2014-01-24, 22:57 | Link #81 |
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To you, but you don't see the reality. Until the day that Japan population reach an all-time low, people are going to ask "why didn't Japan do mass export when the population was declining, it could've save their economy??"
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2014-01-24, 23:23 | Link #82 |
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Until the day Japan manages to break the 145-150 million mark in the population number, I don't see how the situation is not alarming in any extent. Same thing goes for their economy should they focus too much on the bloody domestic market.
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2014-01-25, 03:10 | Link #85 | |
seiyuu maniac
Join Date: Aug 2006
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2014-01-25, 03:59 | Link #86 |
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Which is why I have people in my household who would rather look forward eagerly to the next episode of, say, Game of Thrones (and many others in what seems to be the continuing boom of American television), than endure Asian dramas with recycled cliched plots; they don't want TV shows that make them feel stupid or yawn their way through.
Personally and I repeat, I don't see any decline of the Japanese music, just that there's too many players in the business and the market is largely focused on the domestic market. Also, PM Abe may have to tweak the Cool Japan program, in that it shouldn't be confined only to ACG or idols but also with music, cinema, drama, stage theater, tokusatsu, and other genres of Japanese pop culture. And the population decline angle is... way too hyped.
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Last edited by sa547; 2014-01-25 at 06:52. |
2014-01-25, 04:10 | Link #87 |
seiyuu maniac
Join Date: Aug 2006
Location: Tokyo, Japan
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Speaking of tokusatsu, Pacific Rim is such a slap in the face to the Japanese movie industry - it was essentially Hollywood outed Japan in terms of Japanese-ness AND still be a financial success (proving that no, you don't need to completely Westernize you stuff for the world to accept it). The Japanese movie industry should be ashamed of themselves for never being able to try to even "get it right".
Also the upcoming reboot of Hollywood Godzilla would be interesting to see whether it would be a repeat of what Pacific Rim did as well.
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2014-01-25, 12:23 | Link #88 | ||||
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I ask myself: If the price bubble and the lost decade in Japan never happened, would J-pop, and J-dramas have gone global? Would J-pop instead of K-pop would've gotten mainstream popularity outside of Asia? Would J-dramas had been exported in masses outside of Asia? Could J-pop and J-dramas have gone global if the price bubble and lost decade in Japan never happen: -Instead of Winter Sonata and Jewel in the Palace/Dae Jang Geum, it would've been J-dramas that launched a Japanese wave worldwide. Would other J-dramas taken place of famous K-dramas (ie: My lovely Sam-Soon, Dong Yi, Jumong, Autumn in my heart, Dream High, Coffee Prince, and Secret Garden), and made Japan center of attention like what South Korea is getting. Would the J-drama version of Boys over flower would've been popular around the world instead of the Korean counterpart. -Instead of Wonder Girls becoming the first K-pop girl group to make it on Billboard Hot 100, it could've been a J-pop girl group that did that. -Instead of BigBang winning the MTV EMA, probably would've been a J-pop group (maybe M-Flo). -There would be more J-pop concerts around the world including South America, Australia, Middle East, and Eastern Europe (which they never do) instead of K-pop concerts. Maybe Japan could've made a J-pop concerts very much like SMTown Live, United Cube Conert, and Music Bank world tour. -Johnny's Entertainment probably would've become Japan's equivalent of SM and YG Entertainment. Maybe Johnny would've embraced Youtube today if Japan was more active in globalization. Johnny would've become the company that lead the Japanese wave (like how SM Entertainment was acknowledged as the leader of the Hallyu/Korean Wave) -instead of SHINee becoming the first Asian group to perform at Abbey Road (look at video below). Maybe Arashi or KAT-TUN would've became the first J-pop (and the first Asian) to do that. -Instead of Super Junior, EXILE could've taken Super Junior's place if the bubble crash never happen. EXILE probably would've form sub-units targeting the Korean and Chinese market like they would've form EXILE-M, and EXILE-K (the same way Super Junior made a Chinese subunit, Super Junior-M). EXILE probably would've done concerts and world tour meaning EXILE would have done concerts in South America instead of Super Junior. I mean look at the video below, this could've been EXILE doing the concert tours in South America instead of Super Junior if the price bubble in Japan never happen. -AKB48 instead of Girls Generation would've perform on David Letterman, and Live with Kelly. It would probably have been AKB48 that take Girls Generation's place as Asia's top girl group. Maybe AKB48 would've been the one winning the YTMA Video fo the year instead of Girls Generation. -NHK World probably would've been more like KBS World today. Meaning NHK World would broadcast anime and J-dramas and more J-pop performances. All we get is just news, and some not interesting shows (J-Melo is the only way to watch J-music). Maybe NHK World youtube page would've been more like KBS World YT page. Quote:
The population decline in Japan is real, and what made you think this is not true, have you been to Japan?? Yeah I'm curious how that will turn out, but it looks better then the 1998 version. |
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2014-01-25, 12:56 | Link #89 |
seiyuu maniac
Join Date: Aug 2006
Location: Tokyo, Japan
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Again I hate to be that person to say it but Answerman doesn't know what he is talking about.
While he is correct that Japanese, in many cases, demands outrageous licensing fees for their content (which I've already mentioned), it is NOT impossible to license J-drama. Hanzawa Naoki was shown in Hong Kong and Taiwan cable/TV is less than a month after the show finished its first season, which you can say is such a close release window that it rivals US TV drama's worldwide release window. Again, Answerman is confusing "not doing it the American way in America to an American audience" with "the Japanese don't do this at all anywhere in the world". The 90s saw J-dramas being licensed for TV broadcast all over Asia, especially Hong Kong and Taiwan seems to have lapped them up quite a bit - and that was the foreign J-drama boom. The only point that he got correct is the reason why K-drama seems to have taken over is because of licensing fees, which it is most certainly that K-drama is undercutting the J-dramas, and that J-drama got stale in the 00s which gave an opening to K-dramas to come in.
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2014-01-25, 14:51 | Link #90 | ||
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well why didn't Japan cash in on the drama fad that K-drama caused??
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As I said, several Taiwanese dramas were dubbed and shown in South America due to K-dramas being popular over there. I mean on legal streaming sites, Taiwanese dramas (along with some Mainland Chinese, and Singaporean dramas) started to appear more and more on those sites when K-dramas started to get more popular. Why didn't Japan exported J-dramas to South America like Taiwan did when K-drama caused this craze?? So you see Taiwan cashed in on the drama fad, Japan never cashed in on it and I could find less then 10 J-dramas (when I could find over 1,000+ K-dramas, and more then 55+ Taiwanese dramas) on streaming sites. I know Japan tend to be overpricey when it comes to exporting their items. I remember reading this from Wikipedia when it comes to J-dramas: Quote:
Last edited by mdo7; 2014-02-15 at 00:44. Reason: adding a Youtube video about K-dramas OST |
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2014-01-25, 23:35 | Link #91 | |
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I also know that there is a very large elderly population right now in Japan (and was discussed in a Time Magazine article several years ago); if the decline is truly severe as you claim (as if you're saying about it like it was a typhoid outbreak), then it would've required a full Diet session to deal with the crisis. Of course they've began to admit caregivers and health professionals for the elderly, and there's a growing cottage industry whose job is to clear properties of deceased apartment tenants and clean their former quarters. Of course, as the Olympics are coming round the corner for the second time, Japan itself has to fix its image problem as being a purportedly xenophobic, "weird" society (no thanks to the media, including Japan Today and Japan Times), and that's going to be a tough job. TL;DR -- No offense, but you're sounding like an alarmist. And I have to take a pinch of salt when I hear things from any know-it-all -- especially a fan -- justifying why his "culture" is more superior than anything else.
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2014-01-25, 23:53 | Link #92 | |
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Japanese Government Establishes “Creative Industries Internationalization Committee” to Strengthen the Proliferation of Japanese Anime, Manga, Fashion and Culture Throughout the World "Cool Japan" Initiative Gets Government Investment Fund Japanese Goverment Funds New Foreign Channel to Air Anime I know Japan will fix their image for the Olympic, but can Japan pull off a wave like how South Korea did?? It's not safe to depend on local market when the international market is bigger and can bring in more money. |
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2014-01-26, 05:32 | Link #93 | ||
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2014-01-26, 17:18 | Link #94 | ||||
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China Times-Has Taiwan surpassed Japan in terms of Per Capita GDP? The Economist-Taiwan and Japan: Breaking Formation various economic sources have reported that South Korea may surpass Japan in term of GDP: The Economist-A game of leapfrog: South Korea may soon be richer then Japan Asahi (originally written by Dong-A Ilbo)- South Korea to surpass Japan in average income by 2031 South Korea set to become richer then Japan There is no doubt the Hallyu Wave is playing a big role for South Korea's economy. I like to add a picture what happen when Japan focused too much on the US market and didn't take their Asian neighbor seriously. See that picture above, Japan is not taking their neighbor's competition seriously. Hence why Taiwan and South Korea will overtaken Japan by their GDP, Taiwan and South Korea never believe in self-sufficiency like Japan does. If Japan wants to get above the four Tigers/Dragons they have to target the international market, if the population decline continue, then Japan's future GDP is not going to look very promising. Also while Japan's music suffer, K-pop sales has been going up thanks to the Hallyu. Look at the picture below: All these because Korea take the international market seriously unlike Japan. I'm going to quote this part of the article: Quote:
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Last edited by mdo7; 2014-02-16 at 21:53. Reason: Adding picture of K-pop sales |
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2014-01-27, 06:32 | Link #95 | ||
seiyuu maniac
Join Date: Aug 2006
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This is why I say Answerman is wrong. Quote:
Also you must remember that the reason why licensing is such a legal mess is because the Japanese originally set up the consortium model to spread out the risk it took to make anime - this was a very good business move for them for their local market but has the unintended consequences of making the licensing a bit grey, but this also has nothing to do with being xenophobic either because it wasn't like the Japanese people banded together to say "hey let's form consortiums so we can protect ourselves from the evil gaijins!" - they just never considered that people might actually want to license their stuff! Again, call that short-sighted, ignorance, stupid and whatever, but it's NOT xenophobic.
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Last edited by houkoholic; 2014-01-27 at 08:37. |
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2014-01-28, 05:12 | Link #97 |
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Since 2010, K-pop got increasingly popular, but I'm not sure about J-pop. In 2011, I think things got worsened Japan was because of the earthquake, tsunami and Fukushima incident. Since then, Japan was probably more focused on the state of getting its country to stand together. For that, they relied less on overseas matter and more on domestic reconstruction. Right now, I think things is getting better in Japan.
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2014-01-28, 08:43 | Link #98 | |
seiyuu maniac
Join Date: Aug 2006
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Also something that Answerman is also wrong about licensing Jpop - the licensing of Jpop for internet streaming for example is actually trivially easy - you can go through JASRAC (the Japanese equivalent to RIAA), which governs something like over 90% of ALL Japanese commercial music rights. Flip over any commercial Jpop or anime or seiyuu CD that is NOT doujin and I would guarantee that 99% of the time you would see the JASRAC logo - which means you could obtain the rights to the songs on that CD from JASRAC. JASRAC has an English website so you can go and read it. No traps and legal grey or whatever. It's bloody expensive (that's why no one wants to license them herp derp), but it's not HARD/impossible/xenophobically setup with roadblocks for foreigners like Answerman is making it out to be. Go read JASRAC's terms for internet download/streaming here for yourselves instead of listening to the nonsense response from Answerman. And of course the reason why nobody is wanting to license these is because for the price you will end up paying for doing things the legal way, you've probably already lost the business to casual piracy and the diehard fans which would buy CDs for collection would rather buy the Japanese CDs anyway. So this goes back full circle to why the Japanese don't do it themselves - which we've already covered. The Japanese is reactionary and was in a position where they don't think the other markets (except the USA) yield them enough return to bother doing it themselves. So they concentrate on the domestic market and when it comes to overseas market they'd rather sit on their thumbs and wait for someone to come to them instead.
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Last edited by houkoholic; 2014-01-28 at 09:10. |
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2014-01-28, 10:34 | Link #99 | |
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By the way, I bet that K-pop is popular was also because many audiences are more interested on looking for hot, sexy, pretty, beautiful chicks like Girls Generation. |
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2014-01-28, 11:13 | Link #100 | |
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To add: safe, wholesome, pure, perfection, and dominating. Which is why I wasn't sold in it... I feel intimidated than I want to listen.
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