2022-10-21, 07:21 | Link #1 | |
AS Oji-kun
Join Date: Nov 2006
Age: 74
|
Netflix reconsiders role of anime
Quote:
__________________
|
|
2022-10-21, 09:58 | Link #2 |
Shitpost Gremlin
Join Date: Jun 2006
Location: Formerly Iwakawa base and Chaldea. Now Teyvat, the Astral Express & the Outpost
Age: 44
|
As far as french internet users are concerned, it's actually anime that make them stay on Netflix. The rest it's either cooking shows, animal documentaries. They are not watching Netflix for, I quote, "Twitter propaganda".
|
2022-10-21, 10:05 | Link #3 |
Kana Hanazawa ♥
Join Date: Jun 2007
Location: France
Age: 38
|
They might re-reconsider now that their numbers shot up again.
I certainly don't keep Netflix for anime, personally. I can count on one hand the number of good anime they've put out. The fuckers have also ruined Jojo with their batch releases. Koutaro lives alone and Cyberpunk Edgerunners are the only two good anime I've seen this year on their platform.
__________________
|
2022-10-21, 12:15 | Link #4 |
Haven't You Heard?
Join Date: Jul 2011
Location: South-east Asia
|
Hmm, so what happened to Isekai Ojisan is indeed a precedent.
Then again, AFAIK dominating titles of Netflix are not their titles. Last time I saw its Hunter x Hunter and Cardcaptor Sakura instead of, well, their titles like Violet Evergarden, Ultraman, etc. So it looks normal to me if they cut some help to anime production as amount of people maintaining membership declining. Really doubt Edgerunners popularity will change their mind as amount of tries to reach that point would be considered no good, while the popular title as mentioned only proven its better to fund big names like JoJo, Saint Seiya than betting on weird titles like Reincarnated as Sword; popular ones, propaganda, as long it sells.
__________________
|
2022-10-21, 12:15 | Link #5 | |
Senior Member
Join Date: Aug 2013
|
Quote:
__________________
|
|
2022-10-23, 08:53 | Link #7 |
Seishu's Ace
Author
Join Date: Dec 2005
Location: Kyoto, Japan
|
Netflix has been frustrating at times with anime, especially with distribution (less so than Disney). But they've done some very good work lately - Extraterrestrial Boys and Girls, Godzilla SP, Great Pretender, Kotarou et al. They've been getting better.
Most importantly, they're an influx of money into the industry, albeit most of it isn't going where it should yet, and they aren't making the same cookie-cutter shows we're mostly getting through the production committee system. I think if you're celebrating Netflix getting out of anime, you're effectively saying a third of the schedule being Isekai adaptations and CGDCT shows on shoestring budgets isn't enough - you want it to be even more.
__________________
|
2022-10-23, 18:17 | Link #8 | |
Kana Hanazawa ♥
Join Date: Jun 2007
Location: France
Age: 38
|
Quote:
__________________
|
|
2022-10-24, 03:26 | Link #10 |
Haven't You Heard?
Join Date: Jul 2011
Location: South-east Asia
|
Netflix need for increase of subscribers is no different than committee need for source material sales boost.
Isekai and CGDCT sold well and generated more writers than other genre in Japan so we got a barrage of it. If Netflix data shown Isekai and CGDCT are the one doing well on their libraries, then it won't be different. Them funding titles like Eden Zero, CG Saint Seiya and JoJo: Stone Ocean is reflecting how shonen did pretty well on contributing numbers than most of their original titles. It down to either Netflix focusing on more popular attribute for better subscribers number to keep things alive or pull the plug and not looking back. It already happened on several anime streaming service. At first it looks like they have nice selection of titles; as time goes it started focusing on what makes their top dog popular for effectiveness and efficiency. Service A, Fairy Tail have highest amount of viewers, grab all actions they could; service B, SAO is popular, power fantasy and isekai easily dominates their licensing choice (it helps that they're cheaper than big titles), things like that. They didn't completely ditch other genre, but surely you can't expect every works is a big hit friendly to casual audience like Spy x Family or enticing enough to ensure mouth-to-mouth marketing like Edgerunners.
__________________
|
2022-10-24, 21:34 | Link #11 | |
Speedy Sea Cucumber
IT Support
Join Date: Jun 2008
Location: Philadelphia
|
Quote:
Netflix had more of a WTF selection. For some reason I got randomly into a few 4/10 series on Netflix just because I had a shared password though; shit like Japan Sinks 2020 or Children of the Whales. They had a fixation on 3DCG anime too, though it worked for series like Hi Score Girl. I won't miss Netflix jail, but Disney jail is even worse now. |
|
Tags |
japan netflix, netflix |
|
|