2013-10-25, 17:44 | Link #282 |
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Well, the concept of Homura wanting to save Madoka (at least as Homura perceives it) by restoring Madoka to normal humanity (and then taking Madoka's ascended spot for her) is not necessarily a bad one. A lot would depend on the execution. Sadly, it sounds like the execution had some issues.
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2013-10-25, 17:51 | Link #283 | |
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Apparently. Even Sayaka gets to stay alive in Homukami's world, I think.
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2013-10-25, 17:55 | Link #284 | |
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Well...
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Turning Homura into an evill goddess who suppresses Madoka's good ones allow for the next cast to oppose a defined threat rather than the vague universal cool down or a race of emotionless aliens. QB took his last gamble and failed, the next series will deconstruct the concepts of Sailor Moon were a former super heroine fell to darkness and the new one must rise to free her from her suffering. |
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2013-10-25, 18:14 | Link #290 |
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Of course it doesn't feel believable. I mean, the movie is okay I guess, though a few things don't make much sense (like stopping witchification using technology, trapping Madokami inside Homura's sould gem, etc). The real issue is what happens in the epilogue. That's totally bonkers. Homura's characterization is pushed to the extremes (in a bad way) and the whole ending of the tv series is basically retconned. And this all happens in the freaking epilogue, when the movie is basically over already.
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2013-10-25, 18:31 | Link #295 | |
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Well...
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What did you expect, the original series was projected to wrap up around Madoka becoming a goddess and saving everyone at the cost of losing her physical existence and being apart from Homura until the latter's death. The sequel couldn't happen in an universe where all conflicts were already solved so they had to create a 3rd universe with a conflict between Homura and Madoka on a cosmic scale. Besides the theme of individual happiness versus collective happiness was Urobuchi's life conflict which is now being places spicitly in his most proeminent work. |
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2013-10-25, 18:39 | Link #296 | |
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Join Date: Apr 2006
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The problems with these sort of themes is that they don't really have answers, so the stories exploring this usually end up with anticlimactic endings that don't really amount to anything, or cheap ones that give easy but pointless answers.
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2013-10-25, 18:41 | Link #297 | |||
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Sailor Galaxia with the look and style of Rozen Maiden's Suigintou. Could be a great villain. Madoka Magica is big, but NGE is still bigger. Let's not get carried away here, lol. Quote:
I'm willing to let a lot slide with this show on the basic "suspension of disbelief" side. The key for me is simply liking how it handles the characters, and if its a good, emotionally satisfying/thought-provoking story. Quote:
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2013-10-25, 18:44 | Link #298 |
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Lol not after the credit. I said epilogue because the main conflict of the movie has being resolved by that point. Madoka has been saved and is a goddess again and the world has being restored. For all intense and purpose, what comes after that is epilogue.
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2013-10-25, 18:48 | Link #299 |
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lol... I get the sense that poor Gen wants to write a happy ending, but just can't bring himself to do it. So he keeps throwing out these epilogues that makes things look much darker after all (in the original TV series, Homura with the wicked wings fighting demons in the desert had some wondering if the world was now in a post-apocalyptic stage).
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