2013-08-24, 08:25 | Link #462 | |
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Anyway I hope Miyano gets a hammy role in Jojo (plenty of those in Jojo), Dio gets back and Miyano's character and Dio teams up, the hamminess would be glorious. In other news the single of the OP has been released, and the lyrics makes as much sense as it did before the single release.
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2013-08-24, 09:17 | Link #465 | ||
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Last edited by kuromitsu; 2013-08-24 at 09:29. |
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2013-08-24, 09:50 | Link #466 |
Mmmm....
Join Date: Sep 2006
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Have to agree that Miyano has got a good range and it's great to hear him in parts where he can really let it rip.
Berg-katze was the highlight of the episode where we get to see what they're capable of. Taking out the CROWDS in a few seconds killing almost a hundred people (the three who were kicked out of CROWDS just before the battle can think themselves very lucky), thrashing Rui, and then not merely giving Jou a beating, but openly mocking him before defeating him psychologically. Katze clearly found Hajime unusual for a Gatchaman, and I wonder if he'll try to corrupt her into joining his side. Will JJ ever do anything but cut things up? |
2013-08-24, 10:16 | Link #467 | ||
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They both are very powerful, dress effeminately, wear lipstick and nail polish that matches, and both have crimson eyes and act over the top. It could be a coincidence, but I wouldn't be surprised if it turns out to be true.
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2013-08-24, 10:27 | Link #468 | |
Kana Hanazawa ♥
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2013-08-24, 12:12 | Link #469 | |
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There are also several possible explanations behind Katze surviving a fight against OD, like OD holding back himself or Katze being swift enough to avoid the finishing blow. A fight is not some turn-based RPG where both sides take hits head on and the winner is the character with the highest stats. Judging a character to be "stronger" based simply on the end result is a logical fallacy, especially when Katze doesn't play fair and does things like turn invisible and play mind games. |
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2013-08-24, 14:24 | Link #470 |
AS Oji-kun
Join Date: Nov 2006
Age: 74
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Along with his remarkable work during the destruction of Jou, I also thought Miyano's parodies of the other voice actors were spot on. He's quite good at getting the correct intonation and pitch for the characters he mocks.
This episode took Gatchaman Crowds to another level. Nakamura has a knack for taking ridiculous premises and infusing them with enough dramatic power to make them persuasive. Sometimes he fails at this as in [C], but in both Crowds and tsuritama he has shown the ability to make the absurd plausible and, as in this show and the Apothecary stories, disturbingly frightening as well. I found the score for this episode one of the most complex I have heard in a long time. I'd have to watch the episode again to count the number of different musical genres that were used. For me, the most striking piece was the modernist piano solo and soprano performance that concludes at the opening credits. I listened closely but failed to determine the language of the libretto. It could be Japanese, of course, but I'm unable to tell. I've only ever heard Japanese sung in anime or in traditional forms, not songs that sound like they were written by Anton Webern. Regardless it was a very unsettling piece and heightened the very unsettling scene it backed. After that I began listening to the sound track by Iwasaki Taku more intently. He's had a long career as a composer for anime, dating back to shows like Angel Heart and Getbackers. I recall liking his work in half-dozen or so shows that I've seen in that list, but this is the first one to make pay attention to the composer. I intend to watch this series again from the beginning; listening to the sound track will be an important part of that experience. Any speculations on the fascination with origami in this show? I thought Paiman's transformation was utterly hilarious. How come he can't fly? Wouldn't becoming a vehicle make him fairly useless against most Gatcha opponents like Berg? What's Pai-Pai going to do? Run Berg over? I've actually come around to enjoying Uchida Maaya's performance as Hajime. For a long time I thought her voice too high-pitched and grating, but after listening to her for a while I can see the subtleties she brings to the role. Her conversation with Berg in this episode is a good example of how Uchida can modulate a character who is essentially full-on all the time. I was thinking about how this show fit into the genre of parallel worlds where events occur that influence humans generally, but they are largely invisible to everyone except a small contingent. Madoka Magica, Dennou Coil and Noein are examples of this type of story, but then I realized this seems to be a persistent theme in Nakamura's work. The Apothecary stories all concern supernatural influences largely unseen by the humans in the show; [C] posits a parallel "financial district" with effects on the actual money supply; tsuritama depicts a threat to the earth from sea-loving aliens opposed by the secret organization D.U.C.K. (Kuuchuu Buranko doesn't fit the pattern, but it's also the only adaptation that Nakamura has directed for noitaminA. These other shows are all anime-originals.)
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2013-08-24, 14:46 | Link #471 |
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I find that all the Gatchaman (other than OD and Hajime) received some development this episode.
Katze displaying Jou's insecurities hinted that his motivation for taking Katze on alone may have been his own desire to play the hero and make something out of his mediocre life. Paipan also displayed that he is capable of acting based on what he firmly believes is just, even if he regressed to being passive halfway down the road. Utsutsu continues to slowly break out of her shell and is now willing to risk her own life to help others in need. Most of all, Sugane continues to grow. He's no longer the rookie who only follows orders, criticizing those who do not, and is now able to decide for himself on what is right like when he rescued Rui and when he intended to defy Paipan's orders and transform to help Jou. He also no longer loses his cool against Hajime. I don't think there is much room for Hajime to grow. Sure, she will learn more factual information about the enemy and such, but the way her character is designed, she is already the ideal hero who already knows what to do in any situation. He can at the least ferry allies away for a strategic retreat. That speed has its uses and is better than doing nothing which is what he has been doing for the entire series so far. |
2013-08-25, 12:27 | Link #472 | |
Kana Hanazawa ♥
Join Date: Jun 2007
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The lyrics of the OP make even less sense than I expected. It's like a whole new level of Engrish.
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2013-08-25, 16:23 | Link #473 | |
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That's either Paiman or Pai-Pai. (Normally I wouldn't correct a typo, but "paipan" means something completely different... ) |
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2013-08-25, 16:51 | Link #475 | |
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2013-08-25, 17:38 | Link #476 | ||
Kana Hanazawa ♥
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2013-08-25, 18:38 | Link #477 | |
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Well, they're singing for a Japanese audience, including people who grew up/are growing up listening to English language music, which is what the gimmick emulates. |
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2013-08-25, 18:46 | Link #478 | |
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2013-08-25, 21:05 | Link #479 |
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I hope this isn't a dumb question, but what happened to the press (as well as all the other groups who might take an interest in who the Gatchamen are?) Don't they know where Hajime lives? Or is their entire apartment block protected by some variation of the Amnesia Effect? If yes, then how did Hajime get all her stuff shipped to the right address?
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2013-08-25, 21:18 | Link #480 |
AS Oji-kun
Join Date: Nov 2006
Age: 74
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Maybe Pai-Pai transformed and drove Hajime's stuff to the apartment.
Hajime doesn't actually seem to have all that much stuff, though, beyond paper, notebooks, and scissors. She does have a sufficiently diverse wardrobe so that we have seen her in a variety of outfits, but I suspect all the other stuff in the apartment is supplied by Gatchaman Furnishings, Inc., a wholly owned subsidiary of Gatchaman Enterprises, LLC.
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reimagining, science fiction, superhero |
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