty old-timer who rants against "kids these days" and hence isn't to be taken seriously' takes us down a path that I find pretty troubling. As a Star Trek fan, and as a comic book fan, I know that entertainment industries really do decline sometimes. It can happen. There's no question it happened with Star Trek - The proof is in declining ratings, declining movie success (until the recent movie reboot), and Enterprise failing to achieve the 7-season standard set by TNG and DS9. New isn't always better. The veteran critic isn't always wrong. No, I really don't think it is. And I think it does a disservice to people like syn to argue that it is just a generational dispute. People can have legitimate reasons for preferring one era of anime over another. It's not always just a matter of nostalgia or "refusing to keep up with the times". Also, it's been my experience that for most long-term anime fans, their favorites list changes fairly frequently, which indicates an openness to new shows. When I first saw Madoka Magica in 2011, I had already been an anime fan for a few years. It obviously wasn't something I would regard highly because it was one of the first shows I saw. But after a year or so, I decided that Madoka Magica was one of my five favorite anime shows of all-time. It had aged well for me, and earned that status, imo. (By the way, I'm pretty sure syn herself has spoken highly of Madoka Magica, which also contradicts what you're arguing here). I also watched Steins;Gate in 2011, and it's now amongst my Top 10 list of all-time. Even though Mari-Mite is an older show, I myself only watched it this past Fall. It skyrocketed into my Top 10 list. People are able to fairly judge and assess new shows. If they favor older shows over newer shows it's not necessarily due to nostalgia. They may have perfectly valid reasons for their preferences. I think it undermines good discussion and debate to casually dismiss such preferences to generational divides. Quote:
If teens are "waxing nostalgia" over events and places they enjoyed only a few years ago, then maybe it's not just nostalgia. Maybe it really was that great. Is such a conclusion really so unimaginable? Quote:
Sometimes a trend or development really is bad.
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Last edited by Triple_R; 2013-03-03 at 13:35. Reason: Adding in reply to Ledgem |
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2013-03-03, 13:51 | Link #197 |
You're Hot, Cupcake
Join Date: Aug 2008
Age: 42
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There is a divide between the old and the new. There is no doubt about it. If you took an anime fan from the 90s and sat them down with someone who only watches current material, things would be rather messy. Common ground (titles they know, titles they like, industry people they like) would be hard to find.
It's no surprise, really. Things change rather quickly in this industry. A long time friend of mine have been observing people when they started anime, a few years in then seasoned or departed, as well as trends within the industry. 1. We saw a general trend (not definitinive, but general), that newer fans face a considerable barrier to anime that isn't current and that anything older than 2 years before they started. Getting used to the current state of things seems a necessary step before venturing back in time. 2. There seems to be a five=year (roughly speaking) ripple effect in terms of when a major title's effects make a significant mark on what the industry makes and when a once popular title could not be made in the present state. For example, I don't think Madoka would have been anywhere near as successful if it was made in 2006 but its effects on the industry are slowly coming to pass and one could see it being made in 2016 at this rate. It was really around 2006-2007 that the effects Azumanga Daioh's success led to titles of a similar style becoming more prevalent, but on the flipside, there's no way in hell it could have been made in 1997. Timing is a big factor for a lot of successful shows. 3. Art styles are a real sticking point for a good number of modern fans. A lot of them will outright reject material from the 90s or earlier purely for how characters and the like were done. On the flipside, old-school fans aren't that impressed with modern anime's minimalist, pastel color style. 4. The necessity in a good number of modern titles for moe girls as characters is something a lot of older fans are utterly bemused by, but to modern fans, it makes sense. Which factors into what they want to see - what those fanbases at those points in time wanted were quite different. Which affects style and the types of shows that are being made. Which comes to another big difference in the industry today. Anime used to be more director-studio dictated and still somewhat is, but with financial pressures and anime's low strike rate for success with a show, fans now dictate more of what happens because success only comes if they fork out for the show and related merchandise. Fans suddenly becoming more empowered is a double-edged sword - having an effect on what gets made and licensed is good, but at the expense of variety-creativity and what is accepted to be animated isn't always a good thing. 5. Access to anime - and this is a big one as far as my friend and I are concerned. Until about 10 or so years ago, it was hard to get hold of anime, as well as expensive. Even if it wasn't that good, people back than felt somewhat priviliged they were able to get hold of anything and were grateful that they could. There was also a comradery and a forced face-to-face fandom with the limitations of technology and licenses. Whereas today, within hours of a title airing an episode, you can get hold of it, watch it, scrutinise it and discuss it with people all over the globe. Licensing companies now react quickly with licenses and releases comapred to what they did back then. This has been one of the biggest changes within anime fandom. While it did open up access to so much, I feel it really killed the social aspect of anime fandom. People who once gathered in big numbers to get to see anime and to chat with other anime fans now can in solitude in their own home with anonymity. Sometimes I feel people don't realise how good they have it that they can now access almost any show or movie and as of a couple of years ago, can now obtain the titles from decades ago that you simply couldn't before. These days, I'm merely of the opinion 'each to their own, but respect the right of others to like what they like. They're not stupid or freaks if they don't agree with you whole-heartedly.' If another anime fan can do that and be somewhat open-minded in discussion, I can get along with them. But that can be difficult to find even at the best of times.
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2013-03-03, 13:51 | Link #198 | |||
Love Yourself
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This is normal and plays out for everyone. But again with the absolutes: I would agree that we shouldn't say that people adhere strictly to those types of views. It's just something to bear in mind. We can say that modern series are weak and be correct based on objective measuring scales, but it isn't unusual at all for fans with more experience to have more discerning taste. Do people who are just getting into anime today feel that today's series are weak? (I doubt it - otherwise they probably wouldn't join the fandom! ) Being able to pick up new favorites doesn't really indicate much, I think, because people don't operate by those absolutes. However, the generational expectations often give rise to people saying things like "it's not as good as it used to be." I didn't get the impression that relentlessflame was being dismissive by bringing that up, but rather he was mentioning something that is true of all people across all areas of interest. Quote:
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In summary, I don't disagree with anything that you've said, but I also agree with relentlessflame. The comments made by synaesthetic and countless others about how anime isn't as good as it used to be, about how they don't make 'em like they used to, shouldn't be dismissed outright as people rejecting new trends. Yet it's true those "generational" feelings often times are behind the person's sentiment, whether in part or entirely. Isn't it always what the elderly seem to be saying? "Things were better back in my day." Because things rarely unanimously improve they're right in certain ways, but wrong in many others.
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2013-03-03, 14:17 | Link #199 | ||
On a mission
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Whether it's a criticism against anime or games, I am not able to take one seriously unless their criticisms are more specific. All I get is a bunch of causation that doesn't lead to correlation. I'm all for bashing shit, but there's a fine line between a legitimate analysis and just elitist hot air where one just talks about pandering to the LCD, the later of which is too common on the internet. I mean it's fine to think that way, but there's just nowhere a discussion can go. And yes, I realize this topic was pretty crappy to begin with anyways, since it's built upon a false premise. Quote:
I would definitely lament rushed games that are cynically produced and contain many bugs, flaws, and features missing that try to distract people with a few hours of flashy graphics and turns out to be a waste of time. But that isn't a new thing. At all.
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2013-03-03, 14:21 | Link #200 | |
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