Entering the Itano Circus
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Which brings me back to my original question. Why exactly did you strap fifty fireworks to your motorbike?
Itano looks at me askance, as if wondering if I am dim.
“Well,” he says, “that was as many as I could fit. You know, some on the mud guards, some on the cowling, some on the –”
Yes, I say. I see that. But perhaps we are talking at cross-purposes about the meaning of “why”. Why did you do it?
“Oh,” he replies. “We’d been told that it was dangerous. So obviously, we decided to try it. I had my bike on the beach. And my friend had his, and we rode out a ways to give ourselves plenty of run-up, and then we charged each other. On the motorbikes.”
And then, I ventured meekly, you lit the fireworks?
“That’s right. They were all linked together with fuse cord, but I still had to light them. Did you know that a Zippo lighter is still windproof at eighty miles an hour? That’s really impressive, isn’t it?
“So anyway, I lit the fireworks, but they all kind of went off at once. There was this sudden, explosive cloud of smoke, and then there were rockets and firecrackers in my face, looping past me, around me… and it was really weird, sometimes they seemed to hang in space for a moment, as if they weren’t going anywhere. It was because I was still moving, along with them. Relative velocities, you see! Some were moving faster, others slower. And the smoke trails behind them billowed out in yet another direction, carried off by the wind, which was blowing in its own direction, nothing to do with the direction my bike was going. Or not going. Because I fell off. And I think my clothes were on fire by this point.
“So, you know… that’s a daft thing to do. Even if you’re twenty years old and drunk, it’s not recommended. The biking around on the beach is actually more fun than the actual fireworks… But I’m an artist. I put that experience to use. There was a storyboard on an anime show that had a pilot’s eye view of missiles coming towards him. And I said, you know what, that’s not what it looks like. It’s not so linear. I’ve been in the middle of a bunch of rockets going off, and they snake all around you. They don’t always go in the same direction! There are duds, and ones with unexpectedly high charges, and always smoke going in a direction you don’t expect. So I put all that in, and in the show we got this massive explosion of rockets and contrails. And it was pretty good!
“Not long after, Kazutaka Miyatake gives an interview to My Anime magazine, and he mentions this kind of shot, and says that it’s turning up all over anime. It’s turning up in Macross, of course. This kind of three-dimensional positioning within a salvo of rockets, and he calls it an ‘Itano Circus.’ Named after me, you see! How about that?
“Now, for my next trick, I shall re-enact the opening of Star Wars with nothing but a mobile phone…”
Jonathan Clements is the author of Schoolgirl Milky Crisis: Adventures in the Anime and Manga Trade. This article first appeared in SFX Total Anime #3, 2010.