2017-11-21, 21:30 | Link #141 |
Senior Member
Join Date: May 2014
Location: California(Current).
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About the three unfair judges, things really intrigues me that why they didn't push the button to vote for Eizan before they ate Souma's cooked food.
These kinds of judges has pride after all, if they push the button first, and then eat Souma's food, they'll might even sink lower. The other two besides the middle one decided to eat Souma's food first because the smell of the food itself is already influencing them. And since after they ate it, they realized the taste of the food was too valuable to get rid off. Souma was seducing and threatening those judges with his food as in, "Leave me, my friends, and the dorm as it is or you won't be eating these kinds of food ever again". |
2017-11-22, 01:52 | Link #144 | |
Black Steel Knight
Join Date: Jul 2011
Location: Indonesia
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2017-11-22, 07:42 | Link #145 |
Born to ship
Join Date: Oct 2014
Location: Texas
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After this ep I think I get a better feel for the difference between Senzaemon's Tootsuki and Azami's vision. Old Tootsuki was not meant to be a "typical" culinary education. The entire concept is taking a field's education system and asking what would happen if you threw everything you knew about "how it's done" and just tried to come up with a path that would bring about the most growth and innovation. Arguing that "this is complete absurdity according to the standards of how people are trained" is a pointless argument, because that's the entire point: abandoning the old path and coming up with a different way to go about things. And the path created is not, has never been meant to produce an army of qualified chefs. It's meant to produce a handful of carefully refined geniuses whose skills in their personal expertise has been expanded by their knowledge and exposure to countless others and at the same time honed by forcing it to compete against them, forcing a guy who makes Italian to come up with Italian dishes that can face down dishes from other schools and styles, even when forced to fight by their rules. Indeed, if you're trying to come up with a school that will allow an average person to become a moderately-accomplished chef, you're screwed. But if you're trying to come up with something that will turn a few people into brilliant gems while helping the rest to polish themselves beyond their limits before moving on to more traditional venues, that's a different story. This story. And Azami's basically trying to destroy that and replace it with something that superficially resembles the real world but is tweaked to forbid innovation completely. Even those who drop out of Tootsuki after a year or two would have some benefit from the exposure to a broad world and the constant push to rise higher. They'd still know that drive to innovate and see beyond what they currently have. Azami's school will produce a handful of fine craftsmen who create fine works of art within a single art genre/style, while pumping out hordes of "artists" who are unable to do anything but make carbon copies of their betters' work, over and over.
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2017-11-22, 08:26 | Link #146 | |
I disagree with you all.
Join Date: Dec 2005
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2017-11-22, 19:57 | Link #148 | |
Born to ship
Join Date: Oct 2014
Location: Texas
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And seriously, I doubt that Tootsuki would have a "bad" impact on a student who failed to make it all the way. They'd still have years training in their own style while observing and examining others and sharing ideas, not to mention an exposure to the level of pressure their employers likely experience and that they will likely experience if they make it high enough, thus helping their perspective. If they spend some time in there, they benefit from a unique environment designed to refine high-level chefs that can be utilized well, and if they make it all the way then they'll have proven themselves to be among the most skilled chefs in the world, able to gain the approval of teachers and judgers with the highest of skill. Erina's commentary is key. In Azami's world, anyone who brought anything that didn't follow the guidelines Erina had been trained to give would have their work summarily discarded and be forced to start over and do it "right", but in Polar Star Erina is finding herself in the presence of people to whom she would give her "expert" but still indoctrinated culinary judgment, and who respond by completely ignoring or even defying her instructions to produce something that's far better than she thinks it should possibly be. It's sort of like how some people are recommending changes to the modern school system, departing from the rote memorization and strict system that's been used supposedly since the days of the Industrial Revolution when things were much different, replacing it with a system that concerns itself less with rote memorization and more on creative analysis and design based on readily-obtained or readily-made resources. While carried to an exaggerated extreme, Tootsuki basically did that, encouraging and teaching kids to innovate based on what they have access to and what they can obtain or make on their own. They're still trained to be able to assist well as an employee or apprentice, to prep and produce things according to orders in a timely manner, but they still also master an ability to think on the fly, find or make what they need to deal with sticky situations and excel above and beyond. |
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2017-11-23, 04:49 | Link #151 |
I disagree with you all.
Join Date: Dec 2005
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He calls them (chicken wing) gyouza because they're apparently a thing in Japan and that's what they call them.
And Eizan is there because the Nakiris are apparently kings of the Japanese food industry who can make and unmake whoever. |
2017-11-23, 05:11 | Link #152 | |
Maddo Scientisto
Join Date: Aug 2013
Location: UK
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2017-11-23, 15:41 | Link #154 | |
I disagree with you all.
Join Date: Dec 2005
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Besides, I don't believe that the constant threat of expulsion is very conductive to creativity. What we see are mostly the freaks who march to their own drums no matter what, but I think a more natural reaction would be to keep your head down and hope no one notices you enough to make trouble, even if it's not viable in the long term. It's only because it's a manga that there are so many "freaks". |
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2017-11-23, 20:53 | Link #155 | |
Born to ship
Join Date: Oct 2014
Location: Texas
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And again, with your constant attention to moments like the resource procurement where the demands were beyond what would be required of an average chef: Tootsuki was not made to create or train average chefs. By the time a student made it through junior high or passed the exams to get into high school, they were already highly skilled. The high school is about training brilliant geniuses who literally stand at the pinnacle of the culinary world, reigning in skill, creativity, impact, in every way that a culinary ARTIST may be measured. For an assistant chef, lacking ingredients is the head chef's fault and they'd never be expected to concern themselves with it. For a head professional chef, obtaining the ingredients necessary regardless of the circumstances and creatively handling crisis situations is a vital skill. Thus, for a school that only cares about producing people who are capable of reaching past professional leadership into celebrity and culinary immortality, it makes perfect sense to declare "if you don't even have the guts to get dirty and the innovation to impress in dire situations, you don't belong here". Anyway, the threat of expulsion doesn't seem to be near as "constant" as you keep saying. Most of the time all you have is normal classes where you're trained and tested and trained and tested some more, all for simple GRADES ranging from A to E. Generally I only see three places where expulsion is a serious threat. First, if you, like Megumi at the start, fail repeatedly to the point where any school would say "we can't keep you". Second, if you agree to willingly fight someone with your very place in the school on the line in exchange for something you value enough to place such a bet (and frankly, even if bullied, you'd have to be one of those "freaks" you mentioned just to place such a bet). Third is during a handful of preset evaluation periods where it is known that you will spend a brief period undergoing a severe, rigorous evaluation of everything you've learned and developed up to this point with absolutely ruthless scrutiny. And even this doesn't seem to be something that's repeated over and over throughout high school; more like passing the entrance exams gets you a trial period and the real evaluation to permit your presence in the school is that bit of craziness. Yes, it is a bit extreme, as would be expected in a manga/anime, but really Azami's riding that to the bank, betting on people focusing on all aspects of the school he speaks poorly about and only viewing his new plan based on how they "fix" the "problems", and nothing else. If people just objectively look at the curriculum's stance on independence and creativity they would throw him out easily, as they would if they weighed all the pros and cons of each system in relation to the desired results, so like any Machiavellian bastard he takes care to make sure that anytime people might start to doubt him they're reminded of "problems" he's "solving". |
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2017-11-24, 02:05 | Link #156 | |||
I disagree with you all.
Join Date: Dec 2005
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Which in turn makes me say that the people who thrive at Tootsuki are people would thrive anyway, with or without Tootsuki. The rest are just chewed up and spit out. And, IIRC, treated as damaged goods. Quote:
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2017-11-24, 20:10 | Link #157 | |||
Born to ship
Join Date: Oct 2014
Location: Texas
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No, they're provided for far beyond what a person in the outside would be given and leaps and bounds beyond what a reasonable school would provide. Quote:
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Also, there's a big difference in the way that the issue was presented between what Senzaemon did and what Azami did. Senzaemon upfront recognized the risks of failure, the "cons" of the school, while offering them in exchange for this risk a great prize for those able to brave and conquer this three-year challenge. Azami on the other hand focused on anything he could paint as a "problem" with Senzaemon's Tootsuki in order to constantly remind people that what he's doing is a "solution", diverting them from looking at a true, objective comparison or even just a direct assessment of his regime. He doesn't want people looking carefully at what his plan will do in total. In fact he doesn't want them looking at all because they're being asked to give away everything. So every time he starts talking about his annihilation of any source of freedom he immediately turns to the incredible insecurity some felt in the old version and suggests that he'll give them absolute security. He's using offers of a supposed absolute "security" to convince the students to surrender "a few" freedoms. I believe there's a saying about that sort of tradeoff... |
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2017-11-24, 22:26 | Link #158 |
Senior Member
Join Date: Mar 2012
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Here's the interesting thing about Azami's method. Azami is basically giving every single student a high class recipe book. He's saying that all you need to do is copy the recipe and do it exactly as i tell you and you can be a gourmet cook. The problem with that method is that it's not true cooking. The only way it works is if you have the perfect conditions every single time and even an amateur knows you can't do it. So while the students may be able to make high quality food they aren't high quality chefs. They'll eventually be exposed sooner or later
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2017-11-25, 06:15 | Link #159 | |||
I disagree with you all.
Join Date: Dec 2005
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That is only in class. And the teachers and curriculum, from what we've seen, are of dubious use. Everyone, especially the top performers, look pretty self-taught.
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2017-11-25, 11:02 | Link #160 | |
Senior Member
Join Date: Sep 2008
Age: 38
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And I believe it was in the OVA (that was referenced in ep1 of this season) that the Elite 10 have millions of dollars worth of resources they can tap in to that normal students don't, but my memory of that part may be a little off. |
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