2013-05-01, 11:01 | Link #1941 | |
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Spoiler for scene from TSR, occasionally as funny and offensive as Fumoffu :
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2013-05-01, 12:32 | Link #1942 | ||||
Homo Ludens
Join Date: Nov 2007
Location: Canada
Age: 34
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Moe doesn't really do anything (aside from provoke audience reactions) because it's not and has never been anything more than a word used to refer to the relationship between characters and audience. Quote:
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2013-05-01, 12:58 | Link #1943 | |
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That's because Kyoto Animation uses just a couple of character designers, Horiguchi and Nishiya. These character designers don't work for other companies, and so the connection between their works and Kyoto Animation is enhanced.
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2013-05-01, 17:10 | Link #1944 | |||
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Age: 38
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I think my dislike of their recent works has got more to do with their overall feel. If they want to be the next Ghibli animation power house, by all means they should continue with this philosophy. |
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2013-05-01, 19:41 | Link #1945 | |||
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Join Date: Sep 2011
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It's like the discussion in animation circles where western animation enthusiasts/animators claim that Japanese animation is rough and unpolished, not understanding its genesis and philosophy. It takes huge texts explaining the cultural heritage of anime, and the way the animation is approached in Japan, for them to concede something. That doesn't make the claim that "japanese animation is ugly" any less ridiculous, it just means that some people don't know the difference. Quote:
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I won't claim that (recent) Kyoani has done extremely different works in tone. For me, the different viewing experience between, say, Chuu2 and Tamako Market, or Nichijou and Hyouka, is extremely pronounced, but that's me. There isn't a work that comes off as disruptive of the "mold", like you called it. While K-On! is happy and cozy, Nichijou is full of adrenaline, and Hyouka is subdued and bittersweet, they're all distinctly similar in some fundamental aspect of the presentation. For that, I'll refer to my original argument that Kyoani are a small group, and every single member influences the entirety of the studio all the time due to the nature of their workplace. You won't find extremely different approaches to photography, or even direction (to give one example out of many, nobody in the studio storyboards in the style of Ikuhara), and especially the animation style remains very similar in their productions, character design differences notwithstanding. But, for the same reason, they're constantly evolving and changing. The difference between Kanon and K-On! is staggering, for example, and that was only 3 years of difference. |
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2013-05-01, 21:20 | Link #1946 | |
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I mean, try to think of the American equivalent of K-On!, or Clannad, or Kanon. And I don't mean just animation, I mean live-action TV dramas/movies too. I can't think of any American (or Canadian, or British) show that's like K-On!, Clannad, or Kanon. If moe was just a feeling, then why is it that no American TV show can capture it like KyoAni (and some other anime studios) can? So no, I definitely think that moe is more than just a feeling. There's something a a bit more specific, a bit more distinctive, perhaps even a bit more cultural to 'moe' than just a 'warm' feeling or a 'protective' feeling. I can't think of anybody like Kotomi Ichinose in the western entertainment world. I can't think of anybody like Yui Hirasawa in the western entertainment world. I can't even think of anybody quite like Eru Chitanda in the western entertainment world. Whatever you think of these characters, they seem to be pretty distinct to the otaku entertainment world. And KyoAni, to its credit, is one studio that throughout most of its history has been very good at capturing that "essence of Moe".
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2013-05-01, 22:52 | Link #1947 | |
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I would argue pretty strongly that some (not all) Pixar movies capture and even revolve around "moe", but they do it in a way that sort of masks what they're doing and if you didn't actually know the terminology you wouldn't be able to identify it. It's in the context of a family movie, so the way that they pull on the heartstrings of the adults in the audience isn't always fully-considered. What is certainly more uniquely Japanese is the focus on cute, young female characters (and the high school setting in general) that is more closely-associated with "moe" (and anime in general). There are very few Western shows aimed at adults that take place in high school, and far fewer would revolve so heavily around teenage girls (particularly emphasizing "cute" behaviour). The entire concept of "nostalgia for high school" is much less pronounced, along with the fascination (particularly among men) with "first love". If you somehow mesh all these concepts together, you get what some people call "moe anime" or the "moe genre", but it isn't really defined by anything in particular -- just a loose association of things that seem vaguely similar yet distinct from other styles of content. Each of these shows have known genres in their own right (comedy, romance, drama, etc.), but are tied together by a common emotional result that seems to be prompted by similar signs/mechanisms. The main reason I don't like the "moe show" or "moe genre" label is because it's way too complicated and confusing to figure out what is and isn't included and where the lines are drawn, and how to distinguish it from the "real" literary genres. Most often it's just used by people who dislike "cute girls doing cute things" shows to loop a whole tonne of not-really-so-similar content together in one giant bundle of "suck", which Kyoto Animation often gets associated with by proxy since people (arguably erroneously) believe that all their content is "the same".
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Last edited by relentlessflame; 2013-05-01 at 23:05. |
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2013-05-01, 23:49 | Link #1948 | |
Homo Ludens
Join Date: Nov 2007
Location: Canada
Age: 34
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I think relentless has said everything I would have, but...
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My point was that it's pretty damn rare for a studio to have a company shop like that. Powerpuff Girls. |
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2013-05-02, 00:17 | Link #1949 | |||
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But I think that moe is... Quote:
These "similar signs/mechanisms" you allude to are key in my view. And I would argue that KyoAni is uniquely expert at these "similar signs/mechanisms", which is what I think contributes some (but certainly not all) to their popularity and success. I also think that P.A. Works is particularly strong at these "similar signs/mechanisms" which may well explain some of their recent success (with shows like HSI, and Tari Tari). The way I see it, a show becomes more or less "moe" depending on how frequently these "similar signs/mechanisms" are present. If those signs/mechanisms are only there 20% or so of the time, then maybe that's just not enough to win over moe fans. Maybe they need to be there at least 40% of the time. Let me be clear - I don't think that moe is a genre in the same vein that sci-fi or fantasy or romance is. But I think that moe is an element, like "action scenes" is. It's a specific thing that you can have more or less of. And many people want it, just like many people want "action scenes" (but of course, just as some people don't care much for flashy action scenes, some people don't care much for moe). If a superhero movie lacks many action scenes, then that will displease some movie-goers. To this day, I think one of the main reasons Superman Returns didn't do as well as hoped is that Superman never threw a punch the entire movie. After what the Matrix trilogy provided in the way of flashy action scenes (with Neo even being explicitly compared to Superman), people expected an actual Superman movie to have much better action than this. And so Superman Returns ended up a commercial disappointment (whereas Man of Steel wisely has more Superman punches in its trailers than Superman Returns had in its entire movie ). I think that some people likewise look for a certain degree of "moe" in anime. And KyoAni provides this like the better-selling superhero movies provide "action scenes". Quote:
Imagine, if you will, if the term "superhero" was never coined. Imagine if all superhero comics were just thought of as "Sci-Fi" (Fantastic Four, X-Men, Iron Man) or "Fantasy" (Thor, Dr. Strange) or "Action-Adventure" (Superman, Batman). Let's say people coined the term "Kal" for the feeling they get when a superpowered heroic character does impressively heroic/powerful feats. "Kal" becomes defined as "A feeling of awe and admiration at the sight of incredibly heroic deeds!" So fans of comic books (listed under genres "sci-fi", "fantasy", "action-adventure", etc...) start to talk about how much they love "Kal". Or about how "Kal" certain characters are. There are IKL (International Kal League) competitions were people vote on which comic book characters are the most "Kal". But then, there's also some people that hate "Kal", but nonetheless like comics. "Why can't we get more comics like The Sandman? And Preacher!" they say. "Yeah! Less of this Kalcrap that's a cancer on the comic industry!" they continue. "Kal" essentially divides the comic book fandom against itself. Some "Kal" fans insist its just a feeling, and yet Kal fans keep coming back to comics involving muscular, heroic, superpowered men in flashy costumes. "Boy Scouts being Goody-Two-Shoes!" is the new criticism that Kal-Haters take to criticizing the comics they hate. "Kal" is increasingly getting defined by its haters, arguably since its fans aren't budging from the "feeling" definition, and some even refuse to think of themselves as "Kal fans". Do you see how this can cloud discussion? How this makes it very, very hard for different comic book fans to truly understand where their taste differences lie, or why they like what they like? Ah, if only the term "Superhero" had been coined. That would have cleared up so much misunderstanding... Thankfully, in the real world, "Superhero" was coined. So at least there's an understanding between superhero fans and the sort of comic book fans that only like Vertigo comics. These two different types of comic book fans are largely at peace with each other, in spite of their taste differences, because they fully understand and acknowledge them. They "get" where the other side is coming from. It would be nice if anime was the same way someday...
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Last edited by Triple_R; 2013-05-02 at 00:48. |
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2013-05-02, 00:36 | Link #1950 | |
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Also:
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2013-05-02, 00:43 | Link #1951 | |
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And that's why your "superhero" analogy doesn't work for me, because "superhero" stories all have one thing: superheroes! A so-called "moe show" isn't really defined by any one thing. It "may" use or more of the elements I listed as part of a concoction that evokes a specific feeling. But a show doesn't actually need to use any of those elements to evoke that feeling, and there are way more exceptions than shows that fit the "rules" (which aren't really rules). Even though you want to give it meaning for the sake of discussion, it's way too ill-defined to mean anything in particular, and its association with the existing "moe" term is way too complicated and messy. If we really must find a way to label these ostensibly-similar shows, I think we need a different word and a more precise definition.
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2013-05-02, 00:56 | Link #1952 | |
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I think that "moe" is a reaction an individual gets to certain traits/characters. But it's wrong to treat in in a vacuum, detaching it from its cultural baggage. Statistically, maids are more moe than superheroes. That's not to say some guy can't think superheroes are moe and maids aren't, but socially speaking, "moe" is not a feeling, it's a trend. A trend in the tastes of the people who buy these shows, but it's much more defined than a simple and vague feeling. Someone here cited Hiroki Azuma, and I think Otaku's Database Animals does a good job of explaining how this relationship between buyers (Otaku) and companies works, taking into account moe elements and the infamous "checklist approach". It seems that all the discussion around the term has clouded the original argument, since I can't even remember what it was. Something about Kyoani only making moeshit or what you might, maybe? |
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2013-05-02, 01:15 | Link #1953 | ||
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But if this is true, does it necessarily mean that their new show can't employ the very same "element" with an all-male cast? I'd suppose it probably can. After all, Hetalia (for example) is as much a "moe anime" as any other, if you want to call it that. In that sense, this may only be extending their so-called expertise in another direction. Quote:
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2013-05-02, 01:27 | Link #1954 | |
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2013-05-02, 01:30 | Link #1955 | ||
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If anything, I would like for them to do something with no relation whatsoever to a high school setting, just to see what their visual departments can pull off in more fantastical, sci-fi, or less idealized real world settings. Quote:
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2013-05-02, 01:57 | Link #1956 | |
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Let me take some of what I wrote about "World where the term 'super-hero' was never coined" and translate that analogy for what it means in the world of anime. I wrote... "Some "Kal" fans insist its just a feeling, and yet Kal fans keep coming back to comics involving muscular, heroic, superpowered men in flashy costumes." Now, translated - Some moe fans insists its just a feeling, and yet moe fans keep coming back to anime shows involving cute, endearing teenage girls in student uniforms. The student uniform has become just as prominent in anime as flashy costumes are in comic books. Now, let me take my superhero/moe analogy a bit further... Imagine a comic book where The Joker is laughing maniacally over a fallen, battered Batman. A teenage girl, a girl the Joker kidnapped and tortured, is in tears at the sight. But she's freed herself, and The Joker was too busy fighting Batman to notice that. In a highly dramatic moment, she gathers up enough courage to fight back against her kidnapper/torturer. She charges the Joker from behind, and pummels him mercilessly. She actually knocks him out, saving herself and Batman! "Wow, she was so Kal!" some comic book fans say. Technically, they're not wrong. It's not hard to see how this scene could create "A feeling of awe and admiration at the sight of incredibly heroic deeds!" This was indeed an incredibly heroic deed. She defeated The Joker himself! And even after everything he put her through. However, other Kal fans blink in complete amazement at she being called "Kal" like this. They object to it. This is for two reasons: 1. They're use to "Kal" only being applied to muscular, superpowered characters in flashy costumes. So normal, non-muscular human girl in civilian clothes being "Kal" just does not compute to them. 2. Because "Kal" represents what they love about comic books. And while the "feeling" definition captures some of it, it doesn't capture all of it. To capture all of it, you have to get to the specifics - muscular, heroic, superpowered men in flashy costumes (i.e. superheroes). Now, let's flip the analogy around again. I bring up this post. Key Excerpt: I don't know how many times I had to facepalm now when I hear repeatedly things like "Oh come on, don't be ridiculous. How can Kaiji possibly be moe? What are you going to say next, trains can be moe? (insert that really stupid ANN condescending laughing emoticon)" Kaiji being "moe" simply does not compute for many moe fans for the same reason that this girl being "kal" does not compute in my analogy above. For good or for ill, I think you're going to have an extremely hard time divorcing "moe" from "cute, endearing teenage girls in student uniforms." So applying the term to an adult man in normal civilian attire is going to strike a lot of people as weird. Why not be honest about this? Why don't we be honest about what "moe" really represents to most anime fans, both moe fans and moe haters alike?
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2013-05-02, 02:13 | Link #1957 |
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I think it's just a matter of animation literacy, how well can people point to characters that may evoke moe feelings in viewers. I don't have this problem, I can spot moe characters a mile away (EDIT: female OR male), and they don't need to evoke anything in me personally. But then I look on Twitter and the people I'm following are squealing over them. This is how you get to define a "genre", a "type" or whatever you want to call it. Moe is not a mystical force of wonder as long as you don't bury your head in the ground.
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2013-05-02, 02:25 | Link #1958 | |
Homo Ludens
Join Date: Nov 2007
Location: Canada
Age: 34
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Allow me to actually be condescending here for a minute, k? It's easy to find people who like thigh-high socks or ponytails or tsunderes or dojikkos or what have you. It's easy to find people who like slow, laid-back shows that have girls being cute in them. It is going to be very difficult to find anybody who identifies as a "moe fan" more generally, aside from, perhaps, yourself. I'll leave it to you to figure out why this is. Notably, however, it's very easy to find people who consider themselves "moe haters". (Just look in this very thread!) One has to wonder if the people who are mistaken about what a certain term "really represents" are, in fact, those inclined to generalize things they dislike into a single, easily-dismissed category. Also, your analogy is terrible. Tell me, what traits, physical or otherwise, alert you to the presence of moe characters? |
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2013-05-02, 02:25 | Link #1959 | ||
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P.S. I wish you would avoid these sorts of "appeals to false common ground". Just because you think your position is reasonable doesn't mean that other people aren't being "honest" in disagreeing with you. Edit: Quote:
As I alluded to before, if Kyoto Animation's new show is similar in tone and style to some of their other recent work, but just features male characters instead of female characters, are we going to call it an entirely different thing just because it doesn't contain cute girls, or not? I throw my hands up at the futility.
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Last edited by relentlessflame; 2013-05-02 at 02:51. |
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2013-05-02, 02:41 | Link #1960 | |||
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Moe is a particular element. It's an element that some people like, and some others don't. Just like how some people like flashy action scenes, and some other people don't. Just like how some people like superheroes, and some other people don't. Quote:
How can one possible say anything concrete about moe if it's that nebulous? The anime fandom will never come to an mutual understanding over "moe" if it doesn't allow the term to gain at least some degree of specification. Edit: Here's the thing, in my opinion. By strictly using a nebulous "feeling" definition, while moe-haters use a much more specific understanding, those who like moe are basically ceding ground to the moe-haters. We're letting moe-haters define it uncontested (since more specific understandings will typically triumph over more vague ones, at least in time). As someone who likes moe, I think this does a disservice to this element that there are legitimate reasons for liking and finding appealing.
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Last edited by Triple_R; 2013-05-02 at 02:58. |
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