2013-12-05, 03:49 | Link #1141 | |
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But first things first. The flower field scene is about feelings and desires as opposed to choices. Madoka says that she would suffer a lot if she had to make such a heavy sacrifice as leaving her loved ones behind. Homura takes her word for it but points out that even if Madoka feels that way, she would still choose to make the sacrifice as she's a very strong and courageous person. There's a contradiction going on here but it's not Homura's. The contradiction is between Madoka's feelings/personal desires and her decisions. That's why, in order to make her happy, in order to fulfill her desires, Homura had to trap her and take away her free will (hence she calls herself Akuma, the existence that opposes God's will). To make Madoka happy, Homura had to effectively rob Madoka of her right to make a choice. Needles to say, she feels terribly guilty about it (this is the source of Homura's own conflicted feelings), and maybe that's why she tries to give Madoka the chance to make a decision on her own afterwards, in the school hallway. A desperate attempt to appease her conscience, so to speak. An irrational move though, as she knows it's futile. Unlike the flower field scene, the school hallway scene puts the emphasis on choices. Homura doesn't ask about Madoka's feelings, her actual desires. She just presents two options for her to choose. The question itself reflects the main themes at work: personal happiness vs the greater good, desires vs choices. Homura's always known Madoka's answer, but it's still hard for her to hear it as she desperately longs for her approval. Alas, it just can't be. Still, in the practical sense this just means that Homura has to keep going with plan A: to make Madoka happy even though it means opposing her will and choice. And that's that. Take it as you will. And I already know that you disagree and why you do so, so unless you have new material to add to the discussion let's just stop here and move on.
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Last edited by Kazu-kun; 2013-12-05 at 20:07. |
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2013-12-05, 08:44 | Link #1143 |
Romanticist
Join Date: Aug 2009
Age: 33
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Alright. I was following the movie just fine until that last fifteen minutes came up hit me at the back of my head. I wouldn't be too hasty to say that it was inconsistent with Homura's characterization, but it really did come as shock. I'll have to rewatch it and see if this twist was foreshadowed.
In any case, what I can take from this movie is that it essentially shows how a person can choose to suffer even when happiness is perfectly within reach. That's because suffering here entails the feeling you choose to burden yourself with. It's a cross you bear not because of any significant reward or result, but because you want to. Therefore, the very act of carrying it brings about a kind of resigned satisfaction. This seems to be true for both Madoka and Homura as of this movie, though in Homura's case, the suffering takes the form of a distorted love for Madoka. Despite it's flaws, it's still a great show at depicting the absurdity of the human condition.
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Last edited by Qilin; 2013-12-05 at 09:09. |
2013-12-05, 09:20 | Link #1144 | |
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Homura being able to suppress Madoka's power and rewrite the universe in her own image however, was not foreshadowed in the slightest.
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2013-12-05, 14:15 | Link #1146 | |
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Regarding rewriting the Universe, Kyubei did remark that it's surprising that Homura was able to recreate the city so perfectly in her Labyrinth, and this was before she even became a witch. If you scale her power up, then it's not too far fetched to believe that she could recreate the world. The only big issue is how she was able to gain so much power to be able to do this, and that's not particularly clear. I mean, there are a lot of plausible theories, but they all require extrapolating on plot points way beyond what's shown in the series and movies. |
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2013-12-05, 14:40 | Link #1147 | |||||
The True Culprit
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Also, she was technically a witch in all ways that mattered, she just wasn't self-aware of it. Regardless, Kyubey's surprise needs to be taken in context of the fact that he's never encountered Witches before. The replication of an entire city isn't necessarily amazing in context of the old universe. Quote:
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2013-12-05, 15:19 | Link #1148 | |
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I also remember that in episode 11 she uses the same purple energy to manipulate a truck and other machinery while fighting WN. More than being magically weak, I think Homura's problem is that she lacks a weapon to use her magic offensively. Or maybe she really is supposed to be weak and the anime is just a bit inconsistent about her power.
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Last edited by Kazu-kun; 2013-12-05 at 15:44. |
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2013-12-05, 15:33 | Link #1149 | |
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2013-12-05, 17:22 | Link #1150 | |
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2013-12-05, 17:48 | Link #1151 | |||
The True Culprit
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2013-12-05, 17:58 | Link #1152 | ||
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Regarding the universe rewriting powers, one could argue that Homura ALWAYS had the potential to rewrite the Universe. Her time stop ability, although seemingly 'weak', is actually far more powerful than any of the other powers the other Magical Girls had. Her ability to 'rewind' time is essentially the manipulation of the Universe. She's not travelling back in time, but rather changing the Universe to an earlier state for everyone but herself. We know that Magical Girls gain far more power when turning into a witch. So the extra boost from being witchified amplified her ability immensely. We also know that Madoka is not all powerful, because Kyubey was able to create a barrier that prevented her from entering unless invited. Maybe Homura used something similar to partition the Madoka part of Madokami when she was there to receive Homura, taking the part of Madokami that Homura needed to rewrite the Universe. Anyways, to me the development isn't really that big of a deal, since it was more about the choices the character make and the reasons they make it rather than whether or not the success relies on plot points that were already developed. I think just the fact that Homura even resolved to make her choice is what's interesting about the story. |
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2013-12-05, 21:27 | Link #1154 | |
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What I don't understand is *how* Homura is able to rewrite the universe. At the end of the day, I understand that we, as fans, can only choose to accept that or abandon the franchise. I'm not going to stop following the show because of this particular flaw, but I have to say that this is sloppy story-telling. This is way below the standard of story-telling that the series set for itself in the TV show. Compare Homura's case with Madoka in the TV series. That Madoka has universe-rewriting powers is well-foreshadowed and explained in the TV series. So I have no problem with it when Madoka apparently became a deity in EP12. Fans can create an infinite number of theories and justifications on why Homura could do what she did. But that's not good enough. I expect that a good story should be able to do that on-screen. Movie 3 falls short on this. |
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2013-12-06, 00:54 | Link #1155 | ||
The True Culprit
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2013-12-06, 05:29 | Link #1156 | ||
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Anyways, I've been rewatching the series and I do have a new theory regarding Homura's karmic power that takes into account the canon mechanics. I'm rewatching the third movie tomorrow at the premiere so hopefully I'll have something to show on Saturday. |
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2013-12-06, 13:47 | Link #1157 | |
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2013-12-06, 14:16 | Link #1158 | |
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Homura says so herself. Love is the pinacle of human emotion. Stronger than either hope or despair. That's why Homura, using the power of love, could become a being as powerful as a god. If you take Homura's word for it, that explanation makes perfect sense.
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2013-12-06, 15:14 | Link #1159 | |
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2013-12-06, 15:35 | Link #1160 | |
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Love is what her soul gem is tainted with. That's the source of her power. And of course she's talking literally, after all it's already established that human emotions are the source of magical power in this series.
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