2011-07-05, 12:38 | Link #23081 |
Senior Member
Join Date: Oct 2010
|
Finished reading Episode 6 and I have a few more questions:
How did Kanon save Battler? Was it all really just a prank until Erika killed them for real and so does it mean there was no culprit to begin with? And the final red truth that Erika and Battler/Beatrice used, I don't understand that one. |
2011-07-05, 13:27 | Link #23082 |
Senior Member
Join Date: Oct 2010
|
I think most of the people understood it as a play on the whole Shkanon situation with Yasu being able to turn on/off personas as s/he sees fit for the sole reason of dodging a red. At least to all of us who have no "love"
In regards to Battler's game in ep6, I always liked thinking how it would have played out had Erika used her detective authority. That and how it would play out if Battler didn't accept any of the handicaps he took on. Trying to read behind the lines to try and find any of clues or herrings. I always felt that Battler was gonna kill her off and force her to conduct the investigation as George |
2011-07-05, 13:44 | Link #23083 | |||
The True Culprit
|
Quote:
Quote:
Quote:
Kanon saved Battler by essentially calling a bluff. The fact that Beatrice 'used magic' implies that there was trickery. The most obvious way of solving this problem is that Shannon crawled out her window, became Kanon, rescued Battler, enter the closet, and then stopped being Kanon and became Shannon again, thus "Kanon is nowhere in this room." The final Red Truth between Erika and Battler/Beatrice basically amounts to "You're imaginary, Erika. Get the fuck out because you were never on Rokkenjima."
__________________
|
|||
2011-07-05, 13:44 | Link #23084 | ||
Senior Member
|
Quote:
The story End of the Golden Witch which was conceived within Ryukishi's narrative Umineko no naku koro ni becomes the basis for The gameboard conceived by the witch Lambdadelta which is a part of The narrative that is EP5 The End of the Golden Witch conceived by Ryûkishi07. What we read might contain everything that is Lambda's game, but as you said it must not and probably does not contain everything that is contained in the fictional novel End of the Golden Witch. I started taking the stance that what we see in the Meta World is actually the thought process of Battler as he writes the stories and thinks about them. Sometimes Ange's thoughts are mixed in as well, which mirrors her experience when reading Hachijô Tôya's final product. Tôya collected basic plot elements for EP5 from the different groups who thought about the Rokkenjima incident. If we consider that Lambdadelta is "Beatrice's benefactor" "the one who allows her to be a witch", you could say that her making the game represents the group of people who believe in the witch's existence tackling the theories of those who want to tear it down. And those again are represented by Bernkastel and put into the story in form of Erika. It's no accident I'd say that the man from 19 years ago was proposed by Lambdadelta. It was not to frame Natsuhi, it was to present an alternative. If we consider Lambda and Bern to be part of Battler/Tôya's thought process as well, you could say it was the part in him in favour of the witch illusion saying "Hey, there are still alternatives to framing your relatives!!". EP5 for me was showing the conflicting emotions within Battler/Tôya, as he was approaching the story from two viewpoints. Tôya wanted to know everything and supported Bern/Erika (the group which are represented by the Witch hunters in the real world) but the Battler in him (who probably knew quite much) fought against that idea and inserted conflicting statements into the narrative. And then, almost when he was convinced that there was no other way than to proclaim Natsuhi guilty of those crimes because of doubt and evidence, he came to question why then "Beatrice" had to make that noble sacrifice and proclaim herself guilty through the message bottles. And that is when he suddenly remembered Yasu, his broken promise, the effect he had on the events, what actually happened on the island and how it conflicts with what people are supposed to think, etc... The question is wether Tôya came to that conclusion while writing or after...but wasn't the End of the Golden Witch which Ange got to read only a script and not a released version? Maybe Tôya scrapped the idea to release End while going over it (which is presented to us as Battler's struggle in the Meta World), because he realized that this is not what he was supposed to write. Quote:
Take your time, think about it...but if you can't wait I'll give you my theory in spoilers: Spoiler for Theory for Kanon's trick and Erika's red EP6:
|
||
2011-07-05, 13:50 | Link #23085 |
BUY MY BOOK!!!
Join Date: May 2009
|
Yes, but that doesn't mean the original author of the story on which she based her game knew that. Lambda clearly does, and sets the parameters of her game in red to match the "correct" ones. That doesn't mean every single incarnation of the story did, merely the one we actually saw parts of.
__________________
|
2011-07-05, 14:02 | Link #23086 | ||||||||
別にいいけど
Join Date: Jul 2007
Location: forever lost inside a logic error
|
I honestly find difficult to follow your reasonings, this time in particular.
Quote:
I think this issue is totally unrelated to Rokkenjima-Prime. Rokkenjima-Prime is what happened in the universe where Ange Ikuko and Tohya live as shown in the ending of EP8. The continuation of EP5 does not necessarily need to have anything to do with Rokkenjima-Prime and we have no guarantee that the story as we have seen it is the same as the forgery of the same name In Rokkenjima-Prime. Quote:
Quote:
Quote:
Quote:
Quote:
Quote:
The final truth simply means that the total amount of people in Rokkenjima are 16 because Shannon and Kanon are one and the same. With Erika it becomes 17. As to why Erika could say in red that she's 18th visitors there are several unconfirmed interpretations. The culprit? Maybe there was supposed to be one in Battler's plan but we will never know. Quote:
__________________
|
||||||||
2011-07-05, 14:21 | Link #23087 | |||||||
BUY MY BOOK!!!
Join Date: May 2009
|
Quote:
Quote:
Quote:
Quote:
Whether he thought about it or not doesn't bear on his claim that any one of us could think about it and come up with a "proper" continuation. He believes it's possible. Quote:
Quote:
Quote:
__________________
|
|||||||
2011-07-05, 14:32 | Link #23088 | |
別にいいけど
Join Date: Jul 2007
Location: forever lost inside a logic error
|
I think I know where is the problem. You assume that when ryuukishi said that "you should be able to understand what happens afterward" meant that you should be able to know what happens in each subsequent twilight. However that's simply preposterous and impossible for us.
I think Ryuukishi was misunderstood there. He was simply referring to the fact that in the end everything blows up. This is what he meant by that. Quote:
__________________
|
|
2011-07-05, 14:41 | Link #23089 | ||
BUY MY BOOK!!!
Join Date: May 2009
|
Quote:
Quote:
__________________
|
||
2011-07-05, 14:42 | Link #23090 | |
The True Culprit
|
Quote:
__________________
|
|
2011-07-05, 14:58 | Link #23091 |
別にいいけど
Join Date: Jul 2007
Location: forever lost inside a logic error
|
What can you write? A fan fiction? You have absolutely no way to logically deduce what was supposed to happen after the story interrupted. What Ryuukishi said is that you could "understand" not that you can come up with a continuation.
You are tragically forgetting when that interview was done.
__________________
|
2011-07-05, 15:04 | Link #23092 | ||
The True Culprit
|
Quote:
Quote:
__________________
|
||
2011-07-05, 15:11 | Link #23093 | ||
別にいいけど
Join Date: Jul 2007
Location: forever lost inside a logic error
|
Quote:
Also Ryuukishi in that interview never said it was a hard task, but something you could actually understand. Your point is invalid. And for the hundredth time It was me that made that crater in that picture! It was so obviously shopped that I didn't know it was necessary to tell. I just made it as a a tangible way to make you understand my prediction. Quote:
__________________
|
||
2011-07-05, 15:53 | Link #23094 | |
BUY MY BOOK!!!
Join Date: May 2009
|
Quote:
That is a far cry from understanding the truth of the story to even begin to guess as to why an explosion happened, let alone much else. A forger who knows nothing about the incident except that there must have been an explosion can easily write a story which ends in one. That alone is not sufficient to write a forgery which reaches Beatrice's heart or whatever nonsense it is we're supposed to look for. I assure you, I do not think he would have wasted such open-ended and ambiguous words on "and then everyone blows up, the end." I think it's clear that he meant that understanding the story would permit you to speculate as to how it might flow to its conclusion. That doesn't mean that you'd guess the second half of ep5 exactly the way Ryukishi would've told it. It just means that if you knew what you were doing, you could construct a forgery that's basically "End + Stuff" and that forgery would reach the heart of the story. If you did it right he'd be able to read it, nod, and say "Yes, that's one way it could have happened that speaks to the truth." As opposed to, say, suddenly having space aliens attack. There's a big difference between plausibly detailing a narrative that could have been the second half of End and just writing whatever to fill space.
__________________
|
|
2011-07-05, 15:57 | Link #23095 | |
Senior Member
|
Quote:
Writing forgeries is also a way towards the truth...if your story matches the requirements and is unable to be tackled by counterarguments, then you might have pretty much arrived at something close to the truth. Maybe not THE truth, but that was never the intention of the forgeries anyway. Even in the narrative of Umineko EP3-5 were methods of Tôya to arrive at a truth he had not regained yet. And EP1 and 2 are only predictions of what might happen. Only EP6 and 8 were written with the full knowledge of the truth. |
|
2011-07-05, 16:15 | Link #23096 | ||
The True Culprit
|
Quote:
I'm sorry, maybe I'm just a genius, but I feel that "Everyone dies no matter who is still alive to carry out the last murders" and "Everything is fucking gone except a piece of Maria's jaw" and "The entire island is vaporized into a big-ass crater" to mean "Explosion." Quote:
__________________
|
||
2011-07-05, 17:32 | Link #23097 | |
Senior Member
Join Date: Apr 2011
|
Quote:
Basically meaning there were 16 humans, and Erika joining would have made it 17. Whether she was alive or dead, and whether or not she counted in the case of being dead wasn't really something I considered though. (although seeing Kinzo doesn't count despite being dead that's probably not correct, unless they pulled some bullshit about ''humans'' being different from ''corpses'' like in EP 5) |
|
2011-07-05, 17:53 | Link #23098 |
Senior Member
Join Date: Oct 2010
|
Eh not really imaginary but splits from the same person. Yasu did it to compensate whenever she needed to by making people up and living them out. For all intended purposes that person existed until Yasu decides they dont exist anymore.
|
2011-07-05, 18:00 | Link #23099 | |
The True Culprit
|
Quote:
__________________
|
|
2011-07-05, 18:16 | Link #23100 |
Senior Member
Join Date: Apr 2011
|
I figured that it'd had just made a hole in her ''Kanon is in the room'' argument, in case ''Kanon does not exist in this room'' wasn't enough for her, plus just a ''lolfuckyou'' to her last statement, since she knew she was boned anyway, and it makes a great opportunity to spell it out to certain readers(myself included at the time).
Plus, in all honesty, she pretty much lost 3 times, if she had happened to say 2+2=3 and they countered with 2+2=4, I'm sure they still would have been able to kill her. Although now that I hear it's referencing Erika that changes everything, I really thought it didn't, lol.... |
|
|