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Old 2018-02-25, 19:52   Link #1
AnimeFan188
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Join Date: Jan 2008
Anime/Manga Technology

Henjo's Twitter Lets Users Automatically Generate 4-Panel Manga:

"In order to participate, people must reply to the announcement tweet with "four panel"
in Japanese, plus a theme listed in parentheses that they want the bot to use to make
the manga. The theme can be a maximum of eight characters in Japanese. A bot then
uses panels from Konogi's manga, inserts new text, and replies with the manga itself.
The announcement also states that more characters will debut as people retweet the
campaign."

See:

https://www.animenewsnetwork.com/int...-manga/.128071
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Old 2018-03-01, 00:31   Link #2
AnimeFan188
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Join Date: Jan 2008
Digital Manga Volume Sales Overtake Print Manga Volume
Sales in Japan for 1st Time:


"Reports by both The Huffington Post on Monday and the NHK World on Tuesday noted
that annual sales of digital manga volume sales overtook sales of physical manga
volumes for the first time in 2017. The reports, citing the Research Institute for
Publications, noted that total sales of physical compiled manga book volumes were
166.6 billion yen (about US$1.56 billion) — down 14.4% compared to the previous year.
This drop is the highest since sales were first tabulated in 1978. Meanwhile, digital
volume sales rose to 171.1 billion yen (about US$1.6 billion) — up 17% compared to the
previous year. These figures do not include magazine sales."

See:

https://www.animenewsnetwork.com/new...t-time/.128360
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Old 2018-09-02, 18:55   Link #3
AnimeFan188
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This article has more to do with American animation than Japanese Anime, but
the technology being discussed doubtless has an effect on the other side of the
Pacific as well.


Between Cintiq and streaming, animation is thriving—ask
Titmouse’s Chris Prynoski:


""The fundamentals of animation haven't changed a lot. When I started, you were
drawing on pieces of paper; people were using computers to scan but colored in ink
and paint," Prynoski says. "Before my time, it was the big ol' Oxberry cameras. But it
pretty quickly got taken over by computers. Now, hardly anybody uses pieces of
paper... Anything we do starts on [Wacom] Cintiqs, which are basically big computer
screens you can draw on. But the main thing is still that artistic skill you have to
develop—whether it's on a piece of paper or computer screen—which has stayed
pretty similar."

Even if the core skill of his industry hasn't changed, Prynoski readily acknowledges
tech has made today a great time to be in animation. For starters, unlike the
expensive equipment required to turn pen strokes into full productions in the past, the
barriers to entry for young, DIY animators have lowered.

"There [are] no shortcuts for becoming a better writer or better artist, but the tools
are a lot cheaper," he says. "It used to cost tens of thousands to get the gear you
need to make a cartoon. But now you can probably use your cell phone or a tablet for
everything and spend $500, maybe a little more if you want to be fancy."

See:

https://arstechnica.com/gaming/2018/...hris-prynoski/
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Old 2018-09-29, 19:10   Link #4
AnimeFan188
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Join Date: Jan 2008
Dwango Unveils Anime-Drawing Assistant AI With
Sibling Mascot Characters:


"Dwango revealed on Tuesday that part of the production of the FLCL Progressive film
and CalorieMate's "Susume, Karolina" commercial use an animation production
assistance technique from the company's machine-learning technique division Dwango
Media Village. The company is calling the technique an "assistant" that can help users
streamline the "animation processes of anime production."

Dwango also unveiled the "Tokigahara siblings" anthropomorphizations that represent
the two functions of the new assistant. The character duo consists of the sister Umeru
Tokigahara and the brother Utsusu Tokigahara. "Nazo no Anime-dan" (Mystery Anime
Group) is credited with their character designs. A Twitter account for the pair also
launched on Tuesday.

The use of artificial intelligence (AI) in various industries has been spreading in recent
years, and Dwango has been researching and developing AI techniques that can
support animators' work. As part of that aim, the new AI can assist with the
inbetweening and keyframe-tracing parts of the anime production process."

See:

https://www.animenewsnetwork.com/int...acters/.137288
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Old 2018-12-01, 20:49   Link #5
AnimeFan188
Senior Member
 
Join Date: Jan 2008
Animators, Researchers Develop Automated Technique
for Coloring Anime:


"Japanese animation production companies Imagica Group and OLM Digital have
joined forces with the Nara Institute of Science and Technology (NAIST) to develop a
technique for automatic coloring within anime production.

Imagica Group is a production company that specializes in video production duties,
including filming, dubbing, editing, restoration, and streaming. One of their subsidiary
groups is Oriental Light and Magic (OLM), the production studio of the Pokémon
anime. The OLM group specializes in both 2D and 3D animation, as well as visual
effects.

The coloring technique developed by the researchers is based on recent advances of
machine-based deep learning. The researchers developed a color script to correspond
with the different segments of an image, which is then applied by an algorithm
capable of machine learning. These techniques have been applied widely in various
fields, such as coloring black-and-white photos, although the researchers claim to be
the first to develop a technique for automatic coloring in Japanese anime production in
particular."

See:

https://www.animenewsnetwork.com/int...-anime/.140131
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