101. I will not order my trusted lieutenant to kill the infant who is destined to overthrow me -- I'll do it myself.
102. I will not waste time making my enemy's death look like an accident -- I'm not accountable to anyone and my other enemies wouldn't believe it.
103. I will make it clear that I do know the meaning of the word "mercy"; I simply choose not show them any.
104. My undercover agents will not have tattoos identifying them as members of my organization, nor will they be required to wear military boots or adhere to any other dress codes.
105. I will design all doomsday machines myself. If I must hire a mad scientist to assist me, I will make sure that he is sufficiently twisted to never regret his evil ways and seek to undo the damage he's caused.
106. If my supreme command center comes under attack, I will immediately flee to safety in my prepared escape pod and direct the defenses from there. I will not wait until the troops break into my inner sanctum to attempt this.
107. Even though I don't really care because I plan on living forever, I will hire engineers who are able to build me a fortress sturdy enough that, if I am slain, it won't tumble to the ground for no good structural reason.
108. Any and all magic and/or technology that can miraculously resurrect a secondary character who has given up his/her life through self sacrifice will be outlawed and destroyed.
109. I will see to it that plucky young lads/lasses in strange clothes and with the accent of an outlander shall REGULARLY climb some monument in the main square of my capital and denounce me, claim to know the secret of my power, rally the masses to rebellion, etc. That way, the citizens will be jaded in case the real thing ever comes along.
110. I will not employ devious schemes that involve the hero's party getting into my inner sanctum before the trap is sprung.
111. I will offer oracles the choice of working exclusively for me or being executed.
112. I will not rely entirely upon "totally reliable" spells that can be neutralized by relatively inconspicuous talismen.
113. I will make the main entrance to my fortress standard-sized. While elaborate 60-foot high double-doors definitely impress the masses, they are hard to close quickly in an emergency.
114. I will never accept a challenge from the hero.
115. I will not engage an enemy single-handedly until all my soldiers are dead.
116. If I capture the hero's starship, I will keep it in the landing bay with the ramp down, only a few token guards on duty and a ton of explosives set to go off as soon as it clears the blast-range.
117. No matter how much I want revenge, I will never order an underling "Leave him. He's mine!"
118. If I have equipment which performs an important function, it will not be activated by a lever that someone could trigger by accidentally falling on when fatally wounded.
119. I will not attempt to kill the hero by placing a venomous creature in his room. It will just wind up accidentally killing one of my clumsy henchmen instead.
120. Since nothing is more irritating than a hero defeating you with basic math skills, all of my personal weapons will be modified to fire one more shot than the standard issue.
121. If I come into possession of an artifact which can only be used by the pure of heart, I will not attempt to use it regardless.
122. The gun turrets on my fortress will not rotate enough so that they may direct fire inward or at each other.
123. If I decide to hold a contest of skill open to the general public, contestants will be required to remove their hooded cloaks and shave their beards before entering.
124. Prior to kidnapping an older male scientist and forcing him to work for me, I will investigate his offspring and make sure that he has neither a beautiful but naive daughter who is willing to risk anything to get him back, nor an estranged son who works in the same field but had a falling-out with his father many years ago.
125. Should I actually decide to kill the hero in an elaborate escape-proof deathtrap room (water filling up, sand pouring down, walls converging, etc.) I will not leave him alone five-to-ten minutes prior to "imminent" death, but will instead (finding a vantage point or monitoring camera) stick around and enjoy watching my adversary's demise.
126. Rather than having only one secret escape pod, which the hero can easily spot and follow, I'll simultaneously launch a few dozen decoys to throw him off track.
127. Prison guards will have their own cantina featuring a wide variety of tasty treats that will deliver snacks to the guards while on duty. The guards will also be informed that accepting food or drink from any other source will result in execution.
128. I will not employ robots as agents of destruction if there is any possible way that they can be re-programmed or if their battery packs are externally mounted and easily removable.
129. Despite the delicious irony, I will not force two heroes to fight each other in the arena.
130. All members of my Legions of Terror will have professionally tailored uniforms. If the hero knocks a soldier unconscious and steals the uniform, the poor fit will give him away.
131. I will never place the key to a cell just out of a prisoner's reach.
132. Before appointing someone as my trusted lieutenant, I will conduct a thorough background investigation and security clearance.
133. If I find my beautiful consort with access to my fortress has been associating with the hero, I'll have her executed. It's regrettable, but new consorts are easier to get than new fortresses and maybe the next one will pay attention at the orientation meeting.
134. If I am escaping in a large truck and the hero is pursuing me in a small Italian sports car, I will not wait for the hero to pull up along side of me and try to force him off the road as he attempts to climb aboard. Instead I will slam on the brakes when he's directly behind me. (A rudimentary knowledge of physics can prove quite useful.)
135. My doomsday machine will have a highly-advanced technological device called a capacitor in case someone inconveniently pulls the plug at the last second. (If I have access to REALLY advanced technology, I will include a back-up device known as a battery.)
136. If I build a bomb, I will simply remember which wire to cut if it has to be deactivated and make every wire red.
137. Before spending available funds on giant gargoyles, gothic arches, or other cosmetically intimidating pieces of architecture, I will see if there are any valid military expenditures that could use the extra budget.
138. The passageways to and within my domain will be well-lit with fluorescent lighting. Regrettably, the spooky atmosphere will be lost, but my security patrols will be more effective.
139. If I'm sitting in my camp, hear a twig snap, start to investigate, then encounter a small woodland creature, I will send out some scouts anyway just to be on the safe side. (If they disappear into the foliage, I will not send out another patrol; I will break out the napalm.)
140. I will instruct my guards when checking a cell that appears empty to look for the chamber pot. If the chamber pot is still there, then the prisoner has escaped and they may enter and search for clues. If the chamber pot is not there, then either the prisoner is perched above the lintel waiting to strike them with it or else he decided to take it as a souvenir (in which case he is obviously deeply disturbed and poses no threat). Either way, there's no point in entering.
141. As an alternative to not having children, I will have lots of children. My sons will be too busy jockeying for position to ever be a real threat, and the daughters will all sabotage each other's attempts to win the hero.
142. If I have children and subsequently grandchildren, I will keep my three-year-old granddaughter near me at all times. When the hero enters to kill me, I will ask him to first explain to her why it is necessary to kill her beloved grandpa. When the hero launches into an explanation of morality way over her head, that will be her cue to pull the lever and send him into the pit of crocodiles. After all, small children like crocodiles almost as much as Evil Overlords and it's important to spend quality time with the grandkids.
143. If one of my daughters actually manages to win the hero and openly defies me, I will congratulate her on her choice, declare a national holiday to celebrate the wedding, and proclaim the hero my heir. This will probably be enough to break up the relationship. If not, at least I am assured that no hero will attack my Legions of Terror when they are holding a parade in his honor.
144. I will order my guards to stand in a line when they shoot at the hero so he cannot duck and have them accidentally shoot each other. Also, I will order some to aim above, below, and to the sides so he cannot jump out of the way.
145. My dungeon cell decor will not feature exposed pipes. While they add to the gloomy atmosphere, they are good conductors of vibrations and a lot of prisoners know Morse code.
146. If my surveillance reports any un-manned or seemingly innocent ships found where they are not supposed to be, they will be immediately vaporized instead of brought in for salvage.
147. I will classify my lieutenants in three categories: untrusted, trusted, and completely trusted. Promotion to the third category will be awarded posthumously.
148. Before ridiculing my enemies for wasting time on a device to stop me that couldn't possibly work, I will first acquire a copy of the schematics and make sure that in fact it couldn't possibly work.
149. Ropes supporting various fixtures will not be tied next to open windows or staircases, and chandeliers will be hung way at the top of the ceiling.
150. When the rebel leader challenges me to fight one-on-one and asks, "Or are you afraid without your armies to back you up?" My reply will be, "No, just sensible."
151. If I make a zombie out of one of the heroes, rather than killing him, I will not put him in a position where he will make ANY contact with his friends, lest he remember them and turn against me, or they learn how to free all my zombies by freeing him.
152. If I corrupt any of the heroes and turn them to the "Dark Side," I will not tell them to prove their loyalty by killing their former friends or family members.
__________________
If vegetarians care about the animals, then why are they eating all their food?
Very cool Rules, i love them. i just copied them into my evernote, you never know when you will need them
btw. the german kid wants to play unrealtounament and the same guy did several videos, if i find some i will post them.
The laws of Anime is a growing list of physical, universal, and natural
phenomenon that seem to appear in various forms in all sorts of anime. The original
intent was an effort to classify these incidents into a list of "laws" that
explained how Anime physics are different from our own (real?) world. It is our hope
that you find them useful to studying Anime, or at the very least, worth a good
chuckle.
#1 - Law of Metaphysical Irregularity- The normal laws of physics do not apply.
#2 - Law of Differential Gravitation- Whenever someone or something jumps, is
thrown, or otherwise is rendered airborne, gravity is reduced by a factor of 4.
* Some things have been known to "Float" for a few seconds before plummeting to hit
the ground, vehicle, or someone’s cranium.
#3 - Law of Sonic Amplification, First Law of Anime Acoustics- In space, loud
sounds, like explosions, are even louder because there is no air to get in the way.
#4 - Law of Constant Thrust, First Law of Anime Motion- In space, constant thrust
equals constant velocity.
#5 - Law of Mechanical Mobility, Second Law of Anime Motion- The larger a
mechanical device is, the faster it moves, Armoured Mecha are the fastest objects
known to human science.
#6 - Law of Temporal Variability- Time is not a constant. Time stops for the hero
whenever he does something "cool" or "impressive". Time slows down when friends and
lovers are being killed and speeds up whenever there is a fight.
#7 - First Law of Temporal Mortality- "Good Guys" and "Bad Guys" both die in one of
two ways - either so quick they don’t even see it coming, OR it’s a long drawn out
affair where the character gains much insight to the workings of society, human
existence or why the toast always lands butter side down. *NOTE: Sometimes, Anime
heroes or villains never really die! In these rare cases they were a clone or cyborg
and the real hero/villain’s suspiciously missing in "Malletspace", or something.
#8 - Second Law of Temporal Mortality- It takes some time for bad guys to die...
regardless of physical damage. Even when the "Bad Guys" are killed so quickly they
don’t even see it coming, it takes them a while to realize they are dead. This is
attributed to the belief that being evil damages the Reality Lobe of the brain.
#9 - Law of Dramatic Emphasis- Scenes involving extreme amounts of action are
depicted with either still frames or black screens with a slash of bright color
(usually red or white).
#10- Law of Dramatic Multiplicity- Scenes that only happen once, for instance, a
"Good Guy" kicks the "Bad Guy" in the face, are seen at least 3 times from 3
different angles.
#11- Law of Inherent Combustibility- Everything explodes. Everything.
First Corollary- Anything that explodes bulges first.
Second Corollary- Large cities are the most explosive substances known to
human science. Tokyo in particular seems to be the most unstable of these cities,
sometimes referred to as "The Matchstick City".
#12- Law of Phlogistatic Emission- Nearly all things emit light from fatal wounds.
#13- Law of Energetic Emission- There is always an energy build up (commonly
referred to as an energy "bulge") before Mecha or space craft weapons fire. Because
of the explosive qualities of weapons, it is believed that this is related to the
Law of Inherent Combustibility.
#14- Law of Inverse Lethal Magnitude- The destructive potential of any
object/organism is inversely proportional to its mass.
First Corollary- Small and cute will always overcome big and ugly. Also
known as the A-Ko phenomenon.
#15- Law of Inexhaustibility- No one *EVER* runs out of ammunition. That is of
course unless they are cornered, out-numbered, out-classed, and unconscious.
#16- Laws of Inverse Accuracy- The accuracy of a "Good Guy" when operating any form
of firearm increases as the difficulty of the shot increases. The accuracy of the
"Bad Guys" when operating firearms decreases when the difficulty of the shot
decreases. (Also known as the Stormtrooper Effect) Example: A "Good Guy" in a
drunken stupor being held upside down from a moving vehicle will always hit, and
several battalions of "Bad Guys" firing on a "Good Guy" standing alone in the middle
of an open field will always miss.
First Corollary- The more "Bad Guys" there are, the less likely they will
hit anyone or do any real damage.
Second Corollary- Whenever a "Good Guy" is faced with insurmountable odds,
the "Bad Guys" line up in neat rows, allowing the hero to take them all out with a
single burst of automatic fire and then escape.
Third Corollary- Whenever a "Good Guy" is actually hit by enemy fire, it is
in a designated "Good Guy Area", usually a flesh wound in the shoulder or arm,
which restricts the "Good Guy" from doing anything more strenuous than driving,
firing weaponry, using melee weapons, operating heavy machinery, or doing complex
martial arts maneuvers.
*Fourth Corollary- The more times the "Bad Guy" fires, the fewer times he
will hit.
#17- Law of Transient Romantic Unreliability- Minimei is a bimbo. (Note: The
Minority Opposition in Ohio disagrees and thinks all men who like this stuff needs
to get out more.)
#18- Law of Hemoglobin Capacity- the human body contains over 12 gallons of blood,
sometimes more, under high pressure.
#19- Law of Demonic Consistency- Demons and other supernatural creatures have at
least three eyes, loads of fangs, tend to be yellow-green or brown, but black is not
unknown, and can only be hurt by bladed weapons. *Also, acid has been known to work
just as well...
#20- Law of Militaristic Unreliability- Huge galaxy-wide armadas, entire armies, and
large war machines full of cruel, heartless, bloodthirsty warriors can be stopped
and defeated with a single insignificant example of a caring/loving emotion or a
song.
First Corollary- Whenever a single war machine (mecha, starship, etc.) goes
up against an entire army, the army always loses.
#21- Law of Tactical Unreliability- Tactical geniuses aren’t...
#22 -Law of Inconsequential Undetectability- People never notice the little
things... like missing body parts, or wounds the size of Seattle.
#23- Law of Juvenile Intellectuality- Children are smarter than adults. And almost
twice as annoying.
#24- Law of Americanthromorphism- Americans in Anime appear in one of two roles,
either as a really nasty skinny "Bad Guy" or a big stupid "Good Guy".
First Corollary- The only people who are more stupid than the big dumb
Americans are the American translators. (Sometimes referred to as the Green Line
Effect)
Second Corollary- The only people who are more stupid than the American
translators are the American editors and censors.
*Third Corollary- Canadians are usually portrayed as smart, strong, handsome
"Good Guys".
#25- Law of Mandibular Proportionality- The size of a person’s mouth is directly
proportional to the volume at which they are speaking or eating.
#26- Law of Feline Mutation- Any half-cat/half-human mutation will invariably:
1) be female.
2) will possess ears and sometimes a tail as a genetic mutation.
3) wear as little clothing as possible, if any.
#27- Law of Conservation of Firepower- Any powerful weapon capable of
destroying/defeating an opponent in a single shot will invariably be reserved and
used as a last resort.
#28- Law of Technological User-Benevolence- The formal training required to operate
a spaceship or mecha is inversely proportional to its complexity.
#29- Law of Melee Luminescence- Any being displaying extremely high levels of
martial arts prowess and/or violent emotions emits light in the form of a glowing
aura. This aura is usually blue for "Good Guys" and red for "Bad Guys". This is
attributed to Good being higher in the electromagnetic spectrum than Evil.
#30- Law of Non-Anthropomorphic Antagonism- All ugly, non-humanoid alien races are
hostile, and usually hell-bent on destroying humanity for some obscure reason.
#31- Law of Follicular Chromatic Variability- Any color in the visible spectrum is
considered a natural hair color. This color can change without warning or
explanation.
#32- Law of Follicular Permanence- Hair in anime is pretty much indestructible, and
can resist any amount of meteorological conditions, energy emissions, physical
abuse, or explosive effects and still look perfect. The only way to hurt someone’s
hair is the same way you deal with demons... with bladed weapons!
#34- Law of Probable Attire- Clothing in anime follows certain predictable
guidelines: Female characters wear as little clothing as possible, regardless of
whether it is socially or meteorologically appropriate. Any female with an excessive
amount of clothing will invariably have her clothes ripped to shreds or torn off
somehow. If there is no opportunity to tear off aforementioned female’s clothes,
then she will inexplicably take a shower for no apparent reason (also known as the
Gratuitous Shower Scene). Whenever there is a headwind, Male characters invariably
wear long cloaks that don’t hamper movement and billow out dramatically behind them.
First Corollary (Cryo-Adaptability)- All anime characters are resistant to
extremely cold temperatures, and do not need to wear heavy or warm clothing in snow.
Second Corollary (Indecent Invulnerability)- Bikinis render the wearer
invulnerable to any form of damage.
*Third Corollary (Probable Attire permanence)- The clothing on the hero is
indestructible. Their capes, robes, (and if they are girls,) skirts, dresses, bows,
or any loose clothing will just flap when they are in the middle of a fire or ice
attack... Unless it's a hentai. It is believed that the clothes are made out of
Anime Character hair. (re. Laws 32 & 48)
#35- Law of Musical Omnipotence- Any character capable of musical talent (singing,
playing an instrument, etc. Is automatically capable of doing much more "simple"
things, like piloting mecha, fighting crime, stopping an intergalactic war, and so
on... especially if they’ve never attempted these things before.
#36- Law of Quintupular Agglutination- Also called "The Five-man Rule", when "Good
Guys" group together, it tends to be in groups of five. There are five basic
positions, which are:
1) The Hero/Leader
2) His Girlfriend
3) His Best Friend/Rival
4) A Hulking Brute
5) A Dwarf/Kid
Between these basic positions are distributed several attributes, which include:
1) Extreme Coolness
2) Amazing Intelligence
3) Incredible Irritation
#37- Law of Extradimensional Capacitance- All anime females have an
extrasdimensional storage space of variable volume somewhere on their person from
which they can instantly retrieve any object at a moment’s notice. This mysterious
dimension is commonly called "Malletspace".
First Corollary (AKA The Hammer Rule)- The most common item stored is a
heavy mallet, costumes/uniforms, power suits/armor, and large bazookas.
#38- Law of Hydrostatic Emission- Eyes tend to be rather large in Anime. This is
because they contain several gallons of water, which may be instantaneously released
at high pressure through large tear ducts. The actual volume of water contained in
the eyes is unknown, as there is no evidence to suggest that these reservoirs are
actually capable of running out. The reason water tends to collect in the eyes is
because Anime characters only have one large sweat gland, which is located at the
back of the head. When extremely stressed , embarrassed, or worried, this sweat
gland exudes a single but very large drop of sebaceous fluid.
#39- Law of Inverse Attraction- Success at finding suitable mates is inversely
proportionate to how desperately you want to be successful. The more you want, the
less you get and vice-versa.
First Corollary- Unfortunately, this law seems to apply to Otaku in the real
world...
#40- Law of Nasal Sanguination- When sexually aroused, males in Anime don’t get
erections, they get nosebleeds. No one’s sure why this is, though... the current
theory suggests that larger eyes means smaller sinuses and thinner sinus tissue (see
Law #38 above). Females don’t get nosebleeds, but invariably get one heck of a blush
along the cheeks and across the nose, suggesting a lot of bloodflow to that region.
#41- Law of Xylolaceration- Wooden or bamboo swords are just as sharp as metal
swords, if not sharper.
#42- Law of Juvenile Omnipotence- Always send a boy to do a man’s job. He’ll get it
done in half the time and twice the angst.
#43- Law of Triscaquadrodecophobia- There is no Law #43.
#44- Law of Nominative Clamovocation- the likelihood of success and damage done by a
martial arts attack is directly proportional to the volume at which the full name of
the attack is announced (known as the Kamehameha effect).
#45- Law of Uninteruptable Metamorphosis- Regardless of how long or involved the
transformation sequence or how many times they’ve seen it before, any "Bad Guys"
witnessing a mecha/hero/heroine transforming are too stunned to do anything to
interrupt it.
#46- Law of Flimsy Incognition- Simply changing into a costume or wearing a teensy
mask can make you utterly unrecognizable to even your closest friends and relatives.
*#47- Law of Mandibular Combustible Emission- All anime characters seem to have some
unknown chemical on their breath that reacts VERY violently with extremely hot or
spicy food. This chemical may also be responsible for the phenomenon of fire behind
the eyes and from the mouth when a character (usually a female) is really angry.
*#48- Law of Electrical and Combustible Survivalism- If you get electrocuted or
burned, YOU WILL SURVIVE!! Though your entire body will be scorched, seconds later,
your skin won’t have a trace of damage (Also known as the "Pikachu Effect").
First Corollary- When a magical bad guy/Alien/monster fires off a flame,
wind, or ice attack, the resulting effect is only enough for the hero(es)/heroine(s)
to be standing in the "Walking Against the Wind" stance, with his/her eyes shut and
letting out a pathetic "Aaaaagh!", and yet they are never harmed. This may be in
part to laws 32, 34 and sometimes 44.
*#49- Law of Female wrath- If a male character insults a female character, he will
get a mallet, shotgun, or tank blast, or if she is a character that can perform
magical feats, a fireball or whatever, to the head, body or whatever (Also known as
the "Lina Inverse/Gourry Factor") This is because he always deserves it, and will
help him to cope in today’s society. (>Sniff Sniff< So True!!)
*#50- Law of Artistic Perversion- Most (not all) Anime artists are perverts and are
under the impression that girls are willing to tear off their clothes, or wear VERY
small, revealing outfits at the drop of a pin (or pen for that matter).
Unfortunately, most Hentai fans are under the same impression.
*#51- Law of Uninteruptable Nominative Clamovocation- This law is a mixture of Laws
44 and 45. Regardless of how long or involved the Spell or projectile attack is, and
the likelihood of success and damage done by the volume at which the full name of
the attack is announced, or how many times they’ve seen it before, any "Bad Guys"
witnessing a hero/heroine quoting the incantations for an extremely powerful attack
are too stunned to do anything to interrupt it. (Also known as the "Dragon Slave
Phenomenon")
*52- Law of Telepathic Obliviousness- Most of the time, some Anime characters
(usually males) will think personal (Like that he/she has sabotaged something), or
perverted thoughts, while near some other character, WHO’S TELEPATHIC!! The reasons
for this are:
1) They forgot that the person is telepathic.
2) They just don’t give a damn.
The reasons the telepathic person doesn’t react are:
1) They’re preoccupied with doing something else.
2) They’d rather keep the fact to themselves that they are Telepathic.
3) They just don’t give a damn.
+#53- Law of Chromatic Diversity- Air can be any color of the viewable spectrum.
+#54- Law of Old Man Comic Relief- Comic relief comes in the form of a short, bald,
wise-mouthed dirty old man or alien. Or the combination of any two of those traits.
First Corollary- If old man is present, and is acting too horny, stupid,
etc., there will invariably be an old woman to whap him over the head with a frying
pan or something.
+#55- Law of the Wise Old Man- Little old Japanese men always know how it ends and
withhold the ending from anyone, especially the hero. This includes special power
weapons, ancient relics, and people who know everything.
+#56- Law of Omnipotent Unreliability- Any "Bad Guy" with Omnipotent powers/weapons
will never use those powers/weapons against the "Good Guy" until it is too late.
First Corollary- All "Bad Guys" suffer from Antagonistic Boasting Syndrome
which require all "Bad Guys" to threaten with or exemplify their prowess and not use
it against the "Good Guy".
Second Corollary- No "Bad Guy" may use any new, secret, or superior military
device without one of the following events occurring:
a) The control device being broken.
The control device being taken by the "Good Guy".
c) The control device is in fact not the real device at all and was just
"fooled" by the "Good Guy".
d) The "Bad Guy" has already lost and cannot use the device.
+#57- Law of Minimum Corneal Volume- Eyeballs may make up no less than one sixth of
the face’s total surface area. More so if the case is a blonde woman.
+#58- Law of Electrical Charges in Hair- Hair attracts electricity in abundance,
resulting in two outcomes:
a) A positive charge will result in the spikes-flying-everywhere-behind-me
look.
A negative charge will result in the
hair-cascading-down-to-the-waist-in-a-single-sheet look.
+#59- Law of Ammunition Accuracy- When there are multiple types of ammunition
available (paintballs, speaker pods), non-lethal rounds will always be more accurate
when compared to "standard" or lethal shots. (Macross Plus for paintballs, Macross 7
for speaker pods)
+#60- Law of Active Female Attraction- In a comedy series, a male character’s
attractiveness to women is inversely proportional to how active they pursue them.
(Tenchi, Ranma, and Makoto [OVA] have a seemingly endless supply of willing
girlfriends despite their lack of romantic skill while Happosai, Ataru, and Carrot
couldn’t get a date despite [or because of] their constant attempts.)
+#61- Law of Sweat Pore Variability- When a person is embarrassed, caught in an
awkward situation, or otherwise humiliated, all sweat pores on the body contract,
except for ones on the forehead. These pores expand to such a degree that a single
drop could fill a Big Gulp from 7-11.
+#62- The Law of Inverse Training Time- A person who has been training for 3 years
is never as good as someone who has been training for one month.
+#63- Law of Needs to Few and Many- The needs of the many, outweigh the needs of the
few... of even the one.
+#64- Law of Bad Humor- Whenever someone says something that is intended to be
funny, whether actually funny or not, the rest of the characters (even animals) fall
to the ground with their feet in the air. Sweat sometimes accompanies the fall.
*(The sound of a cow mooing usually accompanies the joke as well.)
+#65- Law of Extreme Anger- Whenever a female character gets mad, such as seeing the
male character with another girl, she becomes extremely strong (despite her usually
helpless look) so that she can lift a 1000 ton object to hurt the guy. She can
sometimes perform other punishments that are just as cruel such as pinching the
guy’s face so hard that it changes shape. *(see law #49)
+#66- Law of Differentiated Gravitation-
First Corollary- If the airborne entity exceeds an altitude equal or greater
than two times the height of the entity, gravity is decreased by an inverse
coefficient relative to the upward momentum and mass/weight (if within at least
500 km of any gravity source) of the entity "jumping".
Second Corollary- The amount of Newtonian "opposite force" (in accordance to
normal downward velocity; "Earth gravity" speed is equal to 32ft/sec/sec) is also
inversely proportional to the "actual" speed of the airborne entity. In all
actuality, an entity that appears to be flying towards a solid concrete parking lot
from space will actually land, producing an opposite force of approximately 1.73 lb.
of pressure. Unless this particular entity is a "Bad Guy". Then the law exhibits a
mysterious exponentially proportional Newtonian opposite force, thusly increasing
this variable by a factor equal to the inverse-gravity potential.
+#67- Law of Conservation of Ambient Dramatic Tension- In any situation where the
Ambient Dramatic Tension increases, the "Good Guy’s" Style Coefficient must be
increased by a proportional amount to compensate. In any situation where this does
not happen, the "Bad Guy" inevitably comes out on top. However, this usually leads
to a further rise in the Ambient Dramatic tension, which will *always* be offset by
an exponential increase in the "Good Guy’s" Style Coefficient.
+#68- Law of Coercive Vehicular Control- No matter how complex or well defined the
control system, a character controlling a vehicle of any sort always does so through
means of undetectable subconscious psychokinesis.
First Corollary- Characters can perform actions with their vehicles which
clearly defy normal physics (see Laws of Metaphysical Irregularity and Constant
Thrust). The velocity, attitude and traction of the vehicle appear to be adjusted at
will, with the degree of absolute control being proportional to the complexity and
lethality of the maneuver.
Second Corollary- It is effectively impossible to remove characters from or
disrupt the passage of their vehicles without the character’s consent. This does not
always apply to "Bad Guy" characters, or "Good Guy" characters in situations where
the Ambient Dramatic Tension could increase in accordance with the Law of
Conservation of Ambient Dramatic Tension.
+#69- Amendment to the Law of Conservation of Ambient Dramatic Tension- In any
situation where the Ambient Dramatic Tension increases without a corresponding
increase in the "Good Guy’s" Style Coefficient, not only does the "Bad Guy" usually
come out on top, but also his Smugness Factor increases in proportion to the rise in
Ambient Dramatic Tension.
+#70- Law of The Rushing Background Effect- Whenever something dramatic occurs, a
survival instinct engages, thus rendering all incoming stimulus that is not directly
and immediately to the dramatic situation at hand a meaningless blur. This is often
referred to as "The Rushing Background Effect". Due to the increase in brain
activity and adrenaline levels in the bloodstream, the scene is often played out in
slow motion.
+#71- Law of Interdimensional Hammers- Whenever a female character witnesses a male
character of her preference performing any sort of questionable act (i.e. Looking at
another girl or anything she might construe as perverted) she can reach into an
interdimensional realm (usually behind her back) and withdraw a huge Anime Mallet of
Doom with which to whack the said male over the head with. *(see Laws # 37, 49, and
65)
+#72- Law of Instant Band-Aids- Whenever a character is injured (usually in a head
shot, maybe from a mallet whack) Band-Aids will always instantly appear on the
wounded individual (and always in pairs, set in a cross fashion). These bandages
will then, most likely, disappear by the character’s next scene.
+#73- Law of Universal Edge Defense- Any projectile attack, from a blast of magic to
a hail of bullets, can be easily defended against by holding a suitably cool-looking
sword or other bladed weapon between the attacker and defender, usually so that the
edge cuts into the incoming attack(s), causing both halves to go flying harmlessly
past the defender. Observed most often in fantasy and martial arts anime.
+#74- Law of Intractable Sanity- There is no such thing as insanity in anime. When
faced with horrifying supernatural forces that would drive most men mad, anime
characters will either:
a) Die quickly (but in accordance with all other laws [e.g., slowdown and
exposition]),
Get possessed by them, especially if they are beautiful girls or men in a
position to ravish beautiful girls, or
c) Kill them, wipe the blood off their blades, and walk on whistling.
+#75- Law of Celestial Body Control- At a dramatically correct moment, a hero can
summon a sun/moon/halo to appear behind him/her to cause a dramatic silhouette.
+#76- Law of Aura of Forgetfulness- Any hero who wishes his/her identity to remain a
secret will invariably succeed regardless of disguise because everyone around
him/her will forget everything. Otherwise, how does Sailor Moon keep her disguise?
+#77- Law of Cool Hair Factor- The hair of a hero will always coalesce into thick
strands that drape his face into a dramatic fashion, regardless of wind, the
elements, etc. *(see Laws 32 & 48)
+#78- Law of Inverse Coping- Any single event will happen to the ONE character LEAST
capable of dealing with it.
*#79- Law of Martial Arts Training Invulnerability- The Myth that certain martial
arts will enable you to become so strong, that you can stop a nuclear warhead with
your bare palm. Unfortunately, for most otaku, they found the hard way that it just
doesn’t work in real life...
*#80- Law of Stereotype Captain characteristics- If a captain of any type of ship is
male, he will invariably wear a big captain’s cap, a long overcoat, and have a
shaggy beard and mustache (pipe optional), and be a great tactician. If the captain
is female, however, she will invariably be young, well endowed, and ditzy as a pole
(horny father optional). Yet, she too will be a great tactician.
*#81- Law of Shades/Coolness Factor- Shades can make you instantly cool, even if
you’re normally a klutz.
*#82- Law of Hentai Plot- The proper response to any change in the plotline of a
Hentai anime is to start having sex.
*#83- Law of Understatement- Anything that is deemed too impossible will become
possible.
First Corollary- Any "Bad Guy" stating "T-that’s impossible!" whenever the
hero is accomplishing some new feat/move/projectile will find out too late that he
is wrong and will invariably be toastied.
*#84- Law of Dormant Powers- Anytime a hero is somehow outpowered and/or outclassed
by the villain, he will invariably release powers/new moves he never knew he could
accomplish... but his old teacher did!
*#85- Law of Style Coefficient- In a situation where a Good guy may be in dire
straits, he will become stronger, smarter and more cool in a matter of seconds. (see
Laws #67, 69, and 84)
*#86- Law of Bad Guy Smugness Factor- Whenever the villain actually succeeds in
beating the hero, they will begin to gloat uncontrollably, because they’ve never won
against the "Good Guy" (because they’re Eeeviiil!!). They usually get so cocky, they
tie the hero to a conveyor belt leading to his doom and leave to get a snack.
Usually this results in:
a) The hero escaping.
Clean-up for the underlings.
c) The villain getting toastied.
*#87- Law of Tableware Nonexistence- There IS no spoon.
*#88- Law of Goofy Turn-Ons- In Hentai, ordinary , pedestrian objects sometimes have
the magical power of either inducing orgasm or arousal. Some include warm water,
rolling on a smooth tabletop, wind, mild electrocution, the character toweling
themselves after a bath/shower, and very cold objects... like bottles of 7-up.
*#89- Law of Penile Variance- All Anime men in Hentai have a ridiculously large
penis (lengths of 8, 9, 10 and 11 inches are most common). Some even have ones the
size of telephone poles, despite the blood loss that would accompany it...
*#90-Law of Hentai Female Characteristics- All Hentai women have the following
characteristics:
1) Very sensitive and/or very large breasts with large nipples.
2) Very tight and/or sensitive vaginas.
*#91- Law of Vaginal Variance- Hentai Anime women can take penis lengths of 8" and
up... completely... despite the fact that they might have a tight and/or sensitive
vagina.
*#92- Law of Hero Identification- All heroes are introduced by way of appearance
while someone talking about their (in)famous-ness, or by way of a voice-over of them
introducing themselves.
*#93- Law of Cute Mascots- Any anime either Shojo or Shonen has GOT to have at
least one cute, furry little mascot by penalty of death!
First Corollary- If it is a Shonen Anime, the hero will be accompanied by a
Dog, Cat or any kind of animal, real or fake, that would be found with a hero of the
male persuasion. Any animal that would be associated with girls that is following
him around is there because:
1) It’s his girlfriend’s.
2) It is following him, despite his insistence not to do so.
3) Chicks will dig him more.
Second Corollary- If it is a Shojo Anime, the heroine will be accompanied by
a cat, cute lil’ mouse, or some disgustingly cute monster, or any kind of animal,
real or fake, that would be found with a hero of the female persuasion. Any animal
that would be associated with guys that is following her around is there because:
1) It’s her boyfriend’s.
2) It is following her, despite her insistence not to do so.
3) It makes her look cool.
*#94- Law of The Force- Most Anime heroes are blessed with a unique sort of ability
that enables bad things to happen to those that deserve it or makes things like
bullets or debris totally miss them (Also referred to as "Dumb Luck"), even though
they are mostly unaware of it. Those who have this ability include Vash the
Stampede, Captain Justy Ueki Tylor, and Jar Jar Binks.
*#95- Law of Naughty Tentacles- All Anime Tentacles are VERY horny and will rape any
human female, regardless of age ("She’s 18! No! Really, she is! I’m not lying!...")
First Corollary- Even when raped or molested by tentacles, Hentai Anime
girls eventually get into it & begin squealing in ecstasy. NO one knows WHY this is,
but some theorize there may be some kind of chemical that is secreted through the
skin of the tentacle...
Second Corollary- Women who are impregnated by a tentacle creature never
experience morning sickness, and also find it to be intensely pleasurable (Also
known as the Goofy Meter Redline Effect).
Third Corollary- Similarly, the resulting... offspring of tentacle/human
relations is immediately sexually active, often impregnating its own mother again.
*#96- Law of Cat-Fighting- Two females with a grudge can and will go at each other,
sometimes ripping off clothes. Sometimes it escalates so much, that property damage
begins to occur.
First Corollary- A running fight can be so destructive, you can follow it
from a distance just by watching for the smoke. (Also known as the "A-ko/B-ko
Thing")
*#97- Law of Healing- Most anime heroes have a Wolverine-like healing factor that
enables them to regenerate from a massive wound or broken bone within minutes. Being
immortal sometimes helps. (Also known as the "Priss Effect".)
*#98- Law of Stereotype Crew Characteristics- All ships, either waterborne or
spaceborne, have the following crew members:
1) The captain
2) His Lieutenant
3) Various female technical staff
4) A hotshot pilot
5) A cute little girl/twins (either stowaways or not)
6) The Doctor
7) The Doctor’s assistant (either a spy or not)
Weighted among the crew are various quirks which include:
1) Extreme coolness/luck
2) Amazing Intelligence
3) Incredible irritation
4) Extreme cuteness
5) Irresponsible drunkenness
6) Homophobicness
7) Emotionless (Idiots.)
*#99- Law of Sparklies- Whenever a character of the main character’s interest
appears, flowers, sparkles, or abstract circles of pastel colors appear around said
character, or both. Roses with exaggerated thorns appear when it is dangerous love.
No one knows why this is, though most have a theory: Anime characters are freaks! At
least, Marker Apenname seems to think so...
*#100- Law of Anime Events- Much like wrestling, anything and everything can happen.
Created by Insane Advocate and his two friends. Aswell as various internet sources
The laws of Anime is a growing list of physical, universal, and natural
phenomenon that seem to appear in various forms in all sorts of anime. The original
intent was an effort to classify these incidents into a list of "laws" that
explained how Anime physics are different from our own (real?) world. It is our hope
that you find them useful to studying Anime, or at the very least, worth a good
chuckle.
#1 - Law of Metaphysical Irregularity- The normal laws of physics do not apply.
#2 - Law of Differential Gravitation- Whenever someone or something jumps, is
thrown, or otherwise is rendered airborne, gravity is reduced by a factor of 4.
* Some things have been known to "Float" for a few seconds before plummeting to hit
the ground, vehicle, or someone’s cranium.
#3 - Law of Sonic Amplification, First Law of Anime Acoustics- In space, loud
sounds, like explosions, are even louder because there is no air to get in the way.
#4 - Law of Constant Thrust, First Law of Anime Motion- In space, constant thrust
equals constant velocity.
#5 - Law of Mechanical Mobility, Second Law of Anime Motion- The larger a
mechanical device is, the faster it moves, Armoured Mecha are the fastest objects
known to human science.
#6 - Law of Temporal Variability- Time is not a constant. Time stops for the hero
whenever he does something "cool" or "impressive". Time slows down when friends and
lovers are being killed and speeds up whenever there is a fight.
#7 - First Law of Temporal Mortality- "Good Guys" and "Bad Guys" both die in one of
two ways - either so quick they don’t even see it coming, OR it’s a long drawn out
affair where the character gains much insight to the workings of society, human
existence or why the toast always lands butter side down. *NOTE: Sometimes, Anime
heroes or villains never really die! In these rare cases they were a clone or cyborg
and the real hero/villain’s suspiciously missing in "Malletspace", or something.
#8 - Second Law of Temporal Mortality- It takes some time for bad guys to die...
regardless of physical damage. Even when the "Bad Guys" are killed so quickly they
don’t even see it coming, it takes them a while to realize they are dead. This is
attributed to the belief that being evil damages the Reality Lobe of the brain.
#9 - Law of Dramatic Emphasis- Scenes involving extreme amounts of action are
depicted with either still frames or black screens with a slash of bright color
(usually red or white).
#10- Law of Dramatic Multiplicity- Scenes that only happen once, for instance, a
"Good Guy" kicks the "Bad Guy" in the face, are seen at least 3 times from 3
different angles.
#11- Law of Inherent Combustibility- Everything explodes. Everything.
First Corollary- Anything that explodes bulges first.
Second Corollary- Large cities are the most explosive substances known to
human science. Tokyo in particular seems to be the most unstable of these cities,
sometimes referred to as "The Matchstick City".
#12- Law of Phlogistatic Emission- Nearly all things emit light from fatal wounds.
#13- Law of Energetic Emission- There is always an energy build up (commonly
referred to as an energy "bulge") before Mecha or space craft weapons fire. Because
of the explosive qualities of weapons, it is believed that this is related to the
Law of Inherent Combustibility.
#14- Law of Inverse Lethal Magnitude- The destructive potential of any
object/organism is inversely proportional to its mass.
First Corollary- Small and cute will always overcome big and ugly. Also
known as the A-Ko phenomenon.
#15- Law of Inexhaustibility- No one *EVER* runs out of ammunition. That is of
course unless they are cornered, out-numbered, out-classed, and unconscious.
#16- Laws of Inverse Accuracy- The accuracy of a "Good Guy" when operating any form
of firearm increases as the difficulty of the shot increases. The accuracy of the
"Bad Guys" when operating firearms decreases when the difficulty of the shot
decreases. (Also known as the Stormtrooper Effect) Example: A "Good Guy" in a
drunken stupor being held upside down from a moving vehicle will always hit, and
several battalions of "Bad Guys" firing on a "Good Guy" standing alone in the middle
of an open field will always miss.
First Corollary- The more "Bad Guys" there are, the less likely they will
hit anyone or do any real damage.
Second Corollary- Whenever a "Good Guy" is faced with insurmountable odds,
the "Bad Guys" line up in neat rows, allowing the hero to take them all out with a
single burst of automatic fire and then escape.
Third Corollary- Whenever a "Good Guy" is actually hit by enemy fire, it is
in a designated "Good Guy Area", usually a flesh wound in the shoulder or arm,
which restricts the "Good Guy" from doing anything more strenuous than driving,
firing weaponry, using melee weapons, operating heavy machinery, or doing complex
martial arts maneuvers.
*Fourth Corollary- The more times the "Bad Guy" fires, the fewer times he
will hit.
#17- Law of Transient Romantic Unreliability- Minimei is a bimbo. (Note: The
Minority Opposition in Ohio disagrees and thinks all men who like this stuff needs
to get out more.)
#18- Law of Hemoglobin Capacity- the human body contains over 12 gallons of blood,
sometimes more, under high pressure.
#19- Law of Demonic Consistency- Demons and other supernatural creatures have at
least three eyes, loads of fangs, tend to be yellow-green or brown, but black is not
unknown, and can only be hurt by bladed weapons. *Also, acid has been known to work
just as well...
#20- Law of Militaristic Unreliability- Huge galaxy-wide armadas, entire armies, and
large war machines full of cruel, heartless, bloodthirsty warriors can be stopped
and defeated with a single insignificant example of a caring/loving emotion or a
song.
First Corollary- Whenever a single war machine (mecha, starship, etc.) goes
up against an entire army, the army always loses.
#21- Law of Tactical Unreliability- Tactical geniuses aren’t...
#22 -Law of Inconsequential Undetectability- People never notice the little
things... like missing body parts, or wounds the size of Seattle.
#23- Law of Juvenile Intellectuality- Children are smarter than adults. And almost
twice as annoying.
#24- Law of Americanthromorphism- Americans in Anime appear in one of two roles,
either as a really nasty skinny "Bad Guy" or a big stupid "Good Guy".
First Corollary- The only people who are more stupid than the big dumb
Americans are the American translators. (Sometimes referred to as the Green Line
Effect)
Second Corollary- The only people who are more stupid than the American
translators are the American editors and censors.
*Third Corollary- Canadians are usually portrayed as smart, strong, handsome
"Good Guys".
#25- Law of Mandibular Proportionality- The size of a person’s mouth is directly
proportional to the volume at which they are speaking or eating.
#26- Law of Feline Mutation- Any half-cat/half-human mutation will invariably:
1) be female.
2) will possess ears and sometimes a tail as a genetic mutation.
3) wear as little clothing as possible, if any.
#27- Law of Conservation of Firepower- Any powerful weapon capable of
destroying/defeating an opponent in a single shot will invariably be reserved and
used as a last resort.
#28- Law of Technological User-Benevolence- The formal training required to operate
a spaceship or mecha is inversely proportional to its complexity.
#29- Law of Melee Luminescence- Any being displaying extremely high levels of
martial arts prowess and/or violent emotions emits light in the form of a glowing
aura. This aura is usually blue for "Good Guys" and red for "Bad Guys". This is
attributed to Good being higher in the electromagnetic spectrum than Evil.
#30- Law of Non-Anthropomorphic Antagonism- All ugly, non-humanoid alien races are
hostile, and usually hell-bent on destroying humanity for some obscure reason.
#31- Law of Follicular Chromatic Variability- Any color in the visible spectrum is
considered a natural hair color. This color can change without warning or
explanation.
#32- Law of Follicular Permanence- Hair in anime is pretty much indestructible, and
can resist any amount of meteorological conditions, energy emissions, physical
abuse, or explosive effects and still look perfect. The only way to hurt someone’s
hair is the same way you deal with demons... with bladed weapons!
#34- Law of Probable Attire- Clothing in anime follows certain predictable
guidelines: Female characters wear as little clothing as possible, regardless of
whether it is socially or meteorologically appropriate. Any female with an excessive
amount of clothing will invariably have her clothes ripped to shreds or torn off
somehow. If there is no opportunity to tear off aforementioned female’s clothes,
then she will inexplicably take a shower for no apparent reason (also known as the
Gratuitous Shower Scene). Whenever there is a headwind, Male characters invariably
wear long cloaks that don’t hamper movement and billow out dramatically behind them.
First Corollary (Cryo-Adaptability)- All anime characters are resistant to
extremely cold temperatures, and do not need to wear heavy or warm clothing in snow.
Second Corollary (Indecent Invulnerability)- Bikinis render the wearer
invulnerable to any form of damage.
*Third Corollary (Probable Attire permanence)- The clothing on the hero is
indestructible. Their capes, robes, (and if they are girls,) skirts, dresses, bows,
or any loose clothing will just flap when they are in the middle of a fire or ice
attack... Unless it's a hentai. It is believed that the clothes are made out of
Anime Character hair. (re. Laws 32 & 48)
#35- Law of Musical Omnipotence- Any character capable of musical talent (singing,
playing an instrument, etc. Is automatically capable of doing much more "simple"
things, like piloting mecha, fighting crime, stopping an intergalactic war, and so
on... especially if they’ve never attempted these things before.
#36- Law of Quintupular Agglutination- Also called "The Five-man Rule", when "Good
Guys" group together, it tends to be in groups of five. There are five basic
positions, which are:
1) The Hero/Leader
2) His Girlfriend
3) His Best Friend/Rival
4) A Hulking Brute
5) A Dwarf/Kid
Between these basic positions are distributed several attributes, which include:
1) Extreme Coolness
2) Amazing Intelligence
3) Incredible Irritation
#37- Law of Extradimensional Capacitance- All anime females have an
extrasdimensional storage space of variable volume somewhere on their person from
which they can instantly retrieve any object at a moment’s notice. This mysterious
dimension is commonly called "Malletspace".
First Corollary (AKA The Hammer Rule)- The most common item stored is a
heavy mallet, costumes/uniforms, power suits/armor, and large bazookas.
#38- Law of Hydrostatic Emission- Eyes tend to be rather large in Anime. This is
because they contain several gallons of water, which may be instantaneously released
at high pressure through large tear ducts. The actual volume of water contained in
the eyes is unknown, as there is no evidence to suggest that these reservoirs are
actually capable of running out. The reason water tends to collect in the eyes is
because Anime characters only have one large sweat gland, which is located at the
back of the head. When extremely stressed , embarrassed, or worried, this sweat
gland exudes a single but very large drop of sebaceous fluid.
#39- Law of Inverse Attraction- Success at finding suitable mates is inversely
proportionate to how desperately you want to be successful. The more you want, the
less you get and vice-versa.
First Corollary- Unfortunately, this law seems to apply to Otaku in the real
world...
#40- Law of Nasal Sanguination- When sexually aroused, males in Anime don’t get
erections, they get nosebleeds. No one’s sure why this is, though... the current
theory suggests that larger eyes means smaller sinuses and thinner sinus tissue (see
Law #38 above). Females don’t get nosebleeds, but invariably get one heck of a blush
along the cheeks and across the nose, suggesting a lot of bloodflow to that region.
#41- Law of Xylolaceration- Wooden or bamboo swords are just as sharp as metal
swords, if not sharper.
#42- Law of Juvenile Omnipotence- Always send a boy to do a man’s job. He’ll get it
done in half the time and twice the angst.
#43- Law of Triscaquadrodecophobia- There is no Law #43.
#44- Law of Nominative Clamovocation- the likelihood of success and damage done by a
martial arts attack is directly proportional to the volume at which the full name of
the attack is announced (known as the Kamehameha effect).
#45- Law of Uninteruptable Metamorphosis- Regardless of how long or involved the
transformation sequence or how many times they’ve seen it before, any "Bad Guys"
witnessing a mecha/hero/heroine transforming are too stunned to do anything to
interrupt it.
#46- Law of Flimsy Incognition- Simply changing into a costume or wearing a teensy
mask can make you utterly unrecognizable to even your closest friends and relatives.
*#47- Law of Mandibular Combustible Emission- All anime characters seem to have some
unknown chemical on their breath that reacts VERY violently with extremely hot or
spicy food. This chemical may also be responsible for the phenomenon of fire behind
the eyes and from the mouth when a character (usually a female) is really angry.
*#48- Law of Electrical and Combustible Survivalism- If you get electrocuted or
burned, YOU WILL SURVIVE!! Though your entire body will be scorched, seconds later,
your skin won’t have a trace of damage (Also known as the "Pikachu Effect").
First Corollary- When a magical bad guy/Alien/monster fires off a flame,
wind, or ice attack, the resulting effect is only enough for the hero(es)/heroine(s)
to be standing in the "Walking Against the Wind" stance, with his/her eyes shut and
letting out a pathetic "Aaaaagh!", and yet they are never harmed. This may be in
part to laws 32, 34 and sometimes 44.
*#49- Law of Female wrath- If a male character insults a female character, he will
get a mallet, shotgun, or tank blast, or if she is a character that can perform
magical feats, a fireball or whatever, to the head, body or whatever (Also known as
the "Lina Inverse/Gourry Factor") This is because he always deserves it, and will
help him to cope in today’s society. (>Sniff Sniff< So True!!)
*#50- Law of Artistic Perversion- Most (not all) Anime artists are perverts and are
under the impression that girls are willing to tear off their clothes, or wear VERY
small, revealing outfits at the drop of a pin (or pen for that matter).
Unfortunately, most Hentai fans are under the same impression.
*#51- Law of Uninteruptable Nominative Clamovocation- This law is a mixture of Laws
44 and 45. Regardless of how long or involved the Spell or projectile attack is, and
the likelihood of success and damage done by the volume at which the full name of
the attack is announced, or how many times they’ve seen it before, any "Bad Guys"
witnessing a hero/heroine quoting the incantations for an extremely powerful attack
are too stunned to do anything to interrupt it. (Also known as the "Dragon Slave
Phenomenon")
*52- Law of Telepathic Obliviousness- Most of the time, some Anime characters
(usually males) will think personal (Like that he/she has sabotaged something), or
perverted thoughts, while near some other character, WHO’S TELEPATHIC!! The reasons
for this are:
1) They forgot that the person is telepathic.
2) They just don’t give a damn.
The reasons the telepathic person doesn’t react are:
1) They’re preoccupied with doing something else.
2) They’d rather keep the fact to themselves that they are Telepathic.
3) They just don’t give a damn.
+#53- Law of Chromatic Diversity- Air can be any color of the viewable spectrum.
+#54- Law of Old Man Comic Relief- Comic relief comes in the form of a short, bald,
wise-mouthed dirty old man or alien. Or the combination of any two of those traits.
First Corollary- If old man is present, and is acting too horny, stupid,
etc., there will invariably be an old woman to whap him over the head with a frying
pan or something.
+#55- Law of the Wise Old Man- Little old Japanese men always know how it ends and
withhold the ending from anyone, especially the hero. This includes special power
weapons, ancient relics, and people who know everything.
+#56- Law of Omnipotent Unreliability- Any "Bad Guy" with Omnipotent powers/weapons
will never use those powers/weapons against the "Good Guy" until it is too late.
First Corollary- All "Bad Guys" suffer from Antagonistic Boasting Syndrome
which require all "Bad Guys" to threaten with or exemplify their prowess and not use
it against the "Good Guy".
Second Corollary- No "Bad Guy" may use any new, secret, or superior military
device without one of the following events occurring:
a) The control device being broken.
The control device being taken by the "Good Guy".
c) The control device is in fact not the real device at all and was just
"fooled" by the "Good Guy".
d) The "Bad Guy" has already lost and cannot use the device.
+#57- Law of Minimum Corneal Volume- Eyeballs may make up no less than one sixth of
the face’s total surface area. More so if the case is a blonde woman.
+#58- Law of Electrical Charges in Hair- Hair attracts electricity in abundance,
resulting in two outcomes:
a) A positive charge will result in the spikes-flying-everywhere-behind-me
look.
A negative charge will result in the
hair-cascading-down-to-the-waist-in-a-single-sheet look.
+#59- Law of Ammunition Accuracy- When there are multiple types of ammunition
available (paintballs, speaker pods), non-lethal rounds will always be more accurate
when compared to "standard" or lethal shots. (Macross Plus for paintballs, Macross 7
for speaker pods)
+#60- Law of Active Female Attraction- In a comedy series, a male character’s
attractiveness to women is inversely proportional to how active they pursue them.
(Tenchi, Ranma, and Makoto [OVA] have a seemingly endless supply of willing
girlfriends despite their lack of romantic skill while Happosai, Ataru, and Carrot
couldn’t get a date despite [or because of] their constant attempts.)
+#61- Law of Sweat Pore Variability- When a person is embarrassed, caught in an
awkward situation, or otherwise humiliated, all sweat pores on the body contract,
except for ones on the forehead. These pores expand to such a degree that a single
drop could fill a Big Gulp from 7-11.
+#62- The Law of Inverse Training Time- A person who has been training for 3 years
is never as good as someone who has been training for one month.
+#63- Law of Needs to Few and Many- The needs of the many, outweigh the needs of the
few... of even the one.
+#64- Law of Bad Humor- Whenever someone says something that is intended to be
funny, whether actually funny or not, the rest of the characters (even animals) fall
to the ground with their feet in the air. Sweat sometimes accompanies the fall.
*(The sound of a cow mooing usually accompanies the joke as well.)
+#65- Law of Extreme Anger- Whenever a female character gets mad, such as seeing the
male character with another girl, she becomes extremely strong (despite her usually
helpless look) so that she can lift a 1000 ton object to hurt the guy. She can
sometimes perform other punishments that are just as cruel such as pinching the
guy’s face so hard that it changes shape. *(see law #49)
+#66- Law of Differentiated Gravitation-
First Corollary- If the airborne entity exceeds an altitude equal or greater
than two times the height of the entity, gravity is decreased by an inverse
coefficient relative to the upward momentum and mass/weight (if within at least
500 km of any gravity source) of the entity "jumping".
Second Corollary- The amount of Newtonian "opposite force" (in accordance to
normal downward velocity; "Earth gravity" speed is equal to 32ft/sec/sec) is also
inversely proportional to the "actual" speed of the airborne entity. In all
actuality, an entity that appears to be flying towards a solid concrete parking lot
from space will actually land, producing an opposite force of approximately 1.73 lb.
of pressure. Unless this particular entity is a "Bad Guy". Then the law exhibits a
mysterious exponentially proportional Newtonian opposite force, thusly increasing
this variable by a factor equal to the inverse-gravity potential.
+#67- Law of Conservation of Ambient Dramatic Tension- In any situation where the
Ambient Dramatic Tension increases, the "Good Guy’s" Style Coefficient must be
increased by a proportional amount to compensate. In any situation where this does
not happen, the "Bad Guy" inevitably comes out on top. However, this usually leads
to a further rise in the Ambient Dramatic tension, which will *always* be offset by
an exponential increase in the "Good Guy’s" Style Coefficient.
+#68- Law of Coercive Vehicular Control- No matter how complex or well defined the
control system, a character controlling a vehicle of any sort always does so through
means of undetectable subconscious psychokinesis.
First Corollary- Characters can perform actions with their vehicles which
clearly defy normal physics (see Laws of Metaphysical Irregularity and Constant
Thrust). The velocity, attitude and traction of the vehicle appear to be adjusted at
will, with the degree of absolute control being proportional to the complexity and
lethality of the maneuver.
Second Corollary- It is effectively impossible to remove characters from or
disrupt the passage of their vehicles without the character’s consent. This does not
always apply to "Bad Guy" characters, or "Good Guy" characters in situations where
the Ambient Dramatic Tension could increase in accordance with the Law of
Conservation of Ambient Dramatic Tension.
+#69- Amendment to the Law of Conservation of Ambient Dramatic Tension- In any
situation where the Ambient Dramatic Tension increases without a corresponding
increase in the "Good Guy’s" Style Coefficient, not only does the "Bad Guy" usually
come out on top, but also his Smugness Factor increases in proportion to the rise in
Ambient Dramatic Tension.
+#70- Law of The Rushing Background Effect- Whenever something dramatic occurs, a
survival instinct engages, thus rendering all incoming stimulus that is not directly
and immediately to the dramatic situation at hand a meaningless blur. This is often
referred to as "The Rushing Background Effect". Due to the increase in brain
activity and adrenaline levels in the bloodstream, the scene is often played out in
slow motion.
+#71- Law of Interdimensional Hammers- Whenever a female character witnesses a male
character of her preference performing any sort of questionable act (i.e. Looking at
another girl or anything she might construe as perverted) she can reach into an
interdimensional realm (usually behind her back) and withdraw a huge Anime Mallet of
Doom with which to whack the said male over the head with. *(see Laws # 37, 49, and
65)
+#72- Law of Instant Band-Aids- Whenever a character is injured (usually in a head
shot, maybe from a mallet whack) Band-Aids will always instantly appear on the
wounded individual (and always in pairs, set in a cross fashion). These bandages
will then, most likely, disappear by the character’s next scene.
+#73- Law of Universal Edge Defense- Any projectile attack, from a blast of magic to
a hail of bullets, can be easily defended against by holding a suitably cool-looking
sword or other bladed weapon between the attacker and defender, usually so that the
edge cuts into the incoming attack(s), causing both halves to go flying harmlessly
past the defender. Observed most often in fantasy and martial arts anime.
+#74- Law of Intractable Sanity- There is no such thing as insanity in anime. When
faced with horrifying supernatural forces that would drive most men mad, anime
characters will either:
a) Die quickly (but in accordance with all other laws [e.g., slowdown and
exposition]),
Get possessed by them, especially if they are beautiful girls or men in a
position to ravish beautiful girls, or
c) Kill them, wipe the blood off their blades, and walk on whistling.
+#75- Law of Celestial Body Control- At a dramatically correct moment, a hero can
summon a sun/moon/halo to appear behind him/her to cause a dramatic silhouette.
+#76- Law of Aura of Forgetfulness- Any hero who wishes his/her identity to remain a
secret will invariably succeed regardless of disguise because everyone around
him/her will forget everything. Otherwise, how does Sailor Moon keep her disguise?
+#77- Law of Cool Hair Factor- The hair of a hero will always coalesce into thick
strands that drape his face into a dramatic fashion, regardless of wind, the
elements, etc. *(see Laws 32 & 48)
+#78- Law of Inverse Coping- Any single event will happen to the ONE character LEAST
capable of dealing with it.
*#79- Law of Martial Arts Training Invulnerability- The Myth that certain martial
arts will enable you to become so strong, that you can stop a nuclear warhead with
your bare palm. Unfortunately, for most otaku, they found the hard way that it just
doesn’t work in real life...
*#80- Law of Stereotype Captain characteristics- If a captain of any type of ship is
male, he will invariably wear a big captain’s cap, a long overcoat, and have a
shaggy beard and mustache (pipe optional), and be a great tactician. If the captain
is female, however, she will invariably be young, well endowed, and ditzy as a pole
(horny father optional). Yet, she too will be a great tactician.
*#81- Law of Shades/Coolness Factor- Shades can make you instantly cool, even if
you’re normally a klutz.
*#82- Law of Hentai Plot- The proper response to any change in the plotline of a
Hentai anime is to start having sex.
*#83- Law of Understatement- Anything that is deemed too impossible will become
possible.
First Corollary- Any "Bad Guy" stating "T-that’s impossible!" whenever the
hero is accomplishing some new feat/move/projectile will find out too late that he
is wrong and will invariably be toastied.
*#84- Law of Dormant Powers- Anytime a hero is somehow outpowered and/or outclassed
by the villain, he will invariably release powers/new moves he never knew he could
accomplish... but his old teacher did!
*#85- Law of Style Coefficient- In a situation where a Good guy may be in dire
straits, he will become stronger, smarter and more cool in a matter of seconds. (see
Laws #67, 69, and 84)
*#86- Law of Bad Guy Smugness Factor- Whenever the villain actually succeeds in
beating the hero, they will begin to gloat uncontrollably, because they’ve never won
against the "Good Guy" (because they’re Eeeviiil!!). They usually get so cocky, they
tie the hero to a conveyor belt leading to his doom and leave to get a snack.
Usually this results in:
a) The hero escaping.
Clean-up for the underlings.
c) The villain getting toastied.
*#87- Law of Tableware Nonexistence- There IS no spoon.
*#88- Law of Goofy Turn-Ons- In Hentai, ordinary , pedestrian objects sometimes have
the magical power of either inducing orgasm or arousal. Some include warm water,
rolling on a smooth tabletop, wind, mild electrocution, the character toweling
themselves after a bath/shower, and very cold objects... like bottles of 7-up.
*#89- Law of Penile Variance- All Anime men in Hentai have a ridiculously large
penis (lengths of 8, 9, 10 and 11 inches are most common). Some even have ones the
size of telephone poles, despite the blood loss that would accompany it...
*#90-Law of Hentai Female Characteristics- All Hentai women have the following
characteristics:
1) Very sensitive and/or very large breasts with large nipples.
2) Very tight and/or sensitive vaginas.
*#91- Law of Vaginal Variance- Hentai Anime women can take penis lengths of 8" and
up... completely... despite the fact that they might have a tight and/or sensitive
vagina.
*#92- Law of Hero Identification- All heroes are introduced by way of appearance
while someone talking about their (in)famous-ness, or by way of a voice-over of them
introducing themselves.
*#93- Law of Cute Mascots- Any anime either Shojo or Shonen has GOT to have at
least one cute, furry little mascot by penalty of death!
First Corollary- If it is a Shonen Anime, the hero will be accompanied by a
Dog, Cat or any kind of animal, real or fake, that would be found with a hero of the
male persuasion. Any animal that would be associated with girls that is following
him around is there because:
1) It’s his girlfriend’s.
2) It is following him, despite his insistence not to do so.
3) Chicks will dig him more.
Second Corollary- If it is a Shojo Anime, the heroine will be accompanied by
a cat, cute lil’ mouse, or some disgustingly cute monster, or any kind of animal,
real or fake, that would be found with a hero of the female persuasion. Any animal
that would be associated with guys that is following her around is there because:
1) It’s her boyfriend’s.
2) It is following her, despite her insistence not to do so.
3) It makes her look cool.
*#94- Law of The Force- Most Anime heroes are blessed with a unique sort of ability
that enables bad things to happen to those that deserve it or makes things like
bullets or debris totally miss them (Also referred to as "Dumb Luck"), even though
they are mostly unaware of it. Those who have this ability include Vash the
Stampede, Captain Justy Ueki Tylor, and Jar Jar Binks.
*#95- Law of Naughty Tentacles- All Anime Tentacles are VERY horny and will rape any
human female, regardless of age ("She’s 18! No! Really, she is! I’m not lying!...")
First Corollary- Even when raped or molested by tentacles, Hentai Anime
girls eventually get into it & begin squealing in ecstasy. NO one knows WHY this is,
but some theorize there may be some kind of chemical that is secreted through the
skin of the tentacle...
Second Corollary- Women who are impregnated by a tentacle creature never
experience morning sickness, and also find it to be intensely pleasurable (Also
known as the Goofy Meter Redline Effect).
Third Corollary- Similarly, the resulting... offspring of tentacle/human
relations is immediately sexually active, often impregnating its own mother again.
*#96- Law of Cat-Fighting- Two females with a grudge can and will go at each other,
sometimes ripping off clothes. Sometimes it escalates so much, that property damage
begins to occur.
First Corollary- A running fight can be so destructive, you can follow it
from a distance just by watching for the smoke. (Also known as the "A-ko/B-ko
Thing")
*#97- Law of Healing- Most anime heroes have a Wolverine-like healing factor that
enables them to regenerate from a massive wound or broken bone within minutes. Being
immortal sometimes helps. (Also known as the "Priss Effect".)
*#98- Law of Stereotype Crew Characteristics- All ships, either waterborne or
spaceborne, have the following crew members:
1) The captain
2) His Lieutenant
3) Various female technical staff
4) A hotshot pilot
5) A cute little girl/twins (either stowaways or not)
6) The Doctor
7) The Doctor’s assistant (either a spy or not)
Weighted among the crew are various quirks which include:
1) Extreme coolness/luck
2) Amazing Intelligence
3) Incredible irritation
4) Extreme cuteness
5) Irresponsible drunkenness
6) Homophobicness
7) Emotionless (Idiots.)
*#99- Law of Sparklies- Whenever a character of the main character’s interest
appears, flowers, sparkles, or abstract circles of pastel colors appear around said
character, or both. Roses with exaggerated thorns appear when it is dangerous love.
No one knows why this is, though most have a theory: Anime characters are freaks! At
least, Marker Apenname seems to think so...
*#100- Law of Anime Events- Much like wrestling, anything and everything can happen.
Created by Insane Advocate and his two friends. Aswell as various internet sources
Long read. I skimed through it and found it intresting!
Tourettes guy. If you've never heard of him your missing out. Lots of Profanity in this one.
Double entendre (ie, words with double meanings, usually sexual)
1) Weightlifting commentator:
"This is Gregoriava from Bulgaria. I saw her snatch this morning during her warm up and it was amazing."
2) Horse-training commentator:
"This is really a lovely horse and I speak from personal experience since I once mounted her mother."
3) At a rowing medal ceremony:
"Ah, isn’t that nice, the wife of the IOC president is hugging the cox of the British crew."
4) Soccer commentator:
"Julian Dicks is everywhere. It’s like they’ve got eleven Dicks on the field."
5) Golf commentator:
"One of the reasons Arnold Palmer is playing so well is that, before the final round, his wife takes out his balls and kisses them... Oh my God! What have I just said?"
6) During an interview with Schumacher at a F1 Grand Prix:
"What does it feel like being rammed up the backside by Barrichello?"
7) Mike Hallett on missed snooker shots in Sky Sports:
"Stephen Hendry jumps on Steve Davis' misses every chance he gets."
8) Comment on Phillipa Forrester (a BBC presenter) cuddling up to male astronomer for warmth during a eclipse coverage:
"They seem cold out there, they're rubbing each other and he's only come in his shorts."
9) Anonymous guitar player:
"I broke a G-string while fingering A minor."
10) Carenza Lewis on finding food in the Middle Ages:
"You'd eat beaver if you could get it."
11) The name of a UK racehorse that's just been gelded (ie, castrated): Noble Locks (hint: read it fast)
4) Soccer commentator:
"Julian Dicks is everywhere. It’s like they’ve got eleven Dicks on the field."
5) Golf commentator:
"One of the reasons Arnold Palmer is playing so well is that, before the final round, his wife takes out his balls and kisses them... Oh my God! What have I just said?"
I laughed so hard on these. Thinking on what tone and pitch they would say it makes me laugh even harder.
*feels ashamed of self*
The George W Bush Presidential Library is now in the planning stages. You'll want to be the first at your corporation to make a contribution to this great man's
legacy.
The Library will include: The Hurricane Katrina Room, which is still under construction.
The Alberto Gonzales Room, where you can't remember anything.
The Texas Air National Guard Room, where you don't have to even show up.
The Walter Reed Hospital Room, where they don't let you in.
The Guantanamo Bay Room, where they don't let you out.
The Weapons of Mass Destruction Room (which no one has been able to find).
The Iraq War Room. After you complete your first tour, they make you to go back for a second, third, fourth, and sometimes fifth tour.
The Dick Cheney Room, in the famous undisclosed location, complete with shooting gallery.
Plans also include: The K-Street Project Gift Shop - where you can buy (or just steal) an election.
The Airport Men's Room, where you can meet some of your favorite Republican Senators.
Last, but not least, there will be an entire floor devoted to a 7/8 scale model of the President's ego.
To highlight the President's accomplishments, the museum will have an electron microscope to help you locate them.
When asked, President Bush said that he didn't care so much about the individual exhibits as long as his museum was better than his father's..