![]() |
Link #32441 |
Burst Mode
![]() |
Obviously you have to have your OC villain pose a threat so it's okay if they're stronger than canon characters. Which canon character is the sticky point. If you have them noted for being more powerful then Reinforce, people'll call bullshit on that.
Other justification helps, too. So far Volvo's kicked the crap out of Nanoha twice, but that's because she's out of shape and with each battle she's faired better against him.
__________________
|
![]() |
![]() |
![]() |
Link #32442 | |
Forever a Journey
Join Date: Apr 2004
Location: Close to the northpole
|
Quote:
... I suppose I'll act as the counterweight, to balance things in this universe. After all, I'm clinically unable to feel down and write sad things ![]() |
|
![]() |
![]() |
![]() |
Link #32443 | |
Test Drive
![]() |
Quote:
![]()
__________________
|
|
![]() |
![]() |
![]() |
Link #32445 | |
Senior Member
Join Date: Jun 2011
Age: 30
|
Quote:
I was going to imply that the OC is about as good as Signum is when it comes to swordsmanship and has a device that can switch between being a double-bladed sword or two regular swords which isn't anything new since Fate does the same thing more or less with Bardiche in Force . But is slower then Signum, and has nearly no skill at ranged combat. |
|
![]() |
![]() |
![]() |
Link #32446 | |
Forever a Journey
Join Date: Apr 2004
Location: Close to the northpole
|
Quote:
![]() My dear, one need to see the timeline document to make a proper comment on this. I don't think me and dc are getting out of each other's hair anytime soon xD. |
|
![]() |
![]() |
![]() |
Link #32447 | |
Test Drive
![]() |
Quote:
__________________
|
|
![]() |
![]() |
![]() |
Link #32448 | ||||||
Queen of Tragedy
Join Date: Mar 2009
Location: Place of rocks and trees, and trees and rocks...and water.
Age: 33
|
Quote:
![]() Quote:
![]() Well, I obviously skipped a lot of events in between to get right to the misery ![]() Quote:
Quote:
![]() ![]() ![]() .... Yeah, it's probably Shigan's influence that's keeping it light ![]() ![]() ![]() ![]() Quote:
![]() Quote:
__________________
|
||||||
![]() |
![]() |
![]() |
Link #32449 | |
Test Drive
![]() |
Quote:
![]()
__________________
|
|
![]() |
![]() |
![]() |
Link #32451 | |
The Flame Crussader
Join Date: Aug 2009
|
Quote:
__________________
|
|
![]() |
![]() |
![]() |
Link #32452 |
Senior Member
Join Date: Jun 2011
Age: 30
|
I might not need to be as Signum and the OC will never fight, or even meet one another. And to clarify I meant almost as strong as Signum when she isn't unisoned with Agito or even having her help in any way.
Edit: Aki it takes place a couple months after Force. Last edited by NTFTH; 2011-07-08 at 21:28. |
![]() |
![]() |
![]() |
Link #32454 |
Beta by Accident
![]() Join Date: Oct 2008
Location: Maine
Age: 52
|
Raiser's right about that; if your OC is the villain, it's all right for them to have superior firepower (or at least access to sometimes superior firepower). Although villains with inferior firepower can be good as well, though the trick there is to make the villain's early success not seem like it comes from the hero being stupid (unless the hero is supposed to be stupid, which is generally not the case in MGLN), else you get the StrikerS problem of Hayate being apparently bad at combat tactics.
As Raiser notes, though, making your villain too strong is a problem for a whole bunch of reasons: 1. It cheapens last season's Epic World-Beating Threat To The Known Universe. Do that too many times and instead of dramatic tension, you just get a yawn. 2. Villain Sue becomes more and more a threat when the power level increases. 3. Increasing the villain's power level is often as much a sign of Bad Writing as is increasing the hero's power level. This is why generic shonen anime where the hero "must get stronger" about 3/4 of the way through the season is targeted at shonen--i.e., children. It's a cheap way to keep from having to write intelligent conflict between the sides, to just have the results determined by power level (this is the argument going on about Force right now, whether the Huckebein do or don't fall into this trap). For a perfect example of OC villains done right, see Infinity, by Moczo. Enlil, Ammy, Susa, and Tsuku are exceptional antagonists, each with different personalities and goals that govern their actions. They make mistakes sometimes, they have dramatic power increases that don't feel like a Bad Writing Ass Pull, and most of all they're thoroughly defined characters that nonetheless don't overshadow the heroes. As for OC protagonists, the three things that I find are key are: 1. Do not involve an OC in the love lives of the canon characters, directly or indirectly. Don't pair them with a CC, don't have them give love advice to a CC, don't have them play matchmaker for your preferred ship, just...don't. Nothing is an easier way to make a character a Mary Sue than to have them get involved in shipping. 2. Don't make your OC better than the best canon character at anything. They're not better at bombardment magic than Nanoha, they can't summon monsters bigger than Caro or Lulu, they aren't better at hand-to-hand weapon combat that Fate or Signum, they aren't better at strange, obscure forms of magical martial arts than Ein, they aren't better at research than Yuuno, they don't have more raw power than Hayate, they aren't more moe than Vivio. If you want your OC to be The Ace, make them The Ace of something that doesn't exist yet in canon. (Example of this done well: synaesthetic's Celica Lynn-Irisfield from "The Call" and false light is among the best computer hackers in the Bureau. Thus far, canon hasn't actually featured any character who does more than use computers.) 3. Do not give your OC protagonist some rare/unique ability that is the key to their importance to the plot (i.e. in the way Vivio is the Sankt Kaiser's clone, so Quattro could use her to operate the Cradle). This basically reduces them to a plot device. If the OC is important to the plot in a key way, let it flow naturally from a normal skill base. Spoiler for false light spoilers:
Otherwise, OCs are basically part of the background that helps to fill out and expand on the world that the characters inhabit. Develop them on-stage in accordance with the needs of the plot and interesting storytelling; it's perfectly fine to know things about the OC's background that never get told in the story, because that helps you to understand what they do and how they do it so that their actions flow in a natural, logical path. Edit: Good grief, twelve new messages went up while I was typing that! ![]() |
![]() |
![]() |
![]() |
Link #32455 | ||
Queen of Tragedy
Join Date: Mar 2009
Location: Place of rocks and trees, and trees and rocks...and water.
Age: 33
|
Hehehe...but for HOW LONG?!?!?!
![]() ![]() Quote:
![]() Quote:
![]() Not saying that it won't work for you, but it's a perilous field ![]()
__________________
|
||
![]() |
![]() |
![]() |
Link #32456 | |
Forever a Journey
Join Date: Apr 2004
Location: Close to the northpole
|
Quote:
Or wait, that's not gonna happen. I already finished The Things We Tame! ![]() Related question to someone who hopefully knows: How tall is Adult/saint kaiser Vivio? |
|
![]() |
![]() |
![]() |
Link #32460 | ||||
Queen of Tragedy
Join Date: Mar 2009
Location: Place of rocks and trees, and trees and rocks...and water.
Age: 33
|
Quote:
![]() ![]() I totally broke that rule with Morgan Link in "Gut Feeling" by pairing her up with Hayate ![]() ![]() But a good example would be Celica (syn) and Victor (RB) from Shadowverse--neither of them are involved with any CC, which keeps the annoyance level down (the fact that they're both good characters is a bonus ![]() Quote:
![]() ![]() ![]() ![]() EDIT: Quote:
![]() Quote:
![]() ![]()
__________________
|
||||
![]() |
![]() |
![]() |
Tags |
authorshipping, befriending, fanfiction, interactive fanfiction, nanoha |
|
|