[Game] Umineko - Spoilers, Theories, Interpretations

[Judoh]

Originally Posted by rogerpepitone

In Episode 2, when Battler, Rosa, and Maria are holed up in the parlor, Battler and Maria work on the epitaph, and she doesn't claim to have the solution.

That's not exactly a problem for anyone.

Of course she doesn't. She doesn't claim she doesn't know either. Besides It's a riddle. If you know the answer to a riddle or a cipher why would you claim to know the answer if you want people to figure it out? Duh!

It works the same way if Jessica or Shannon knew the answer.

Plus they were having such a happy conversation talking about it. Why would she want to interrupt that?

[Kylon99]

Actually, I thought in EP2 Rosa knew the solution. Either she figured it out or as I suspect more likely now that she knew it since before she came to the island. So I wonder if she guided Maria to the gold anyways...

Originally Posted by Judoh

Well actually it was Dress Beatrice who threw a tantrum and burned Kinzo when Battler didn't remember his sin not Suit, but the change is kind of out of Battler's sight.

So that's why I'm guessing Long Dress is an amalgam of all the other Beatrices. The other individual Beatrices could pop up but the amalgam is destroyed. (I'm guessing the faction that tries to keep all of them together or is controlling them, etc., is also destroyed too now... the Beatrice Faction.)

[Oliver]

Originally Posted by Judoh

EDIT: If Jessica is dress Beato that probably means she has a "Nobody sees me like a girl! I can be girly..!" complex...

She's a tsundere, that would be a perfectly natural one to have.

[Raiza Sunozaki]

Originally Posted by Kylon99

By the way, Suit Beatrice was the one who wanted Battler to remember his sin. But maybe that particular sin didn't have to do with Long dress or Moetrice's love for Battler. For example if it was Battler running away from taking headship, it could've been a sin against Kinzo... or something.

This is something I thought up that was similar to what you said Kylon. It kinda has to do with how most of us (including myself) are somewhat hypocritical with the red truth. We're told that the red is the absolute truth, but we constantly stretch the boundaries of that truth to suit our means. For example, with the Episode 4 red truth on how Battler's sin has nothing to do with meta-Beato, I stretched it to say because whoever that Beatrice matched on the gameboard was not yet Beato when Battler committed his sin, it could still be a sin Battler committed towards her.
And this is where I've come to a different conclusion now. Suit Beato was the one who wanted Battler to remember his sin, but meta-Beato got very, very pissed off when Battler couldn't. Suit seemed to just get very depressed. If the Beato(s) that fell in love with Battler is someone who's love for him could be reciprocated (which, as we see from Chiru, it is) then there aren't many people who could fit that place. All the males are out, Maria is unlikely, same with Kumasawa, as well as the married women. The only women who remain are Jessica and Shannon, and to a much lesser extent, Rosa. I'm just going to use Jessica and Shannon.
In my opinion, dress/meta-Beato and Suit Beato represent Shannon and Jessica, respectively. Battler's sin was towards Jessica, but we already know he's an idiot and has completely forgotten it. Shannon is the one he's playing the game with, and she wanted him to remember the sin he commited against her closest friend.
From my spoiler memory of Episode 6, I seem to remember a part where a person (a Beato?) asks another person (another Beato?) to take all her feelings for Battler and become the person who can love him and he can love back. I've got a feeling Jessica had a childish crush on Battler when she was younger (from my memory, she seemed to tease him and push him around when she was younger, and since she's a tsundere, that's practically screaming "I love you"), but when Battler committed his sin towards her, she took it as a rejection, and poured all her feelings for him into Shannon.

On the topic of Maria and the gold, running with my favourite theory that Shannon is the dress/meta-Beato, I thought this. The reason Shannon is the dress/meta-Beato is because she's solved the Epitaph riddle before the conference begins. She may have had help from Kumasawa and others, but she's the one who found the gold. In other words, the next head is already decided before the conference begins. Shannon has no interest in becoming the head though. So in Episode 2, she gives Maria the answer to the Epitaph, because as Oliver said, she's honest and pure enough to share it equally among everyone.

[Oliver]

Ok, let me formulate the Episode 2 theory I proposed above in a more complete form. It is still not a complete theory nor The Answer, and naturally, multiple variants are possible, but the included ideas provide a good motivation for some of the bizarre things done in Ep2.

Spoiler for I should stop that habit of writing ultra-long posts.:

It's the morning of the 4th in Episode 2, and plotter X (likely candidates are Rosa, Shannon, Kumasawa, but others are possible) plans to inflict some good fortune on the Ushiromiya family. Namely, the family is sorely lacking in love, and much of it is due to internal competition over limited monetary resources. Plotter X plans to solve everybody's financial problems in one fell swoop, by giving them access to the hidden gold, because they have either solved the riddle already or were actually involved in it's design. They hope the unexpected windfall will make everyone sated at least for long enough to remember they're family and stop biting each other.

Basically, plotter X is the person Maria knows as Beatrice.

For this plan to work, someone has to publicly find the gold, and plotter X considers themselves ineligible or otherwise unsuitable -- they're bad at standing up to social pressure of large groups when directly targeted, (Rosa, Shannon) or are not an Ushiromiya by blood, (Shannon, Kumasawa) which would invite tremendous opposition. They need someone else for this role, and an Ushiromiya would be best.

Whom to pick? It has to be someone who will honestly split the gold. Letting the cousins have a share of their own is also a plus. Adults are right out - as Ep3 shows, they are highly likely to conceal the discovery and possibly even kill each other over it. George is no less so, as he's morally ready to tell the entire family to go gently caress themselves already because of Shannon. Jessica may look unconcerned, but she actually does recognise her duty and pride as the heir apparent and may not engage in fair and equal distribution that plotter X wants. Battler is an enigma, nobody knows yet how did he change in the past six years, so he can't be relied on either.

That leaves Maria, whom plotter X is already close to, who is pure and honest enough to do as expected, and setting up Maria as the new head would be poetic justice and something to do even just to see the resulting long faces, especially if Kinzo's will actually exists and does describe the headship inheritance procedure. Most importantly, Maria has a known reaction to group pressure - she will clam up and she will cry, but she will not break down, nobody succeeded in that so far.

So the plotter sets up the situation, giving Maria the key to the chapel and Rosa the First Letter. The role of the first letter is to misdirect those concerned by giving them a person to hate other than Maria, someone that does not actually exist at the moment as a separate entity, but can be presumed to be there, and present that non-person as a threat. It'll be a bit hard on Maria, but she had worse, and plotter X plans to make sure they make it up to Maria. At an opportune moment, plotter X also tells Maria the answer to the epitaph, which can be done at any time prior, explaining it's dual function as a resurrection ritual and a mystic key to the Golden Land with literal gold in it. Alternatively, Maria did solve it herself in a random fit of genius sometime prior, and happily told Beatrice, but was more interested in the magical interpretaton.

The chapel door is actually part of the mechanism that opens the gold hiding place, with the key and the sequence of manipulating it being the trigger to open a completely different door by uncertain means. The lock is actually not connected to the bolt on the chapel door itself, and the door is held closed by high friction, a spring slanted bolt connected to the semi-broken handle, and Kinzo's orders and punishment which instilled subconscious dread in everyone affected so they don't like to even think about the chapel. This does not contradict any of the red text regarding the chapel door -- it is impossible to unlock a lock without it's key, but the inverse doesn't have to be true, especially if the lock doesn't work at all. If the door is locked it really seals off the chapel, you just can't actually do it. Everything else is an illusion resulting from our expectation that the lock works. The key is given to Maria to prevent the chance that if someone solves the riddle as challenged, they will go and mess things up.

Alternatively, if you think the importance I ascribe to the chapel key is unfounded or contradicts anything else, the lock was simply broken in the open position many years ago, and the mechanism is somewhere else, possibly nearby, but possibly not -- then the chapel is chosen for it's decor, and the key is given to Maria purely for symbolic reasons and for her benefit.

Once the adults dismiss Maria and proceed with planning against Beatrice, plotter X sends them a message -- either directly or with another, subsequently lost letter, to this effect:

----
I have to notify you that Maria has successfully solved the epitaph and demonstrated the effectiveness of her solution to me, by procuring the three gold bars you can see on the table in the chapel. After what you just did, torturing the poor kid so (have you no shame?) I'd be surprised if she lets you have any gold at all, but you still have a chance - I asked her to come to the chapel to meet me so I can ceremonially acknowledge her as the new Ushiromiya successor, and I have to agree that the job is hard for a little girl. It is in your best interest to use that opportunity to throw her a surprise Halloween party and pray that placates her, give the kid a break. Pumpkin cookies are waiting in the kitchen.

P.S. According to the aforementioned contract between me and Kinzo, I am also empowered to collect the gold and the interest for it if the one who solves the epitaph is not acknowledged by the rest of the family as the rightful owner of the gold and the title of the head, so don't do anything stupid.
P.P.S. Don't you dare to wake her either, she's tired. She just had to haul her own weight in gold.
----

The weight of the three gold bars, (30kg. Maria weighs 28.) the shame, and the threat that a non-Ushiromiya may actually get the gold leave the adults no other options, and they actually do as they are told. They find the chapel door wide open and the three gold bars on the table as irrefutable evidence, so they set up the table, decorate everything, and settle down to wait.

That's where things go horribly wrong. Plotter Y (good candidates are George, Jessica, Shannon) got the chance to hear what will be happening in the chapel by listening at the door, or is otherwise aware that Maria knows the epitaph solution. So plotter Y hatches a cunning plan to intercept Maria and starts by flavouring the tea given to the adults during the discussion with an off the shelf sedative medication, which the adults don't notice due to throats sore from all the yelling at each other. After having finished setting up everything, the tired adults fade to sleep right at the table, finally succumbing to it.

Plotter X is either among the sleeping adults (If it's Rosa, she just drops asleep when she gets back to call Maria to the chapel, and thus survives) or is dumbfounded, realising that there is no way to wake the sleepers by force because someone has to have drugged them, so the plan has to be called off in the face of changing circumstances. Nobody comes to wake Maria and call her to the chapel, so she remains asleep and the key remains in her bag. Nobody touched it because nobody needed it.

Meanwhile, when the coast is clear, plotter Y comes to the chapel, kills the sleeping people to prevent them from competing for the gold, and leaves a sarcastic letter from 'Beatrice' - possibly, using a forged wax seal, (only the first is considered genuine by everybody, after that they're not doubted or seriously examined) or, if plotter X is now dead, taking the real one off their body. They plan to keep their ears open, pin the murder on plotter X or anyone who turns up handy, and wait for a chance to extort the real answer from Maria. They slam the door on the way out and think nothing of it, but it gets securely stuck, so it takes more effort to dislodge than usual.

Thus the opposition of Beatrice to Beatrice is established and it all goes downhill from there.

In the morning, the chapel appears to be a closed room, paranoia increases and other plans trigger and are altered to fit the changing gameboard position. Meanwhile, Maria doesn't like the idea of being the new family head anymore, and wants to get someone else to solve the epitaph, but believes she must not give the solution away, as that would be cheating... Maria is the only character except Beatrice so far who makes a point to say she keeps her promises.

I expect plotter Z may show up somewhere down the line, making it into a lovely mess.

P.S.: Suit-Beatrice vs. Legend-Beatrice. FIGHT!

[Kylon99]

Originally Posted by Raiza Sunozaki

This is something I thought up that was similar to what you said Kylon. It kinda has to do with how most of us (including myself) are somewhat hypocritical with the red truth. We're told that the red is the absolute truth, but we constantly stretch the boundaries of that truth to suit our means. For example, with the Episode 4 red truth on how Battler's sin has nothing to do with meta-Beato, I stretched it to say because whoever that Beatrice matched on the gameboard was not yet Beato when Battler committed his sin, it could still be a sin Battler committed towards her.

Very good point... even if I didn't have a little bit of faith in Ryukishi, I would suspect he's the type of author to just bluntly tell you later, "Look, I told it straight to your face, didn't I? You were the one who got yourself into trouble by trying to think around the red text..."

So, I reserve a little bit of thinking space to analyze Umineko as if the things in the game are exactly as it says; no twisting around.

[Oliver]

Originally Posted by Kylon99

So, I reserve a little bit of thinking space to analyze Umineko as if the things in the game are exactly as it says; no twisting around.

I very much suspect most of it is actually exactly this way. So far, the most commnlyy used misdirection principle seems to be 'you assumed something because it is always so, but it doesn't have to be' and second degree of same - 'you assumed I had to be lying somehow but I actually was explicitly truthful'

The most egregious example is what Meta-Beatrice does to Battler with the people count. First she directs him to think that the 19th person exists. Then, when he built up theories using that, she destroys the 19th person. So Battler starts formulating theories involving 18 people, thinking that 'no more than 18' means '18'. But it actually means '18 or less', exactly what she said, and when the time is right, Beatrice whacks him over the head with it and laughs.

Same about Natsuhi and the receipt in Ep1. We are meant to think that if Natsuhi tossed Kinzo's corpse out of the window of his study, as Eva accuses, she must be guilty of murdering him, but this is by no means necessarily so, and Ep5 eventually explains why she might have done this without being guilty at all.

I suspect the very same thing about the chapel lock (the statements in red about it are not sufficient to state that it works at all, not working fits everything else fine) and I expect much of the trickery relies not on bending the red, but on slipping through the cracks between common sense assumptions about how things work -- but not the common language assumptions about what the words mean.

[Bluemail]

Yeah I also don't believe in twisting the red too much. I think the key is looking at what the red doesn't say, and also why are those particular truths brought to light. The more red is revealed, the easier it is to get to the truth, actually (though this is quite obvious also). Well, a little reading between the lines is required. For example, the very first murder, the shutter case. A very little red is given about the actual murder, making it difficult to choose from all the possible solutions.

More red is about the corpses. I really think there is a significance only half a face is destroyed from Krauss and Shannon. As some sharp-eyed fellow pointed out, when Lambdadelta told that the identities of all unidentified corpses are guaranteed, this might actually mean that the identities of everyone except the "identified" corpses, Krauss and Shannon (they are identified because only half of their faces are destroyed), are guaranteed. With this line of reasoning, it leads to the thought that either Krauss or Shannon (or both) is faking their death. I suspect Shannon the most. I don't like the idea either, but Shannon could have killed Kanon, dressed him in her clothes, and Shannon disguised herself as Kanon. Only Hideyoshi and Kanon (Shannon in disguise) really saw "Shannon's" corpse, and because they look quite alike, there's a good chance Hideyoshi mixed them up, while Shkanon would just keep pretending. Technically it isn't a body double trick, because it is really a different person lying dead in there, who happens to look like Shannon.

Stating Kanon as culprit looks too obvious to me, so I'm trying this line of reasoning for Episode 1. Then Shannon could continue the murders like Kanon would in a Kanon-culprit-theory. This only works if you can counter the red regarding Kanon's "death" in the boiler room by saying "he was already dead by that time, so no-one could have killed Kanon etc."

Oh, and I also like to use Genji, Kumasawa, and Nanjo are not murderers for all episodes. It crops the possible killer list by a few (and especially effective in the later parts, when we know only a couple of people could technically be the killer). But it doesn't say any of them couldn't be an accomplice, possible staker, letter placer or magic circle painter. At least Nanjo is a definite suspect of giving false diagnosis, as he is always staked by Belphegor. Reading from Wikipedia, Sloth also has a meaning of "not using one's skills to their full potential". I'd say this is a sign of false diagnosis, in practice helping people to fake their deaths.

[SeagullCrazy]

Originally Posted by Bluemail

More red is about the corpses. I really think there is a significance only half a face is destroyed from Krauss and Shannon. As some sharp-eyed fellow pointed out, when Lambdadelta told that the identities of all unidentified corpses are guaranteed, this might actually mean that the identities of everyone except the "identified" corpses, Krauss and Shannon (they are identified because only half of their faces are destroyed), are guaranteed. With this line of reasoning, it leads to the thought that either Krauss or Shannon (or both) is faking their death.

One thing I want to mention. Here, Krauss has nearly the exact same wound he has in EP4, just on the other side of his head. If you're going to suspect Krauss here, then you have to suspect Krauss in EP4. But then what about the rest of the people in EP4 with that wound? Were they faking too? Natsuhi, Rudolf, Eva, Hideyoshi, Krauss, Shannon, Genji, Nanjo, and Jessica all faked their deaths in EP4, and were alive even after Battler inspected them?

It gets too ridiculous to set aside Battler's detective authority so often. Remember, as long as he doesn't see it, anything can happen. The only corpse in EP1's first twilight he doesn't see is Shannon's, so there isn't any real proof her head was damaged in the same way. There isn't any proof her head was even damaged. I could even say that there wasn't a corpse there at all, though that might be too much of a stretch. As long as Kanon and Hideyoshi say that a corpse was there, and everyone else believes them, then a corpse was there.

Oh, and for those people who wonder why Hideyoshi would lie about Shannon's corpse:
Hideyoshi knew George was going to propose to Shannon. He saw Shannon's "corpse" and didn't see a ring on her finger. In order to make his son happy, he lied and said she was wearing the ring.

[Oliver]

Originally Posted by SeagullCrazy

Hideyoshi knew George was going to propose to Shannon. He saw Shannon's "corpse" and didn't see a ring on her finger. In order to make his son happy, he lied and said she was wearing the ring.

There's one interesting minor bit about that. Who knew George is planning to propose to Shannon?

• Shannon clearly suspected.
• Jessica pretty much expected it, she's shipping them.
• Hideyoshi, possibly, because without his support, or at least neutrality, George is screwed in any conflict with Eva, and his Ep1 words heard by Battler imply support was given.
• ....Rudolf.

In the morning of at least some episodes, Rudolf overhears George practicing his proposal scene in the men's room, but says nothing pertinent and leaves.

I wonder, if anything changes because he knows.

[Judoh]

Originally Posted by Bluemail

Oh, and I also like to use Genji, Kumasawa, and Nanjo are not murderers for all episodes. It crops the possible killer list by a few (and especially effective in the later parts, when we know only a couple of people could technically be the killer). But it doesn't say any of them couldn't be an accomplice, possible staker, letter placer or magic circle painter. At least Nanjo is a definite suspect of giving false diagnosis, as he is always staked by Belphegor. Reading from Wikipedia, Sloth also has a meaning of "not using one's skills to their full potential". I'd say this is a sign of false diagnosis, in practice helping people to fake their deaths.

Yeah I like that red too for the same reasons. You don't have to murder anyone to be the mastermind behind the murders though. So the Butler or the doctor did it is still a possibility even though it's cliche.

Actually Nanjo would be a perfect staker IMO, but I'm also suspicious of the stakes anyway.

[SeagullCrazy]

Originally Posted by Oliver

There's one interesting minor bit about that. Who knew George is planning to propose to Shannon?

Well, the Rudolf bit was interesting, but there aren't many scenes involving Rudolf and George after that, are there?

But that got me wondering: did we find out the results of George's proposal in EP5 and EP6? It may have been stated in EP6 and I missed it, but I'm pretty sure it was completely avoided in EP5.

[Judoh]

I'm beginning to think that whatever was the content in Land of the golden witch wasn't about the characters. So it can't be about Erika or Shkanon. If what Ryukishi is saying means anything the content should be a group of reds and that's definitely not something Shkanon would be admitted with right now.

If that content IS in episode 5 (he didn't specifically say it was he said he couldn't say) It probably has to do with the letter in episode 5 and who was where when it was delivered. That's the only group of reds I haven't seen touched upon until episode 5 and it isn't really necessary content (he said it was venomous, but he also said the content wasn't really necessary). So that might be part of it.

[chronotrig]

Okay, bits from a new Ryuukishi interview translated (the originals are from 2ch, so take everything with a grain of salt). More info whenever the complete interview turns up.

Spoiler for Ryuukishi interview:

「物語のテーマの１つは恋愛にある」ということはもうお分かり頂けていると思います。
だとすると、ゼパルとフルフルは本編の真相を司る悪魔と言ってもいいですね。
あの2人のやりとりは、強烈なヒントや暗示をたくさん含んでいます。

By now, you probably understand that love is one of the themes of this tale. In that case, you might say that Zepar and Furfur are the demons who control/represent the truth of the main story. There are many very strong hints and clues in what those two say.

(戦人の救出について)
その辺りが、ベアトリーチェの真相にかかわる大ヒントになっているのではないでしょうか。

本当は救出方法が分かれば、「EP1」から「EP4」の謎は全部解けてもおかしくないんです。
特に、今回は、ヒントという名の答えをどんどん出していますので、今までの密室の謎は全て説明できるはずな んです。

(About Battler's escape)
This part will probably serve as a massive hint regarding the truth about Beatrice.

If you really understand how he was able to escape, it should be possible for you to solve all of the riddles from EP1 to EP4.
Especially after this last game, where we placed several hints that verged on answers, you should be able to explain the riddles of all the closed rooms up until now.

(EP7について)
「EP6」のラストで「答え合わせがしたい」と言っているので、今まで劇中で語られなかった過去話とか、色 々な人物の内面とか、自白や告白に近いレベルな話が出てくると思います。

(About EP7)
At the end of EP6, they said "we want to have an answer session", so I think that it will include backstory elements that haven't yet appeared in the story, as well as the inner thoughts of various people, making for something that borders on the level of a confession.

(EP7では完結しない？)
どうでしょうね、ラッキーセブンというのも語呂がいいですし(笑)、
「EP8」は「うみねこのなく頃に 礼」ということでオマケエビソードになるかもしれませんよ？(笑)
ただ「EP7」では、相当容赦のない答えを出すことになると思います。

Will EP7 end the series?
Who knows? Seven is a lucky number (laughs), and EP8 might become an omake episode, like an "Umineko no Naku Koro ni Rei". (laughs again)
However, I think we will be giving out an extremely merciless answer in EP7.

ただ戦人の過去の罪や、ベアトリーチェを眠らせるということについては、『Ｅｐ１』から『Ｅｐ６』の間に十 分ヒントが、いやもう答えが出ていますね。
早い人は『Ｅｐ４』で答えに至っているんですよ。『Ｅｐ５』は更にダメ出しのヒントが出され、『Ｅｐ６』で ほとんど確定的な答えになっています。

As for the truth behind Battler's sin and putting Beatrice to sleep, plenty of hints...no, in fact, the answer has already appeared in EP1-6. Quick readers reach the answer in EP4, even more weak points are exposed in EP5, and EP6 gives a nearly definitive answer.

——今回「黄金の真実」を戦人が使わず、ベアトリーチェ（姉）が使った理由は？

竜騎士　私としては「誰が使ったか」ではなく、「どういう状況下で、何を意味して使ったのか」ということを 探してほしいですね。
「黄金の真実」と「赤き真実」の成立条件の違いを考えて欲しいです。

Why did Beatrice the elder use the gold truth this time instead of Battler?

I suggest that you consider what situation it was used in and what it meant, rather than who it was that used it.
You should think of the difference in the conditions needed to make 'gold truth' and 'red truth' work.

——『ＥＰ５』で「黄金の真実」を戦人が使ったのは、ベアトリーチェを含めたルールを理解した証であるとい う描写がありましたね。
竜騎士　そうですね。ルールを理解していれば「黄金の真実」は誰にでも仕えるものなので、究極的にはゲーム の「駒」でも使えるものなのです。だからベアトリーチェ（姉）も使えたのでしょう。格闘ゲームの隠し必殺技 みたいにコマンドさえ知っていれば誰でも出せるものです（笑）

In EP5, we were told that Battler's use of the gold truth was proof that he understood the rules, including Beatrice.

Ryuukishi: That's right. The gold text is something that anyone can use if they understand the rules of the game, so ultimately, even 'pieces' in the game can use it. That's probably why Beatrice the elder could use it too. It's like a hidden finishing move in a fighting game that anyone can use if they know the right commands (laughs).

[Judoh]

Originally Posted by chronotrig

Spoiler:

Ryuukishi: That's right. The gold text is something that anyone can use if they understand the rules of the game, so ultimately, even 'pieces' in the game can use it. That's probably why Beatrice the elder could use it too. It's like a hidden finishing move in a fighting game that anyone can use if they know the right commands (laughs).

OO! It seems like I was spot on when I said the gold was best when it's sheathed until the end! This just confirms for me what I've been talking about all along.

[Tsuyi]

I haven't delved as deep into the series as a lot of people have, but is it possible that there are two Kanons rather than Shannon pretending to be him sometimes? People have been able to work around the double Battler thing for the fourth game after all. I can't think of any other character at the moment who has had such an impossible body double other than Episode 2's red-eyed Kanon. The fact that his design was slightly different, and his personality was waaay off...

What exactly are the arguments FOR Shkanon at the moment? I haven't read Episode 6, so...D:

[Oliver]

Originally Posted by SeagullCrazy

Well, the Rudolf bit was interesting, but there aren't many scenes involving Rudolf and George after that, are there?

There aren't many scenes involving Rudolf in any kind of active capacity at all, and whenever they're together, he readily lets Kyrie have the center stage if he can get away with it. I'm not even sure he ever narrates in first person, when even Nanjo does at least once.

[Judoh]

Originally Posted by Tsuyi

What exactly are the arguments FOR Shkanon at the moment? I haven't read Episode 6, so...D:

FOR Shkanon? Hmm...?

I think I can list them, but you don't need episode 6 to know what those arguments are.

• perspective: The detective Battler never sees Shannon an Kanon together this started the whole idea that it was possible they were the same person. Erika also rarely narrates the story in episode 5. (arguably you could say the meta world narrates the story in Kinzo's study it doesn't seem to be from either Battler's or Erika's perspective)
  
• Missing body: Kanon's body almost always goes missing while Shannon's doesn't. Either he never existed on Oct 4th in the first place and is the same person as somebody else or he dies early before Oct 4th in a duel with Shannon or somebody in some episodes (not all).
  
• Furniture: Some furniture (stakes and Sakutarou) are perceived as imaginary people and don't exactly count as people, but they can exist on SOME people's mental game boards. Kanon can be an imaginary person.

tell me if I missed anything.

[Judoh]

(About Battler's escape)
This part will probably serve as a massive hint regarding the truth about Beatrice.

If you really understand how he was able to escape, it should be possible for you to solve all of the riddles from EP1 to EP4.
Especially after this last game, where we placed several hints that verged on answers, you should be able to explain the riddles of all the closed rooms up until now.

Ssol's explanation for how Battler escaped seemed the best to me. It really did explain how Kanon was able to get there easily.

However I wonder how we could apply that idea to other episodes? Any ideas? Battler's room is more of a sealed room than a closed room. And there is the whole meta world sealing thing.

I also wonder if he could be talking about the duct tape chain lock trick or not.

[goldenlove27]

Originally Posted by Judoh

Ssol's explanation for how Battler escaped seemed the best to me. It really did explain how Kanon was able to get there easily.

However I wonder how we could apply that idea to other episodes? Any ideas? Battler's room is more of a sealed room than a closed room. And there is the whole meta world sealing thing.

I also wonder if he could be talking about the duct tape chain lock trick or not.

What was Ssol's answer again... and about the duct tape? Too busy thinking about Kanon's character status...