2011-12-24, 20:21 | Link #61 | |
Senior Member
Join Date: Nov 2006
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2011-12-24, 20:53 | Link #62 | |
Hen-Tie
Join Date: Apr 2010
Location: Hen-Tie pen
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The only reasons because female-oriented fanservice often get less criticism than male-oriented ones are these: they are less obvious and more ambiguous. They don't like to see some pantyshots and bouncy breasts but they do like topless men with magically shaved chests for example. Sometimes even their voices are enough to make female otakus go crazy for them. |
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2011-12-24, 21:09 | Link #63 | |
Senior Member
Join Date: Dec 2005
Location: U.S.
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On the other hand, many of the fan-service anime are based on "Known commodity that are already selling in the its original format, so any altering is just destroying the source material....
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2011-12-25, 00:41 | Link #64 |
Gamilas Falls
Join Date: Feb 2008
Location: Republic of California
Age: 47
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I would point the differences in style of fan service between Gonzo's Full Metal Panic and Kyoto's Full Metal Panic? Fumoffu. Gonzo went with the panty shots and such seemingly random fan service. Kyoto went with sticking almost all of it into location specific locations (hot springs trip), and pretty much all the major fan service in one episode.
That or they made the fan service part of the plot (everyone's clothing desintigrating due to a biological weapon for instance), or part of the comedy (the accidental boob grab with associated beating afterwards). I don't think they ever went for any panty shots.
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2011-12-25, 02:19 | Link #65 | ||||
by John Digweed House Mix
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autocitare me in this post:
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Spoiler for call me to night:
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Angel beats is another anime like Suzumiya Haruhi but with better story and action.
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Last edited by Transitions; 2011-12-25 at 02:34. |
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2011-12-25, 02:22 | Link #66 | ||
Senior Member
Join Date: Dec 2005
Location: U.S.
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Fan service isn't the problem it's been there before. The issue is that people's misconception that anime are all made with original material when in reality there is probably only 1-2 series a season that was completely new and the rest are all some sort of adaption. That couples with the fact that most of the so call western anime fans only got exposed with what little anime they seen since late 90s and never seen other type of anime (late night varieties and shojos) than what was being ported at time. (ie. action adventure). It also doesn't help that most western fan think all anime are broadcast in day time when most of anime timeslot increase since 2000s' are late nights slots and air as late as 3 A.M. Which means most anime don't have as much budget as most think and are made by expanding the source material from shounen to seinen to LN. At same time the day time anime slots are been taken over by increasing numbers of JUMP titles instead of original materials. This is mainly due to the Big 3 of OP, Naruto and Bleach. In the 80s or 90s, you never seen a JUMP title run for more than 2-4 years before it been taken over by new JUMP series, and you never seem more than 2 or 3 JUMP series at same time with DB been the only exception as the only long-running adaption. Now there's like 5-6 JUMP series running at same time and that's not counting other Shonen title like Detective Conan. Quote:
K-On is a 4-komi Seinen title designed for bussiness/working men. That being said, 4-komi are selling based on it's gag comedy and cute characters and it is also helped by the vast world of what we call as H-Dojinshi market. As for Angel Beat, it is one of those few original properties and while it was a success, one would argue that Strike Witches is the more overall successful multimedia franchise between the two.
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Last edited by Undertaker; 2011-12-25 at 02:35. |
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2011-12-25, 11:19 | Link #68 | |
Megabuddy
IT Support
Join Date: May 2006
Location: Perth, Australia.
Age: 16
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It's a safety net - even if the product itself isn't that good, there's a belief that it'll prevent a product from completely bombing. There's always stars every now and then - the West has shows like Breaking Bad and Community that completely eclipse the mass-produced filth, just as the anime industry has it's own.
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2011-12-25, 11:36 | Link #69 |
temporary safeguard
Join Date: May 2004
Location: Germany
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I still don't see the industry's problem that was mentioned in the title.
So now you all agree there are titles that focus on fan service. Fine, but why is that a bad thing? Also Sankaku is the fanservice equivalence of a news site. Nothing wrong with that either, I read it daily. As in this case, they like to display the ramblings of some otaku and present it as news, but you should know better than taking it serious. It is an entertaining read and then you can make fun of it with a snarky comment. That's all there is to it. |
2011-12-25, 20:52 | Link #71 |
Deadpan Snarker
Join Date: Dec 2005
Location: The Neverlands
Age: 47
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But current 'fanservice' cannot be stated as a problem since apparently not everyone percieves it as such
Again a more honest question for this topic would be "Is there too much fanservice in anime??"
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2011-12-25, 21:03 | Link #72 | |
by John Digweed House Mix
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xD, Please do not make me get the Troll in me,
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Last edited by Transitions; 2011-12-25 at 21:18. |
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2011-12-25, 22:44 | Link #74 |
Obey the Darkly Cute ...
Author
Join Date: Dec 2005
Location: On the whole, I'd rather be in Kyoto ...
Age: 67
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Well.. you'd simply be utterly and factually wrong -- shounen series from a shounen 4-koma comic. It happens to *also* be popular with girls but you should take a look at the live concerts for K-On. About 80% men (though there were a smattering of women in the audience).
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2011-12-25, 22:57 | Link #75 | |
Also a Lolicon
Join Date: Apr 2010
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L☆S was a shounen 4koma animated by KyoAni though. |
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2011-12-25, 22:58 | Link #76 |
Obey the Darkly Cute ...
Author
Join Date: Dec 2005
Location: On the whole, I'd rather be in Kyoto ...
Age: 67
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Sorry, you're right.. but even better (I should type slower), the base point being he was confused about who watched the series or what audience it was initially targeted at (though it has gone wide-spectrum in popularity).
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Last edited by Vexx; 2011-12-25 at 23:23. |
2011-12-26, 03:07 | Link #77 |
Senior Member
Join Date: Dec 2005
Location: U.S.
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And I'm still saying that it has more to do with source material than anything.
The issue here is that since late 90s, The first anime boom caused a increase in Anime time slot that essentially started to replace OVA series. Because of that, studio started to dip into Seinen and Josei front as source. This brings us titles like Monster, Gokusen, Bartender, etc. However none of them had much commercial impact. On the other hand, live action adaption of Gokusen, Dragon Sakura and other Seinen/Josei adaption gain huge success and also helped boost the sale of source material. As result the Seinen/Josei adaption that have real-live theme (or at least semi-real-live) started to shift toward live action drama. Series like Iryu, Kami no Shuzuku, Bloody Monday, Liar Games, Hotaru no Hikari etc would all likely be animated in early 2000 but are now dramas instead.. This was caused by seinen series like Monster, Bartender, Gokusen all failed commercially despite the acclaims while the drama adaption was gathering results. It also helps in Josei front, with Hataraki Man On the other hand, the void those series created got filled with 4-koma and LN which many ends up as being either better than original (4-Koma) or commercially successful (LN) or both. My issue with Anime industry isn't fan-service, it has always been there and always will be. My main concern is that it seems that at this point the industry is starting to run out of series to adapt. If you look at next years' adaption, they are really dipping into some average, niche series that even fans of respective media might not have heard of. As much as I like Mysterious Girlfriend X, it was a shock for be to see it being slotted for animation and we are starting to see LN with only 4-5 books to get animated when is was usually 7-10 books before, same thing with manga. It also doesn't help that the industry has now shy away from more than 1-cour commitment. Days of 5-10 books series (for example, Full Moon wa Sagashite) nets you 4-cour were gone. I mean even Full Metal Alchemist Brotherhood got only 5-cour out of 25 volumes when and extra cour would fix some of the pace issue it had. And as it is, we now see more and more manga/LN adaption that would have benefit with an extra cour, either for pacing or closure issues. Just look at the anime for past year or two. The biggest issue wasn't so much as the adaption itself but the lack of length (pacing) and endings. Some series simply needs an extra cour to give a proper closure. When those series got cut short and cause stories to alter, it also killed off any potential sequels or risk inconsistency that hurts the sequel.
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2011-12-26, 03:12 | Link #78 | |
Banned
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My concern is the teasers.... but I love the teasers.... but not the yuri scenes as side dish... |
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2011-12-26, 07:39 | Link #79 | |
Autistic NEET artist
Join Date: Apr 2010
Location: France
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As well most 4-koma manga-based anime are seinen while most LN-based anime are shounen, so they have an increase on shonen anime (even for harem series like To Love-Ru and the majority of shounen LN) more than shoujo, seinen (4-koma and moe seinen titles excluded) and josei anime.
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2011-12-26, 11:00 | Link #80 | |
Deadpan Snarker
Join Date: Dec 2005
Location: The Neverlands
Age: 47
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I would sooner believe being 'desensitized' When the meatproducts are getting thrown around like they're coming from the Horn of Plenty its impact diminishes severely Now if every series starts off as a run of the mill [insert genre] but it ends up as a "Pantsu and shower fest" I could see it being a problem But really, don't tell me you guys didn't know what a show like QB or IT was about before you started watching it It's like blaming a porn movie that there's sex in it and no quality drama or acting skills
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