2007-04-07, 17:01 | Link #42 | |
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Join Date: Oct 2006
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2007-04-07, 17:25 | Link #43 | |
耳をすませば
Join Date: Mar 2006
Location: Toronto, Canada
Age: 34
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But even with all that, I appreciated the stories of the few people who actually did stop to listen to him. Like the child who kept turning to look at Bell even though his mother kept trying to move him along in a hurry. The best part is seeing the video of the man who enters the room, looks around to locate the source of the music, hesitates then leaves through the exit, but then simply turns back around, leans against a wall, and sits there absorbing the music. And he wasn't familiar with classical music at all.
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2007-04-08, 13:57 | Link #44 |
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Join Date: Oct 2006
Location: Planet Earth
Age: 54
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I wonder what the result would have been like if they chose more leisurely hours and stations where lots of people would have been likely to have more free time on their hand. Everyone would put their livelihood above enjoying some music on the street, but if they had more freedom to choose, the outcome of the experiment might have been drastically different.
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2007-04-13, 03:45 | Link #47 | |
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Join Date: Feb 2006
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ADDED: Isn't Nobuo Umatsu the composer for most of the Final Fantasy music? If you include him, then you must include Joe Hisaishi. |
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2007-04-13, 16:16 | Link #49 | |
ROW! ROW! FIGHT DA POWAH!
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Join Date: Feb 2006
Location: Germany
Age: 39
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Maybe Yasunori Mitsuda, Motoi Sakuraba, Hiroki Kikuta, ... ... too. No, no... That's no classic at all. Aesir |
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2007-05-21, 07:40 | Link #51 | |
翻訳家わなびぃ
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Other requiems I've heard recently includes ones by Praetorius, Schutz (7 last words of J.C. on the cross), Faure, Saint-Saens, and von Suppe. They're all fine pieces too. |
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2007-05-25, 03:25 | Link #52 |
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People, I love classical music, but I don't know how the names are named or the difference between each other, it's just when I listen to a csong, like Beethoven Moonlight Sonata, it sends shivers up my spine, Certaint Opera's Like the 1 Mr Bean preformed on His new movie and then there is Carl Orffs Carmina Burana, it's as if it is multipleing my life energy! Something to settle my senses Strauss's blue lagoon! Man I just freak about these emosion I go throught!
Can somebody please teach me about the termology of classical musuc? PLEASE!!! |
2007-05-25, 09:38 | Link #53 |
翻訳家わなびぃ
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There are so much people can talk about....
First, the musical periods. Renaissance and earlier - This really isn't a part of every-day classical music selection, but you do hear some of these from time to time. There's no sonata or symphony or opera etc that we're mostly familiar with from this period. Some of the composers you may hear from this period includes Palestrina, Gabrielli, Victoria, Byrd, etc. Baroque - This is where likes of J.S. Bach, Handel, and Vivaldi comes from. Pieces will sound more familiar. But they were still trying to define some of the very basics of music fundamentals during this period. Sacred music still played very large part of the music repertories. I'm sure just about everyone has heard of Vivaldi's Four Seasons, Handel's Messiah (especially the Hallelujah Chorus), and Bach's Toccata and Fugue in D minor. Spoiler for Specific musical styles of Baroque period:
Classical - The pieces will start sounding even more familiar to your day to day listening. Composers like Haydn, Mozart, and Beethoven come from this period. Many familiar types of music was popularized during this period. Spoiler for Specific musical styles of Classical period:
Romantic - Composers in this period really expanded on the freedom of expression in music. The sizes of compositions grew, and many people wrote in many styles. Beethoven's later works are considered to belong in this category. Some people really pushed the limits. Wagner's Ring Cycle, a series of four operas grouped together, takes four nights of performance. The premier performance of Mahler's 8th symphony had over 1000 performers on and off the stage. Other notable composers from this period includes Schubert, Berlioz, Liszt, Schumann, Puccini, Elgar, Grieg, Mendelssohn, Tchaikovsky, Chopin, Bizet, etc... the list is nearly endless. Spoiler for Specific musical styles of Romantic period:
20th century, modern and contemporary - styles including French impressionism, atonality, neoclassicism, post modernism, film music, experimentalism, etc etc... Styles really expands. Some forms are more accessible to us than others. Some composers continued to write in Romantic style well into mid 20th century, like Rachmaninoff. Others took more liberal approach earlier on like Schoenberg. If I started listing different styles etc of this period, there will be no end. So I'll just name a few composers from this period you may have heard of - Debussy, Ravel, Respighi, Stravinsky, Prokofiev, Shostakovich, Copland, Barber, Vaughan Williams, Holst, Gershwin, Bernstein, Grofe, Messiaen, etc... This is by no means a complete list of styles etc. And I apologize for sections that are not very clear - I just wrote this on a whim, and with no proof reading. |
2007-05-25, 09:42 | Link #54 |
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Join Date: May 2007
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This is something I wrote for another forum. It helps explain some of the terminology of classical pieces.
Classical works often have relatively long names. More often than not, these names are not arbitrary but rather descriptive. While this is by no means a thorough guide and is simplified in many respects, I thought that a few pointers might prove useful to some for understanding song titles like this one: Concerto No. 2 in G minor, 'L'estate', RV 315: II. Adagio - Presto This piece is the second movement of Vivaldi's 'L'estate' (Italian for summer) concerto as denoted by a Roman numeral in this case. The tempo markings adagio and presto indicate that the piece will start off slowly and then switch to a fast tempo. Movements may not have any name assigned by the composer. In that case, they are usually named based on their tempo markings by the publisher. Naturally, this work is in the concerto form with a small and a large musical group playing contrasting roles. RV 315 simply means that it is Vivaldi's 315th work indexed by Ryom in his thematic catalogue of Vivaldi's works. A lot of other composers like Mozart (KV), Handel (HWV) and Bach (BWV) have had similar catalogues compiled. The catalogues are usually arranged in chronological order but can also be arranged thematically as with Ryom's. Catalogue numbers can be a useful shorthand to refer to a composer's specific work. Classical composition follows a lot of conventions that evolved from the Western music tradition. While these conventions limit a composer in some ways, they still allow for a great deal of creativity within their framework and give the listener an idea of the musical structure to expect. The best classical composers knew when they could best bend or or even break from them but generally, these conventions have not changed much over the past few centuries. Some of the main forms:
Common Italian tempo markings (from slowest to fastest):
Common Italian qualifiers and mood markings:
Last edited by Mirificus; 2007-06-01 at 11:51. |
2007-06-06, 11:00 | Link #58 |
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Join Date: Apr 2007
Location: In a world all my own
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Unlike a lot of my contemporaries, I have enjoyed classical music since I was in Jr High and I discovered my parent's old classical LPs (That's right, vinyl LPs! God, I feel old...).
Back then, I was most interested in the old Baroque composers like Bach, Pachelbel, Vivaldi, etc. Now, though I find myself more attracted to the late-Romantic composers like Rachmoninoff, Sibelius, Tchikovsky, Rimsky-Korsekov or even the more traditional 20th Century composers like Bernstein and Copland. |
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