2012-01-21, 05:21 | Link #27201 | ||
Goat
Join Date: Jul 2006
Location: Gnawing away at Rokkenjima
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Meta-Erika did not get to see End through Piece-Erika's eyes; she saw the game replayed exactly as we did (mostly from Battler's perspective). Since Piece-Erika does not narrate, even to Meta-Erika, Meta-Erika was never "tricked" by relying on Piece-Erika having a falsely reliable viewpoint. In other words, Piece-Erika's reliable viewpoint was not "undermined"; it simply was never expressed in the first place. Quote:
The trick was that when those Reds were spoken it was 24:00 on October 5th, which leaves plenty of time for the cousins to die after they fake the First Twilight. |
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2012-01-21, 05:24 | Link #27202 | |
Senior Member
Join Date: Nov 2011
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2012-01-21, 05:52 | Link #27203 | ||
The True Culprit
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2012-01-21, 12:57 | Link #27204 | |
Goat
Join Date: Jul 2006
Location: Gnawing away at Rokkenjima
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Nothing logically necessitates that Meta-Erika must be able to utilize "the authority" unless you assume that my premise- that Meta-Erika has no direct access to EP5 Piece-Erika's observations whatsoever- is wrong. Don't do that. It's circular reasoning and a complete waste of time. If you want to attack my theory, and I'm sure that you do, then attack the validity of my premise. It has plenty of weak points you can have fun with. Meta-Erika never Played End in any sense a first or second time; Bernkastel was the Player and, according to my premise, Meta-Erika never experienced End as Piece-Erika. |
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2012-01-21, 13:17 | Link #27205 | |
Senior Member
Join Date: Dec 2011
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If he put it in just to fake us out, that would be kind of silly... |
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2012-01-21, 15:27 | Link #27206 | |
Goat
Join Date: Jul 2006
Location: Gnawing away at Rokkenjima
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Anyway, as I think it's probably relevant to your concerns, it seems apparent to me that the ability to enforce the Decalogue also comes with Detective Authority. And the Decalogue certainly had impact on the game of EP5. |
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2012-01-21, 16:52 | Link #27207 |
The True Culprit
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What he's saying is that Erika's reliable perspective never had impact. She both never got to make use of it, and NEVER COMPLAINED ABOUT NOT GETTING TO ACCESS HER PIECE'S INFORMATION. Why would she POSSIBLY let that sort of thing stand?
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2012-01-21, 19:50 | Link #27210 |
Thought Being
Join Date: Jul 2006
Location: Canada
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Well adding in Detective's Authority added legitimacy to the Mystery side of things. And I like the idea that Beatrice's Gameboard is flexible to create tales with a detective or without a detective, just as different mystery stories have them or not.
And Aura, you never commented on my theory. I'm curious what you and Renall think of it. To me it doesn't undermine the Detective's Authority, but rather just shows that the Mystery side is on equal terms with the Fantasy for what they are capable of.
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2012-01-21, 22:01 | Link #27212 | ||
Goat
Join Date: Jul 2006
Location: Gnawing away at Rokkenjima
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I am saying that she does not have that right nor does she have a reason to feel that she should have that right. My premise is that there is no information-sharing mechanic between Piece-Erika and Meta-Erika at all (beyond what we see in-story as it is shown to Meta-Battler and ourselves). It's simply how the Meta-World<=>Game-Board relationship works. There is only one version of how the game went and we saw it; there is no Erika-perspective version of the game. No one was directly "regulating" what information went from Piece-Erika to Meta-Erika because there is nothing to regulate. No one is obstructing her. There is no one for Erika to complain to. Quote:
But I agree that it's kind of weird that Detective Authority apparently only has, what?, two functions other than the Decalogue, one which was never used at all (the perfect autopsy ability) and the other only used to view a scribble on a wall (right to inspect crime scenes ability). Although the potential usefulness of these abilities was part EP6's plot, even if they weren't used. |
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2012-01-21, 22:12 | Link #27213 | ||
The True Culprit
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Why would she not feel entitled to information she's told her character has access to? It's nonsense. Quote:
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2012-01-21, 22:48 | Link #27214 | |
Thought Being
Join Date: Jul 2006
Location: Canada
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And for what Wanderer is saying, I'd say I mostly agree with the idea that Erika probably does not have an unseen perspective on things. The game boards seem to have a a single telling that everyone examines, and this is what is avaliable for reviewing by others, such as what Lion and Will do in EP7. Otherwise we could be asking questions such as if they watched from Erika's perspective or Battler's perspective for EP5. Of course there is an 'underside' of the game board which is put together by the GM, but I wouldn't think of that as a different perspective but rather extra information that is hidden. It seems to be that there is only one single perspective to see for each game board.
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2012-01-21, 23:07 | Link #27215 | ||
The True Culprit
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2012-01-22, 03:31 | Link #27216 | ||||
Thought Being
Join Date: Jul 2006
Location: Canada
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I'm gonna be adding in new elements to the theory as I write it out, and probably not catching everything I originally wrote, but I'll see if I can write up a concise form of the theory. (The concise theory is in quotes) Here is a key part part of where the theory is coming from. The series of Umineko, and Beatrice's Gameboard, is about a battle of Mystery vs. Fantasy. Within each individual Epsiode, we follow two clashing sides in a battle. In each game we can focus on the Player's side (Mystery) or the Gamemaster's side (Fantasy). But we, as observers have a 3rd option: to look at the battle as a whole, not limiting ourselves to either perspective. And I believe this is exactly what the invitations to each Episode are about. You can see what I mean by rereading them again with this in mind. Spoiler for EP1 Game Invitation:
Spoiler for EP2 Game Invitation:
Spoiler for EP3 Game Invitation:
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I think it is clear from these that Beatrice's Gameboard exists as something beyond just the Fantasy vs. Mystery we follow through the series. To us and other observers, the gameboard is a meta-battle where we blend both Fantasy and Mystery to understand what happened. This is what we do, this is what Featherine and all the Theatergoing Witches did. This is why Featherine made such a big deal about 'stepping onto the stage'. Once we establish this 3rd 'Meta' view, the Game Invitations make sense as addressin us directly, and not talking about Battler. It also puts into perspective how all the theatergoing witches percieve the battles. The EP5 parlor scene exists solely for people thinking from this perspective. It is interesting to note that it is only from the Meta side that the Truth is actually the focus. The Mystery side just needs to destroy Fantasy. The Fantasy side just needs to exist. It is only from the Meta side that this scene would matter. So here is a concise form of my theory: Quote:
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The Game Invitation says we should be able to spot something with a clear perspective. And this thing can't be anything that is explained in the narrative, because then there wouldn't be any difficulty. I believe that by putting both Kanon and Shannon in this scene, Lambda is giving a direct hint to people that are trying to find the Truth. Us, other observers, or people like Battler. This is a scene to show everyone that neither side alone is enough. Even the detective can be fooled by the right kind of Fantasy. You have to understand from the Meta perspective Beatrice to actually see the truth of the Gameboard. From a Meta perspective, alongside the events of the first 4 games, one is able to pick out that this might be a Fantasy. And by identifying that Kanon and Shannon appearing together is a Fantasy, you can quickly understand a lot more about the workings of the gameboard and the truth of the games. It is from this meta perspective that people like Featherine, Will, and us have been able to understand Beatrice and her tale. In a way, Shannon and Kanon is some of the most well protected magic through all the narratives we see. Since they are something 'allowed to exist' by so many, they are a very well-protected piece of Fantasy. Which is interesting, considering their relationship to Beatrice.
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2012-01-22, 03:52 | Link #27218 | |
Thought Being
Join Date: Jul 2006
Location: Canada
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It's rather that all of Rokkenjima exists in a nebulous form where the Fantasy exists solidly, but can easily be wiped away. Kinzo exists until the Fantasy is destroyed. Kanon and Shannon both exists as there is nothing denying them. Like the battles with the Goats in EP8.
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2012-01-22, 04:28 | Link #27220 |
Thought Being
Join Date: Jul 2006
Location: Canada
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It's not about which exists more. As the Gameboard stands, Fantasy can exist. It's true, if the Book of the Single truth was revealed, then Fantasy and Beatrice probably would have been destroyed forever. EP8 does make a big deal of learning the truth being a one-way street. And that's why it was so important to keep it hidden.
EDIT for thoughts: Actually, instead of having the truth destroy all fantasy, I think it rather would collapse the infinite (endless) worlds into one single world. And if no fantasy appeared in that one single world, then Beatrice might as well not exist. The truth can never completely destroy the unknown that Fantasy exists in, but by revealing the truth, it'll all but eliminate it from Rokkenjima on that weekend.
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