Nope, there's no short cut. I edit, on average, about 12 stories a night, each an average of 500 words in length. That's about 6,000 words a night and, on some nights, around 50 per cent more.
That is, about 9,000 words a night, which is roughly the length of one chapter of a typical novel. So, as you can imagine, my brain is pretty much mush by the end of an eight- or nine-hour shift.
There are books that can teach you how to write clean, concise prose. The most accessible one is
The Elements of Style by Strunk and White.
Or, you can follow George Orwell's
six elementary rules:
1. Never use a metaphor, simile or other figure of speech which you are used to seeing in print.
2. Never use a long word where a short one will do.
3. If it is possible to cut out a word, always cut it out.
4. Never use the passive where you can use the active.
5. Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.
6. Break any of these rules sooner than say anything outright barbarous.
Rule 4 might need a bit of explaining. A sentence written in the "active" voice uses a simple
subject-verb-object structure. Examples: "I go to the zoo."; "Tom picks up the book."; "Jane met Tom."
A sentence written in the "passive" voice uses to a "object-verb-subject" structure. It is typically longer and sounds awkward. Examples: "The book was picked up by Tom."; "Tom was met by Jane."
Civil servants and officials, especially, love to use the passive voice, because it allows them to drop the subject of the sentence. Example: "The goal was met (by whom? how?)."
That creates ambiguity, and also leads to long, horrible sentences.