2008-11-29, 10:00 | Link #741 |
Lost in my dreams...
Join Date: Jun 2006
Age: 37
|
I will have to agree with the previous post - the discussion is steadily steering off-topic. Fansub discussions and comparisons and all the related drama stemming from it is not the intended scope of this thread - the discussion of the show itself is. So can we please let the mater die and return to discussing the show. Thanks
__________________
|
2008-11-29, 17:26 | Link #742 |
Senior Member
Join Date: Oct 2007
Location: Detroit, MI
|
I'm having a hard time getting into this show, it seems to hit on too many of my pet peeves. It's hard to believe that this is a continuation of Melodies. After watching episode 8 it seems like we can add ESP and Super Spy to Amamiya's set of skills, at this rate I fully expect him to be mind controlling people by the end of the series This would all probably work better for me if they weren't laying it on so thick.
|
2008-11-29, 18:02 | Link #743 | |
Junior Member
Join Date: Aug 2006
|
Quote:
First, I'd like to tip my hat to Azure_Peregrine about the phallus references. I've enjoyed ef for a long while because of all the psychological imagery that is used (especially with the text flashes). However, penis references are something I didn't even pick up on (I don't do a whole lot of reading about other's analyses on the anime I like). In retrospect it was kinda obvious. But I have to say that CoalGuys made a very big stylistic mistake on ep 8's karaoke animation. I think the majority of people who watch ef are like me and don't immediately pick up on some of the show's references. To this end, the anime version of ef is not hentai. Including an ejaculating penis in the karaoke animation seems to me more like a lack of respect for the very serious nature of this anime, no matter how well the animation was done. There's a lot of references in popular culture to "jizzing on" things that you don't like or make you angry. Upon seeing the karaoke animation, I felt that CoalGuys was "jizzing on" me and all the other fans who like ef. For that reason, I can no longer show CoalGuys even a shred of respect as a creative fansub group. I plan to continue downloading the CoalGuys subs as long as they are the first/only fansub group to release an episode of my favorite anime (perhaps I'm a hypocrite, but you let me worry about that please). However, from an artistic standpoint, I will never be able to appreciate CoalGuys any longer without their apology to the anime community. That is all. For all of those who actually read this whole post, thank you for your time. |
|
2008-11-29, 20:22 | Link #744 | |
Senior Member
Author
Join Date: Jul 2007
Location: Virginia Tech
|
Quote:
I just saw episode 08, and I have to say, whoever made Yuuko was very knowledgeable about rape. Every thing about her behavior and her attacker is exactly as it should be. The desire to go back to her attacker even after he hurt her, the attackers saying she wants it, etc. It all makes sense, and I feel like they did a good job in developing her.
__________________
|
|
2008-11-29, 21:27 | Link #745 | |
User of the "Fast Draw"
|
Quote:
Kuze is certainly going for his cutting all ties stuff. Though makes me wonder what Yuu is thinking at this point. He doesn't feel its over yet and Kuze is pretty confident he won't see Yuuko again. Suppose a mid-point is some bad coma and she's helping people in an out of body fashion. But honestly I thought she was dead for a while so her not being alive wouldn't surprise me. Definitely not an uplifting series.
__________________
|
|
2008-11-29, 22:22 | Link #746 |
Junior Member
Join Date: Aug 2006
|
I suppose that's one of the reasons I like ef. It's one of the few "depressing" anime that keeps me interested in finding out what's going to happen next. Of all the other "depressing" anime that I've watched, Elfen Lied is probably the only other one that I've really liked.
Both shows delve into the human psyche, but ef tends more toward realism and Elfen Lied more toward the supernatural (relatively speaking). |
2008-11-30, 00:15 | Link #747 | |
Film Student
|
Quote:
...It's really nice to do a little rant and not have to put it in spoilers now, since I'm discussing the very first episode. This is gonna be rather long, but I think I catch onto some stuff here, so it's prob'ly worth reading... And please, someone alert me if I go over an idea that's already been thought up. I don't want to just be repetitive. First thing worth mentioning in this: simulacrum and post-modernism. As I mentioned in some of my first posts, this is a series that has a surprising number of similarities to the movie, "Fight Club." Both are very Freudian, and both deal with the nature of reality. In this first episode, Yuu says that there are two cities, one a copy of the other built in a beautiful land. Simulacrum is a word that I admittedly don't understand as much as I wish I did, but the gist of it is this: it is a recreation of an image, originally mostly used for images of Gods, that is thought to be less important than the original. A photograph is a simulacrum in that it copies the image of a place and time but not the actual place and time itself - it is, therefore, inferior. I think that the Otowa Australia is probably a simulacrum to the original Otowa. It also makes sense, to a degree, with the religious imagery used for Chihiro being the God of her world... Also, with her character in the story being on an island and creating the world around her to look like what she read in books... Huh. Ya know, I didn't realize all of this when I started typing this paragraph. Wow. ...What if this entire city project started up because of Chihiro, somehow? Do we have any evidence of the Australian Otowa existing in the Yuu/Yuuko arc? As for the similarities with Fight Club? Well, after this realization, I feel like moving on from simulacrum and all that, so everyone should watch it (Or if they've seen it, watch it again) and make up their own minds, but seriously, Fight Club has some really odd similarities with Ef. For instance, a sense of chauvinism and masculine power. I believe Ef's sense of this has been discussed rather in depth on these forums over the past couple days than usual. Moving on from there, within the first few minutes of the show, Himura gives his trade mark line about not remembering things from the past. Later in the show, but in the past, he says he does remember stuff from ten years ago that happened with Yuuko in the orphanage... This is probably the most direct evidence I've seen that Yuu is lying about not remembering the past from the present arc. But... Maybe there are scenes of him blinking in Memories as he's saying he can't remember the past anymore? That would be a good hint right there. And here's the scene that really made me want to post this: the scene where Yuu talks to Amamiya back in episode 1. Oh my God, this threw me for a loop. When Amamiya is holding the unlit cigarette in his mouth and Yuu asks why he's doing that, he replies "when people do this, they just want to be satisfied with it as a replacement." ... Just a little like his relationship with Yuuko, huh? Yeah. That blew my mind. I'm sure I'm over reacting, but still, it really did. Moving on with this scene, Yuu is featured in orange lighting while Amamiya is featured in purple lighting. Bear in mind that, at least according to my ideas, red represents memories, yellow represents impotency, and blue represents being frozen in the past. Amamiya has purple lighting, with the blue for being frozen in the past, and Yuu, who is refusing to participate in art, has the impotency in this scene... We learn later, of course, that Amamiya has his own impotency problems (I'm sure most of us could deal with him being truly impotent rather than metaphorically so), but that's not important to this scene. Between orange and purple, though, they do share the color red in their mixing. Just like Amamiya and Yuu have similar memories. Also, although sometimes a cigar is just a cigar, I'd say that the unlit cigarette in Amamiya's mouth constitutes a phallic reference. Take it or leave it, that's my guess. Huh, Nagi's line "self-portraits are also the most basic of basic in art..." Well, that seems to fit right in with the idea of simulacrum, doesn't it? Yuu's question, in what world is there an idiot that uses themselves as a model, seems to be answered by the show: in his world. The people of Otowa created another Otowa in their own image... In theory, much like how the Christian God created Man in his own image. Heh, Nagi asks Yuu, after Yuuko's been following them, if he's done anything to deserve someone else's resentment. Little do they know... When Nagi walks away, one foot is blue, the other red. Ho-hum. Not sure what to make of this, other than one similarity I see in terms of color scheme later in the episode: When Yuuko says Nagi is a cute girl, Yuu says she's quite hard to get along with... But he blinks. At first his eye is blue, and then red. Yay for dishonesty. And then Yuuko, right after her face is portrayed as black, as it is whenever she's lying in the first few episodes, says that it's good to be an honest girl, and that she admires Nagi. When the wave goes up as Yuu is telling Yuuko to leave him alone, it looks very similar to the wave that went up when Chihiro told Renji to stop bugging her about writing a book. Well, we all know how well those requests turned out. In this episode, Yuu is featured as having a black face, signaling, again, dishonesty.. Ho-hum. Ya know, I hadn't quite noticed this before, but there's Amamiya's snapped phallic reference paint brush in the opening theme. Anyways, I haven't analyzed much of the second half of this episode... Just 'cause I got my mind blown enough by the first half, thank you very much. Well, rather, we don't know as much about what's going on with Kuze and Mizuki, metaphor-wise, than we do about what's up with Yuu and Yuuko. However, I thought the masks were worth delving into. Also, Kuze moved his couch... It used to be on the other side of the room. Kuze seems to have seven masks on the wall in this episode. While three is probably the most interesting number in literature and mythology, seven pops up a fair number of times... Seven deadly sins, seven cardinal virtues, and in reality, seven colors of the rainbow. Makes sense for this show that they'd choose seven for that last reason, but it could just be a coincidence. Anyways, the masks I can identify are these: The mask of a musician: This one has what appear to be leaves on it, and notes. Self-explanatory for Kuze. In fact, each of the ones I get is self-explanatory for Kuze. The mask of a jester: It has bells and stuff. Leaves room for the real person's mouth to be seen. The mask of an adult: This mask is shown last in the scene where Kuze covers how adults accumulate masks as they grow up. It seems to cover almost all of the face, but has little flair about it, and looks rather plain compared to some of the other masks. The mask of a mourner: This one has a tear on it. Well, he is dying, so... Makes sense. There are three other masks: a green one (envy? Heh), one with a lot of blue feathers coming out of it, and one with a string hanging down from it and yellow and purple tufts of feathers coming from the top. I don't know what those are. Anyone wanna take a stab? ...Ooooh. Ya know, I know I said the masks would be the last thing, but here's what I'll really end on: idling. Mizuki loves the feeling of just idling around a room, doing nothing wasting time - it feels good to her, and she takes it in. In short: she just enjoys living. Huh, makes sense how it rubs off on Kuze now... I like it. Anyways, sorry for the long post, but I had fun coming up with this. I could be way off the mark on some of my ideas, but I think I might've hit the nail on the head for most of 'em. I really wanna talk to people about this, though. Anyone got anything to add? |
|
2008-11-30, 05:54 | Link #748 |
ミシャだけ
Join Date: Oct 2007
Location: below the sky, inside the time
|
fuhoh....what a long post....O_O
I'll try to read and reply to it later... BTW.... Did someone notice that ep 8's ending song has canon's theme in it.... and oh.... ep 8 is a nice episode.....:top: it made me fall in love all over again to ef..... |
2008-11-30, 06:38 | Link #749 | |
Anime Hobbyist
Join Date: Dec 2004
|
Quote:
As for this latest ep, Yuu went from being a cool cat to being a groveling dog in record time in anime. Even Luke in Tales of the Abyss didn't fall this hard. |
|
2008-11-30, 06:46 | Link #750 | |
Senior Member
Join Date: Nov 2008
Location: U.S.A.
|
Quote:
__________________
|
|
2008-11-30, 07:11 | Link #751 |
Jigoku Shoujo
Join Date: Aug 2008
Location: House of Twilight
|
Kuze sucks at this episode, but then he gets slapped from yuu as deserved! Poor yuuko! You shouldn't return to Amamiya! And you baka yuu, come around! walk forward! Stand on your feet and don't run away anymore!.
* I am pretty sure Che Guevara is not related to Lelouch.(Politic is boring.) |
2008-11-30, 13:33 | Link #753 | |
Senior Member
Author
Join Date: Jul 2007
Location: Virginia Tech
|
Quote:
Also, didn't 08 seem to have a lot less Shaft-wtfness? I don't really think there were any over-done scenes at all, were there?
__________________
|
|
2008-11-30, 13:37 | Link #754 | |
Banned
Join Date: Aug 2007
|
Quote:
Meh, whatever, can't wait for episode 09! |
|
2008-11-30, 14:56 | Link #756 |
Pretentious moe scholar
Join Date: Oct 2006
Location: Vancouver, Canada
Age: 37
|
I know I talked about this earlier, but since it probably got lost in the drama, I'll ask again. Did anyone else think this episode had very strong parallels with episode 5 of Iriya no Sora, UFO no Natsu?
|
2008-11-30, 15:54 | Link #758 | |
Member
Join Date: Jul 2006
|
Hmm, I look forward to ef every week, but at the same time... not. I don't know I guess it's because this series has a lot of emotional impact.
Anyhow, I like like the episode itself, it was really exciting in a way to see how much Yuu is being tortured (I'm a sadist). Quote:
|
|
2008-11-30, 18:41 | Link #759 | |
Hopeless Dreamer
Join Date: Nov 2007
Location: On bended knee asking Belldandy to marry me
|
Quote:
As much as I've lambasted Amamiya for his evilness, I couldn't entirely hate him this episode. They've made him out to be such a pivotal character that it's hard to not appreciate his role in the story. I just knew he was going to show up and ruin things for them, but it was done in a way that I didn't expect and that made him all the more intriguing. But, I still think he's disgusting and hope for his undoing in whatever form it takes. @Azure_Peregrine - Wow! I read your entire post and I like your analysis. I've been suspecting all kinds of symbolism in this series, some apparent, some not, but I haven't bothered to examine it that closely. Thanks for taking the time to give us lazy people something to chew on. And someone mentioned Yuuko being more moe now... I totally agree. She really grew on me this episode, but I've got such an uneasy feeling about what lies ahead. She's almost too cute and sweet to be a tragic character and that gives me a hollow feeling inside as I anticipate the coming episodes.
__________________
|
|
2008-11-30, 23:11 | Link #760 | |
Bittersweet Distractor
Join Date: Nov 2007
Age: 32
|
Quote:
__________________
|
|
Tags |
drama, romance, shaft |
|
|